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Gombrich, E. H. The Story of Art. Phaidon, 16th.
Ed. 1995. pp.65-6, with adaptations.
As far as vocabulary is concerned, mark the following item as right (C) or wrong (E).
The fragment “after his god” (line 34) means
“prostrated himself in front of the deity”.
Gombrich, E. H. The Story of Art. Phaidon, 16th.
Ed. 1995. pp.65-6, with adaptations.
As far as vocabulary is concerned, mark the following item as right (C) or wrong (E).
The expression “fall into place” (lines 2 and 3) means
“to begin to make sense or to fit together”.
Gombrich, E. H. The Story of Art. Phaidon, 16th.
Ed. 1995. pp.65-6, with adaptations.
Based on the text, mark the following item as right (C) or wrong (E).
The author seems to suggest that some of Amenophis’
shortcomings are his physical appearance and mobility
impairment.
Gombrich, E. H. The Story of Art. Phaidon, 16th.
Ed. 1995. pp.65-6, with adaptations.
Based on the text, mark the following item as right (C) or wrong (E).
The fragment “shook the iron bars of the Egyptian
style” (lines 26 and 27) means “to raise the required
artistic standards further”.
Gombrich, E. H. The Story of Art. Phaidon, 16th.
Ed. 1995. pp.65-6, with adaptations.
The two instances of “whom” in “whom he worshipped and whom he had represented” (lines 31 and 32) can, in an informal context, be replaced with who, but “whom” and “who” play very distinct grammar roles in a sentence.