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Gombrich, E. H. The Story of Art. Phaidon, 16th.
Ed. 1995. pp.65-6, with adaptations.
Based on the text, mark the following item as right (C) or wrong (E).
The author seems to suggest that some of Amenophis’
shortcomings are his physical appearance and mobility
impairment.
Gombrich, E. H. The Story of Art. Phaidon, 16th.
Ed. 1995. pp.65-6, with adaptations.
Based on the text, mark the following item as right (C) or wrong (E).
The fragment “shook the iron bars of the Egyptian
style” (lines 26 and 27) means “to raise the required
artistic standards further”.
Gombrich, E. H. The Story of Art. Phaidon, 16th.
Ed. 1995. pp.65-6, with adaptations.
The two instances of “whom” in “whom he worshipped and whom he had represented” (lines 31 and 32) can, in an informal context, be replaced with who, but “whom” and “who” play very distinct grammar roles in a sentence.
Gombrich, E. H. The Story of Art. Phaidon, 16th.
Ed. 1995. pp.65-6, with adaptations.
The fragments “which all creations of a people seem to obey.” (line 4) and which all creations of people seem to obey mean the same and can be used interchangeably.
Stanzel, V. New Realities in Foreign Affairs: Diplomacy in the 21st Century.
SWP Research Paper 2018, RP 11, November 2018,with adaptations.
Considering the vocabulary of the text, mark the following item as right (C) or wrong (E).
In line 5, the expression “by and large” could be
replaced with partially without changing the meaning
of the sentence.
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