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honest-to-goodness android, so lifelike that it seems like
a real person. It has moist lips, glossy hair and vivid
eyes that blink slowly. Seated on a stool with hands
5 folded primly on its lap at the 2005 World Exposition in
Japan's Aichi prefecture, it wore a bright pink blazer and
gray slacks. For a mesmerizing few seconds from several
meters away, Repliee was virtually indistinguishable from
an ordinary woman in her 30s. In fact, it was a copy of
10 one.
Japan is proud of the most advanced humanoids in
the world, which are expected to eventually be used as
the workforce diminishes among the decreasing and aging
population. But why build a robot with pigmented silicone
15 skin, smooth gestures and even makeup? To Repliee's
creator, Hiroshi Ishiguro, Director of Osaka University's
Intelligent Robotics Laboratory, the answer is simple:
"Android science."
Besides the justification for making robots
20 anthropomorphic and bipedal so they can work in human
environments with architectural features such as stairs,
Ishiguro believes that people respond better to very
humanlike automatons. Androids can thus elicit the most
natural communication. "Appearance is very important
25 to have better interpersonal relationships with a robot,"
says the 42-year-old Ishiguro. "Robots are information
media, especially humanoid robots. Their main role in
our future is to interact naturally with people."
Mild colorblindness forced Ishiguro to abandon his
30 aspirations of a career as an oil painter. Drawn to
computer and robot vision instead, he built a guide robot
for the blind as an undergraduate at the University of
Yamanashi. A fan of the android character Data from the
Star Trek franchise, he sees robots as the ideal vehicle
35 to understand more about ourselves.
To imitate human looks and behavior successfully,
Ishiguro combines robotics with cognitive science. In turn,
cognitive science research can use the robot to study
human perception, communication and other faculties.
40 This novel cross-fertilization is what Ishiguro describes
as android science. In a 2005 paper, he and his
collaborators explained it thus: "To make the android
humanlike, we must investigate human activity from the
standpoint of cognitive science, behavioral science and
45 neuroscience, and to evaluate human activity, we need
to implement processes that support it in the android."
One key strategy in Ishiguro's approach is to model
his artificial creations on real people. He began research
four years ago with his then four-year-old daughter,
50 casting a rudimentary android from her body, but its
mechanisms resulted in strange, unnatural motion.
Humanlike robots run the risk of compromising
people's comfort zones. Because the android's
appearance is very similar to that of a human, any subtle
55 differences in motion and responses will make it seem
strange. Repliee, though, is so lifelike that it has
overcome the creepiness factor, partly because of the
natural way it moves.
Ishiguro wants his next android, a male, to be as
60 authentic as possible. The model? Himself. The scientist
thinks having a robot clone could ease his busy schedule:
he could dispatch it to classes and meetings and then
teleconference through it. "My question has always been,
Why are we living, and what is human?" he says. An
65 Ishiguro made of circuitry and silicone might soon be
answering his own questions.
adapted from www.scientificamerican.com - May 2006
honest-to-goodness android, so lifelike that it seems like
a real person. It has moist lips, glossy hair and vivid
eyes that blink slowly. Seated on a stool with hands
5 folded primly on its lap at the 2005 World Exposition in
Japan's Aichi prefecture, it wore a bright pink blazer and
gray slacks. For a mesmerizing few seconds from several
meters away, Repliee was virtually indistinguishable from
an ordinary woman in her 30s. In fact, it was a copy of
10 one.
Japan is proud of the most advanced humanoids in
the world, which are expected to eventually be used as
the workforce diminishes among the decreasing and aging
population. But why build a robot with pigmented silicone
15 skin, smooth gestures and even makeup? To Repliee's
creator, Hiroshi Ishiguro, Director of Osaka University's
Intelligent Robotics Laboratory, the answer is simple:
"Android science."
Besides the justification for making robots
20 anthropomorphic and bipedal so they can work in human
environments with architectural features such as stairs,
Ishiguro believes that people respond better to very
humanlike automatons. Androids can thus elicit the most
natural communication. "Appearance is very important
25 to have better interpersonal relationships with a robot,"
says the 42-year-old Ishiguro. "Robots are information
media, especially humanoid robots. Their main role in
our future is to interact naturally with people."
Mild colorblindness forced Ishiguro to abandon his
30 aspirations of a career as an oil painter. Drawn to
computer and robot vision instead, he built a guide robot
for the blind as an undergraduate at the University of
Yamanashi. A fan of the android character Data from the
Star Trek franchise, he sees robots as the ideal vehicle
35 to understand more about ourselves.
To imitate human looks and behavior successfully,
Ishiguro combines robotics with cognitive science. In turn,
cognitive science research can use the robot to study
human perception, communication and other faculties.
40 This novel cross-fertilization is what Ishiguro describes
as android science. In a 2005 paper, he and his
collaborators explained it thus: "To make the android
humanlike, we must investigate human activity from the
standpoint of cognitive science, behavioral science and
45 neuroscience, and to evaluate human activity, we need
to implement processes that support it in the android."
One key strategy in Ishiguro's approach is to model
his artificial creations on real people. He began research
four years ago with his then four-year-old daughter,
50 casting a rudimentary android from her body, but its
mechanisms resulted in strange, unnatural motion.
Humanlike robots run the risk of compromising
people's comfort zones. Because the android's
appearance is very similar to that of a human, any subtle
55 differences in motion and responses will make it seem
strange. Repliee, though, is so lifelike that it has
overcome the creepiness factor, partly because of the
natural way it moves.
Ishiguro wants his next android, a male, to be as
60 authentic as possible. The model? Himself. The scientist
thinks having a robot clone could ease his busy schedule:
he could dispatch it to classes and meetings and then
teleconference through it. "My question has always been,
Why are we living, and what is human?" he says. An
65 Ishiguro made of circuitry and silicone might soon be
answering his own questions.
adapted from www.scientificamerican.com - May 2006
A nuvem como guia
Quando eu era criança, morava na Penha. Em
minha casa, havia quintal. Deitado na grama, eu via
estrelas, cometas, asteróides: via até a ponta das
barbas brancas de Deus. Em dia de lua cheia, via até
5 seu sorriso, encimando o bigode branco. As estrelas
eram tantas que pareciam confetes e lantejoulas, em noite
de terça-feira gorda. Brilhavam forte, com brilho que hoje
já não se vê: a luz foi soterrada no céu sombrio pela
poluição galopante, estufa onde nos esturricaremos todos
10 como torresmos, sem remissão, se os países poluentes
continuarem sua obra sufocante.
Na Praia das Morenas, no fim da minha rua,
tropeçando em siris e caranguejos - naquele tempo
havia até água-viva na Baía de Guanabara; hoje, nem
15 morta! - eu via barcos de pescadores e peixes
contorcionistas, mordendo as redes, como borboletas em
teias de aranha - que ainda existiam naqueles tempos,
aranhas e borboletas.
Criança, eu pensava: como seria possível aos
20 pescadores velejar tão longe da areia, perder-se da
nossa vista, perder-se no mar onde só havia vento em
ritmos tonitruantes, onde as ondas eram todas iguais,
sem traços distintivos, feitas da mesma água e mesma
espuma e, encharcados de tempestades, encontrar o
25 caminho de volta?
Meu pai explicava: os pescadores olhavam as
estrelas, guias seguras, honestas, que indicavam o
caminho de suas choupanas, na praia. Eu olhava o céu
e via que as estrelas se moviam, e me afligia: talvez
30 enganassem os pescadores. Meu pai esclarecia: os
pescadores haviam aprendido os movimentos estelares,
e as estrelas tinham hábitos inabaláveis, confiáveis, eram
sérias, seguiam sempre os mesmos caminhos seguros.
BOAL, Augusto. (adaptado).
A nuvem como guia
Quando eu era criança, morava na Penha. Em
minha casa, havia quintal. Deitado na grama, eu via
estrelas, cometas, asteróides: via até a ponta das
barbas brancas de Deus. Em dia de lua cheia, via até
5 seu sorriso, encimando o bigode branco. As estrelas
eram tantas que pareciam confetes e lantejoulas, em noite
de terça-feira gorda. Brilhavam forte, com brilho que hoje
já não se vê: a luz foi soterrada no céu sombrio pela
poluição galopante, estufa onde nos esturricaremos todos
10 como torresmos, sem remissão, se os países poluentes
continuarem sua obra sufocante.
Na Praia das Morenas, no fim da minha rua,
tropeçando em siris e caranguejos - naquele tempo
havia até água-viva na Baía de Guanabara; hoje, nem
15 morta! - eu via barcos de pescadores e peixes
contorcionistas, mordendo as redes, como borboletas em
teias de aranha - que ainda existiam naqueles tempos,
aranhas e borboletas.
Criança, eu pensava: como seria possível aos
20 pescadores velejar tão longe da areia, perder-se da
nossa vista, perder-se no mar onde só havia vento em
ritmos tonitruantes, onde as ondas eram todas iguais,
sem traços distintivos, feitas da mesma água e mesma
espuma e, encharcados de tempestades, encontrar o
25 caminho de volta?
Meu pai explicava: os pescadores olhavam as
estrelas, guias seguras, honestas, que indicavam o
caminho de suas choupanas, na praia. Eu olhava o céu
e via que as estrelas se moviam, e me afligia: talvez
30 enganassem os pescadores. Meu pai esclarecia: os
pescadores haviam aprendido os movimentos estelares,
e as estrelas tinham hábitos inabaláveis, confiáveis, eram
sérias, seguiam sempre os mesmos caminhos seguros.
BOAL, Augusto. (adaptado).