Questões de Concurso Para técnico em informações educacionais

Read the text Picasso and Monets Are Stolen in Dutch Heist and answer questions 25), 26), 27),and 28).

Picasso and Monets Are Stolen in Dutch Heist

AMSTERDAM (AP) — Thieves broke into a Rotterdam museum on Tuesday and walked off with works from the likes of Picasso, Monet, Gauguin and Matisse potentially worth hundreds of millions.

Police haven't said how they pulled off the early hours heist, but an expert who tracks stolen art said the robbers clearly knew what they were after.

"Those thieves got one hell of a haul," said Chris Marinello, who directs the Art Loss Register.

The heist at the Kunsthal museum is one of the largest in years in the Netherlands, and is a stunning blow for the private Triton Foundation collection, which was being exhibited publicly as a group for the first time.

"It's every museum director's worst nightmare," said Kunsthal director Emily Ansenk, who had been in Istanbul on business but returned immediately.

News of the theft "struck like a bomb," she said at a press conference in the museum's cafe.

She declined to reveal any details of how the thieves struck, or how the museum is protected, other than describing its security as "state of the art" and "functional."

Willem van Hassel, the museum's chairman, said its security systems are automated, and do not use guards on site.

Police arrived at the scene five minutes after an alarm was triggered, he said. He described the museum's insurance as adequate for the exhibition.

The collection was on display as part of celebrations surrounding the museum's 20th anniversary.

Police spokeswoman Willemieke Romijn said investigators were reviewing videotapes of the theft, which took place around 3 a.m. local time, and calling for any witnesses to come forward.

The Art Loss Register's Marinello said the items taken could be worth "hundreds of millions of euros" if sold legally at auction. However, he said that was now impossible, as the paintings have already been registered internationally as stolen.

The stolen paintings were Pablo Picasso's 1971 "HAsenk said she spoke on behalf of tarlequin Head"; Claude Monet's 1901 "Waterloo Bridge, London" and "Charing Cross Bridge, London"; Henri Matisse's 1919 "Reading Girl in White and Yellow"; Paul Gauguin's 1898 "Girl in Front of Open Window"; Meyer de Haan's "Self-Portrait," around 1890, and Lucian Freud's 2002 work "Woman with Eyes Closed."

Marinello said the thieves have limited options available, such as seeking a ransom from the owners, the museum or the insurers. They could conceivably sell the paintings in the criminal market too, though any sale would likely be a small fraction of their potential auction value.

The Triton Foundation is a collection of avant-garde art put together by multimillionaire Willem Cordia, an investor and businessman, and his wife, Marijke Cordia-VanThe Kunsthal museu der Laan.

Asenk said she spoke on behalf of the family in saying "we are shocked, but we will go on."

"All involved want the public to still be able to see these kinds of special collections and private collections," she said.

The museum was cordoned off as police carried out their investigation Tuesday, but the museum will reopen Wednesday, she said.

The Kunsthal museum is a display space that has no permanent collection of its own — the name means "art gallery" in Dutch.

The Cordia family collection includes works by more than 150 famed artists. Others whose work was on show include Paul Cezanne, Marc Chagall, Salvador Dali, Edgar Degas and Andy Warhol.

Curators of the Cordia family collection aim to have the works on display for the public, and pieces have been shown in the past.

http://www.nytimes.com/aponline/2012/10/16/world/europe/ap-eu-netherlands-art-heist.html?_r=1&hp

Read the text Picasso and Monets Are Stolen in Dutch Heist and answer questions 25), 26), 27),and 28).

Picasso and Monets Are Stolen in Dutch Heist

AMSTERDAM (AP) — Thieves broke into a Rotterdam museum on Tuesday and walked off with works from the likes of Picasso, Monet, Gauguin and Matisse potentially worth hundreds of millions.

Police haven't said how they pulled off the early hours heist, but an expert who tracks stolen art said the robbers clearly knew what they were after.

"Those thieves got one hell of a haul," said Chris Marinello, who directs the Art Loss Register.

The heist at the Kunsthal museum is one of the largest in years in the Netherlands, and is a stunning blow for the private Triton Foundation collection, which was being exhibited publicly as a group for the first time.

"It's every museum director's worst nightmare," said Kunsthal director Emily Ansenk, who had been in Istanbul on business but returned immediately.

News of the theft "struck like a bomb," she said at a press conference in the museum's cafe.

She declined to reveal any details of how the thieves struck, or how the museum is protected, other than describing its security as "state of the art" and "functional."

Willem van Hassel, the museum's chairman, said its security systems are automated, and do not use guards on site.

Police arrived at the scene five minutes after an alarm was triggered, he said. He described the museum's insurance as adequate for the exhibition.

The collection was on display as part of celebrations surrounding the museum's 20th anniversary.

Police spokeswoman Willemieke Romijn said investigators were reviewing videotapes of the theft, which took place around 3 a.m. local time, and calling for any witnesses to come forward.

The Art Loss Register's Marinello said the items taken could be worth "hundreds of millions of euros" if sold legally at auction. However, he said that was now impossible, as the paintings have already been registered internationally as stolen.

The stolen paintings were Pablo Picasso's 1971 "HAsenk said she spoke on behalf of tarlequin Head"; Claude Monet's 1901 "Waterloo Bridge, London" and "Charing Cross Bridge, London"; Henri Matisse's 1919 "Reading Girl in White and Yellow"; Paul Gauguin's 1898 "Girl in Front of Open Window"; Meyer de Haan's "Self-Portrait," around 1890, and Lucian Freud's 2002 work "Woman with Eyes Closed."

Marinello said the thieves have limited options available, such as seeking a ransom from the owners, the museum or the insurers. They could conceivably sell the paintings in the criminal market too, though any sale would likely be a small fraction of their potential auction value.

The Triton Foundation is a collection of avant-garde art put together by multimillionaire Willem Cordia, an investor and businessman, and his wife, Marijke Cordia-VanThe Kunsthal museu der Laan.

Asenk said she spoke on behalf of the family in saying "we are shocked, but we will go on."

"All involved want the public to still be able to see these kinds of special collections and private collections," she said.

The museum was cordoned off as police carried out their investigation Tuesday, but the museum will reopen Wednesday, she said.

The Kunsthal museum is a display space that has no permanent collection of its own — the name means "art gallery" in Dutch.

The Cordia family collection includes works by more than 150 famed artists. Others whose work was on show include Paul Cezanne, Marc Chagall, Salvador Dali, Edgar Degas and Andy Warhol.

Curators of the Cordia family collection aim to have the works on display for the public, and pieces have been shown in the past.

http://www.nytimes.com/aponline/2012/10/16/world/europe/ap-eu-netherlands-art-heist.html?_r=1&hp

Read the text Picasso and Monets Are Stolen in Dutch Heist and answer questions 25), 26), 27),and 28).

Picasso and Monets Are Stolen in Dutch Heist

AMSTERDAM (AP) — Thieves broke into a Rotterdam museum on Tuesday and walked off with works from the likes of Picasso, Monet, Gauguin and Matisse potentially worth hundreds of millions.

Police haven't said how they pulled off the early hours heist, but an expert who tracks stolen art said the robbers clearly knew what they were after.

"Those thieves got one hell of a haul," said Chris Marinello, who directs the Art Loss Register.

The heist at the Kunsthal museum is one of the largest in years in the Netherlands, and is a stunning blow for the private Triton Foundation collection, which was being exhibited publicly as a group for the first time.

"It's every museum director's worst nightmare," said Kunsthal director Emily Ansenk, who had been in Istanbul on business but returned immediately.

News of the theft "struck like a bomb," she said at a press conference in the museum's cafe.

She declined to reveal any details of how the thieves struck, or how the museum is protected, other than describing its security as "state of the art" and "functional."

Willem van Hassel, the museum's chairman, said its security systems are automated, and do not use guards on site.

Police arrived at the scene five minutes after an alarm was triggered, he said. He described the museum's insurance as adequate for the exhibition.

The collection was on display as part of celebrations surrounding the museum's 20th anniversary.

Police spokeswoman Willemieke Romijn said investigators were reviewing videotapes of the theft, which took place around 3 a.m. local time, and calling for any witnesses to come forward.

The Art Loss Register's Marinello said the items taken could be worth "hundreds of millions of euros" if sold legally at auction. However, he said that was now impossible, as the paintings have already been registered internationally as stolen.

The stolen paintings were Pablo Picasso's 1971 "HAsenk said she spoke on behalf of tarlequin Head"; Claude Monet's 1901 "Waterloo Bridge, London" and "Charing Cross Bridge, London"; Henri Matisse's 1919 "Reading Girl in White and Yellow"; Paul Gauguin's 1898 "Girl in Front of Open Window"; Meyer de Haan's "Self-Portrait," around 1890, and Lucian Freud's 2002 work "Woman with Eyes Closed."

Marinello said the thieves have limited options available, such as seeking a ransom from the owners, the museum or the insurers. They could conceivably sell the paintings in the criminal market too, though any sale would likely be a small fraction of their potential auction value.

The Triton Foundation is a collection of avant-garde art put together by multimillionaire Willem Cordia, an investor and businessman, and his wife, Marijke Cordia-VanThe Kunsthal museu der Laan.

Asenk said she spoke on behalf of the family in saying "we are shocked, but we will go on."

"All involved want the public to still be able to see these kinds of special collections and private collections," she said.

The museum was cordoned off as police carried out their investigation Tuesday, but the museum will reopen Wednesday, she said.

The Kunsthal museum is a display space that has no permanent collection of its own — the name means "art gallery" in Dutch.

The Cordia family collection includes works by more than 150 famed artists. Others whose work was on show include Paul Cezanne, Marc Chagall, Salvador Dali, Edgar Degas and Andy Warhol.

Curators of the Cordia family collection aim to have the works on display for the public, and pieces have been shown in the past.

http://www.nytimes.com/aponline/2012/10/16/world/europe/ap-eu-netherlands-art-heist.html?_r=1&hp

Para responder às questões de 1 a 3, leia a crônica abaixo, de Mário Prata.

A máquina "moderna"

Ouve só. A gente esvaziando a casa da tia neste carnaval. Móvel, roupa de cama, louça, quadro, livro. Aquela confusão, quando ouço dois dos meus filhos me chamarem.

- Mãe!

- Faaala.

- A gente achou uma coisa incrível. Se ninguém quiser, pode ficar para a gente? Hein?

- Depende. Que é? (Os dois falavam juntos, animadíssimos)

- Ééé... uma máquina, mãe.

- É só uma máquina meio velha.

- É, mas funciona, está ótima!

Minha filha interrompeu o irmão mais novo, dando uma explicação melhor.

- Deixa que eu falo: é assim, é uma máquina, tipo um... teclado de computador, sabe só o teclado? Só o lugar que escreve?

- Sei.

- Então. Essa máquina tem assim, tipo... uma impressora, ligada nesse teclado, mas assim, ligada direto. Sem fio. Bem, a gente vai, digita, digita...

Ela ia se animando, os olhos brilhando

- ... e a máquina imprime direto na folha de papel que a gente coloca ali mesmo!

É muuuito legal! Direto, na mesma hora, eu juro!

Eu não sabia o que falar. Eu juro que não sabia o que falar diante de uma explicação dessas, de menina de 12 anos, sobre uma máquina de escrever. Era isso mesmo?

- ... entendeu mãe?... zupt, a gente escreve e imprime, a gente até vê a impressão tipo na hora, e não precisa essa coisa chata de entrar no computador, ligar, esperar hóóóras, entrar no word, de escrever olhando na tela, mandar para a impressora, esse monte de máquina, de ter que ter até estabilizador, comprar cartucho caro, de nada, mãe! É muuuito legal, e nem precisa de colocar na tomada! Funciona sem energia e escreve direto na folha da impressora!

- Nossa, filha...

- ... só tem duas coisas: não dá para trocar a fonte nem aumentar a letra, mas não tem problema. Vem, que a gente vai te mostrar. Vem...

Eu parei e olhei, pasma, a máquina velha. Eles davam pulinhos de alegria.

- Mãe. Será que alguém da família vai querer? Hein? Ah, a gente vai ficar torcendo, torcendo para ninguém querer para a gente poder levar lá para casa, isso é o máximo! O máximo!

Bem, enquanto estou aqui, neste 'teclado', estou ouvindo o plec-plec da tal máquina, que, claro, ninguém da família quis, mas que aqui em casa já deu até briga, de tanto que já foi usada.

Está no meio da sala de estar, em lugar nobre, rodeada de folhas e folhas de textos 'impressos na hora' por eles. Incrível, eles dizem, plec-plec-plec, muito legal, plec-plec-plec.

Eu e o Zé estamos até pensando em comprar outras, uma para cada filho. Mas, pensa bem se não é incrível mesmo para os dias de hoje: sai direto, do teclado para o papel, e sem tomada!

Para responder às questões de 1 a 3, leia a crônica abaixo, de Mário Prata.

A máquina "moderna"

Ouve só. A gente esvaziando a casa da tia neste carnaval. Móvel, roupa de cama, louça, quadro, livro. Aquela confusão, quando ouço dois dos meus filhos me chamarem.

- Mãe!

- Faaala.

- A gente achou uma coisa incrível. Se ninguém quiser, pode ficar para a gente? Hein?

- Depende. Que é? (Os dois falavam juntos, animadíssimos)

- Ééé... uma máquina, mãe.

- É só uma máquina meio velha.

- É, mas funciona, está ótima!

Minha filha interrompeu o irmão mais novo, dando uma explicação melhor.

- Deixa que eu falo: é assim, é uma máquina, tipo um... teclado de computador, sabe só o teclado? Só o lugar que escreve?

- Sei.

- Então. Essa máquina tem assim, tipo... uma impressora, ligada nesse teclado, mas assim, ligada direto. Sem fio. Bem, a gente vai, digita, digita...

Ela ia se animando, os olhos brilhando

- ... e a máquina imprime direto na folha de papel que a gente coloca ali mesmo!

É muuuito legal! Direto, na mesma hora, eu juro!

Eu não sabia o que falar. Eu juro que não sabia o que falar diante de uma explicação dessas, de menina de 12 anos, sobre uma máquina de escrever. Era isso mesmo?

- ... entendeu mãe?... zupt, a gente escreve e imprime, a gente até vê a impressão tipo na hora, e não precisa essa coisa chata de entrar no computador, ligar, esperar hóóóras, entrar no word, de escrever olhando na tela, mandar para a impressora, esse monte de máquina, de ter que ter até estabilizador, comprar cartucho caro, de nada, mãe! É muuuito legal, e nem precisa de colocar na tomada! Funciona sem energia e escreve direto na folha da impressora!

- Nossa, filha...

- ... só tem duas coisas: não dá para trocar a fonte nem aumentar a letra, mas não tem problema. Vem, que a gente vai te mostrar. Vem...

Eu parei e olhei, pasma, a máquina velha. Eles davam pulinhos de alegria.

- Mãe. Será que alguém da família vai querer? Hein? Ah, a gente vai ficar torcendo, torcendo para ninguém querer para a gente poder levar lá para casa, isso é o máximo! O máximo!

Bem, enquanto estou aqui, neste 'teclado', estou ouvindo o plec-plec da tal máquina, que, claro, ninguém da família quis, mas que aqui em casa já deu até briga, de tanto que já foi usada.

Está no meio da sala de estar, em lugar nobre, rodeada de folhas e folhas de textos 'impressos na hora' por eles. Incrível, eles dizem, plec-plec-plec, muito legal, plec-plec-plec.

Eu e o Zé estamos até pensando em comprar outras, uma para cada filho. Mas, pensa bem se não é incrível mesmo para os dias de hoje: sai direto, do teclado para o papel, e sem tomada!