Questões de Vestibular MACKENZIE 2011 para vestibular
Foram encontradas 60 questões
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338529
Português
Texto associado
Texto para a questão
Adaptado de Roberto Soares Garcia, Folha de S.Paulo, 27/02/2011
Considere as seguintes afirmações:
I. O texto caracteriza-se como relato pessoal, com teor fortemente subjetivo, com verbos no passado, tendo por objetivo relatar uma situação particular vivida por seu autor.
II. O texto segue o estilo da crônica, sendo curto e leve, em linguagem informal, com objetivo principal de entreter o leitor por meio do uso destacado de humor.
III. O texto é um artigo de opinião persuasivo, em que seu autor se posiciona criticamente, defendendo uma tese por meio de argumentos que conduzem o leitor para uma conclusão.
Assinale:
I. O texto caracteriza-se como relato pessoal, com teor fortemente subjetivo, com verbos no passado, tendo por objetivo relatar uma situação particular vivida por seu autor.
II. O texto segue o estilo da crônica, sendo curto e leve, em linguagem informal, com objetivo principal de entreter o leitor por meio do uso destacado de humor.
III. O texto é um artigo de opinião persuasivo, em que seu autor se posiciona criticamente, defendendo uma tese por meio de argumentos que conduzem o leitor para uma conclusão.
Assinale:
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338530
Português
Texto associado
Texto para a questão
Adaptado de Roberto Soares Garcia, Folha de S.Paulo, 27/02/2011
Assinale a alternativa correta
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338531
Português
Texto associado
Texto para a questão
Adaptado de Roberto Soares Garcia, Folha de S.Paulo, 27/02/2011
Assinale a alternativa INCORRETA sobre o texto.
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338532
Português
Texto associado
Texto para a questão
Adaptado de Roberto Soares Garcia, Folha de S.Paulo, 27/02/2011
Depreende-se corretamente do texto que:
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338533
Português
Texto associado
Texto para a questão
Adaptado de Roberto Soares Garcia, Folha de S.Paulo, 27/02/2011
Considere as seguintes afirmações:
I. A compreensão do texto se articula ao necessário conhecimento do leitor de comportamentos contemporâneos, como o hábito de enviar mensagens instantâneas e assistir a determinados programas de televisão.
II. O desconhecimento da possibilidade de o poder público estabelecer leis que possam controlar a vida dos cidadãos pode prejudicar a compreensão da principal tese exposta.
III. Os exemplos apresentados na conclusão apontam contradições nos hábitos dos cidadãos e funcionam como argumento para a hipótese defendida pelo autor.
Assinale:
I. A compreensão do texto se articula ao necessário conhecimento do leitor de comportamentos contemporâneos, como o hábito de enviar mensagens instantâneas e assistir a determinados programas de televisão.
II. O desconhecimento da possibilidade de o poder público estabelecer leis que possam controlar a vida dos cidadãos pode prejudicar a compreensão da principal tese exposta.
III. Os exemplos apresentados na conclusão apontam contradições nos hábitos dos cidadãos e funcionam como argumento para a hipótese defendida pelo autor.
Assinale:
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338534
Português
Quando ele entrou em casa, eu estava na cozinha e não poderia
escutar o ruído de sua chave girando na fechadura, nem o rangido da
porta a se abrir, rascante como o da colher de pau no fundo da panela
na qual àquela hora ela fazia o molho para a macarronada, porque as
folhas da árvore no jardim zumbiam em meus ouvidos com a ventania e,
pelo cheiro da comida no ar, eu logo pensei, A mãe deve estar acabando
a janta, mas mesmo assim, pela vibração nova que eu podia sentir na
casa e o calor que me subia pelo corpo, eu não tive dúvidas e concluí, Ele
chegou, e sem precisar mover a cabeça, sabia que meu filho atravessara
a sala como tantos anos antes atravessara meu ventre [...].
João Anzanello Carrascoza (autor contemporâneo)
O valor de um texto literário não está apenas em seu tema e/ou assunto. O ficcionista sabe que é preciso encontrar, acima de tudo, os recursos de linguagem adequados para transformar sua ideia em um produto de qualidade estética. Considerada essa premissa, é correto afirmar que o excerto acima, extraído do conto “Umbilical”, tem como elementos estruturais altamente significativos a presença dos seguintes recursos estilísticos, EXCETO:
João Anzanello Carrascoza (autor contemporâneo)
O valor de um texto literário não está apenas em seu tema e/ou assunto. O ficcionista sabe que é preciso encontrar, acima de tudo, os recursos de linguagem adequados para transformar sua ideia em um produto de qualidade estética. Considerada essa premissa, é correto afirmar que o excerto acima, extraído do conto “Umbilical”, tem como elementos estruturais altamente significativos a presença dos seguintes recursos estilísticos, EXCETO:
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338535
Português
Texto associado
Texto para a questão
Meu ser evaporei na lida insana
Do tropel de paixões, que me arrastava:
Ah! Cego eu cria, ah! Mísero eu sonhava
Em mim quase imortal a essência humana:
Meu ser evaporei na lida insana
Do tropel de paixões, que me arrastava:
Ah! Cego eu cria, ah! Mísero eu sonhava
Em mim quase imortal a essência humana:
Manuel Maria Barbosa du Bocage
Observação – lida: esforço, trabalho
Nessa estrofe, o eu lírico
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338536
Português
Texto associado
Texto para a questão
Meu ser evaporei na lida insana
Do tropel de paixões, que me arrastava:
Ah! Cego eu cria, ah! Mísero eu sonhava
Em mim quase imortal a essência humana:
Meu ser evaporei na lida insana
Do tropel de paixões, que me arrastava:
Ah! Cego eu cria, ah! Mísero eu sonhava
Em mim quase imortal a essência humana:
Manuel Maria Barbosa du Bocage
Observação – lida: esforço, trabalho
Considerado o contexto de produção, os aspectos estilísticos presentes na estrofe
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338537
Português
Texto associado
Texto para a questão
01 O essencial é saber ver,
02 Saber ver sem estar a pensar,
03 Saber ver quando se vê,
04 E nem pensar quando se vê,
05 Nem ver quando se pensa.
06 Mas isso (triste de nós que trazemos a alma vestida!)
07 Isso exige um estudo profundo,
08 Uma aprendizagem de desaprender [...].
01 O essencial é saber ver,
02 Saber ver sem estar a pensar,
03 Saber ver quando se vê,
04 E nem pensar quando se vê,
05 Nem ver quando se pensa.
06 Mas isso (triste de nós que trazemos a alma vestida!)
07 Isso exige um estudo profundo,
08 Uma aprendizagem de desaprender [...].
Alberto Caeiro, heterônimo de Fernando Pessoa
No contexto da obra do poeta, a imagem alma vestida (verso 06) pode ser
corretamente compreendida assim:
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338538
Português
Texto associado
Texto para a questão
01 O essencial é saber ver,
02 Saber ver sem estar a pensar,
03 Saber ver quando se vê,
04 E nem pensar quando se vê,
05 Nem ver quando se pensa.
06 Mas isso (triste de nós que trazemos a alma vestida!)
07 Isso exige um estudo profundo,
08 Uma aprendizagem de desaprender [...].
01 O essencial é saber ver,
02 Saber ver sem estar a pensar,
03 Saber ver quando se vê,
04 E nem pensar quando se vê,
05 Nem ver quando se pensa.
06 Mas isso (triste de nós que trazemos a alma vestida!)
07 Isso exige um estudo profundo,
08 Uma aprendizagem de desaprender [...].
Alberto Caeiro, heterônimo de Fernando Pessoa
As estrofes confirmam a ideia de que, para Caeiro, o homem deve estabelecer
com o mundo uma relação eminentemente
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338539
Português
Texto associado
Texto para a questão
01 O essencial é saber ver,
02 Saber ver sem estar a pensar,
03 Saber ver quando se vê,
04 E nem pensar quando se vê,
05 Nem ver quando se pensa.
06 Mas isso (triste de nós que trazemos a alma vestida!)
07 Isso exige um estudo profundo,
08 Uma aprendizagem de desaprender [...].
01 O essencial é saber ver,
02 Saber ver sem estar a pensar,
03 Saber ver quando se vê,
04 E nem pensar quando se vê,
05 Nem ver quando se pensa.
06 Mas isso (triste de nós que trazemos a alma vestida!)
07 Isso exige um estudo profundo,
08 Uma aprendizagem de desaprender [...].
Alberto Caeiro, heterônimo de Fernando Pessoa
Considere os seguintes aspectos da poesia de Caeiro: a liberdade formal, o
vocabulário simples e a tendência ao discurso redundante. No contexto da obra
do poeta esses traços
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338540
Inglês
Texto associado
The Murders in the Rue Morgue
By Edgar Allan Poe
“…The apartment was in the wildest disorder - the furniture broken and thrown about in all directions. There was only one bedstead; and from this the bed had been removed, and thrown into the middle of the floor. On a chair lay a razor, besmeared with blood. On the hearth were two or three long and thick tresses of grey human hair, also dabbled in blood, and seeming to have been pulled out by the roots. Upon the floor were found four Napoleons, an ear-ring of topaz, three large silver spoons, three smaller of métal d’Alger, and two bags, containing nearly four thousand francs in gold. The drawers of a bureau, which stood in one corner, were open, and had been, apparently, rifled, although many articles still remained in them. A small iron safe was discovered under the bed (not under the bedstead). It was open, with the key still in the door. It had no contents beyond a few old letters, and other papers of little consequence.
Of Madame L’Espanaye no traces were here seen; but an unusual quantity of soot being observed in the fire-place, a search was made in the chimney, and (horrible to relate!) the corpse of the daughter, head downward, was dragged therefrom; it having been thus forced up the narrow aperture for a considerable distance. The body was quite warm. Upon examining it, many excoriations were perceived, no doubt occasioned by the violence with which it had been thrust up and disengaged. Upon the face were many severe scratches, and, upon the throat, dark bruises, and deep indentations of finger nails, as if the deceased had been throttled to death.
After a thorough investigation of every portion of the house, without farther discovery, the party made its way into a small paved yard in the rear of the building, where lay the corpse of the old lady, with her throat so entirely cut that, upon an attempt to raise her, the head fell off. The body, as well as the head, was fearfully mutilated - the former so much so as scarcely to retain any semblance of humanity.
To this horrible mystery there is not as yet, we believe, the slightest clew…”
Of Madame L’Espanaye no traces were here seen; but an unusual quantity of soot being observed in the fire-place, a search was made in the chimney, and (horrible to relate!) the corpse of the daughter, head downward, was dragged therefrom; it having been thus forced up the narrow aperture for a considerable distance. The body was quite warm. Upon examining it, many excoriations were perceived, no doubt occasioned by the violence with which it had been thrust up and disengaged. Upon the face were many severe scratches, and, upon the throat, dark bruises, and deep indentations of finger nails, as if the deceased had been throttled to death.
After a thorough investigation of every portion of the house, without farther discovery, the party made its way into a small paved yard in the rear of the building, where lay the corpse of the old lady, with her throat so entirely cut that, upon an attempt to raise her, the head fell off. The body, as well as the head, was fearfully mutilated - the former so much so as scarcely to retain any semblance of humanity.
To this horrible mystery there is not as yet, we believe, the slightest clew…”
Edgar Allan Poe – The Murders in the Rue Morgue
The excerpt, from The Murders in the Rue Morgue by Edgar Allan Poe, is
describing
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338541
Inglês
Texto associado
The Murders in the Rue Morgue
By Edgar Allan Poe
“…The apartment was in the wildest disorder - the furniture broken and thrown about in all directions. There was only one bedstead; and from this the bed had been removed, and thrown into the middle of the floor. On a chair lay a razor, besmeared with blood. On the hearth were two or three long and thick tresses of grey human hair, also dabbled in blood, and seeming to have been pulled out by the roots. Upon the floor were found four Napoleons, an ear-ring of topaz, three large silver spoons, three smaller of métal d’Alger, and two bags, containing nearly four thousand francs in gold. The drawers of a bureau, which stood in one corner, were open, and had been, apparently, rifled, although many articles still remained in them. A small iron safe was discovered under the bed (not under the bedstead). It was open, with the key still in the door. It had no contents beyond a few old letters, and other papers of little consequence.
Of Madame L’Espanaye no traces were here seen; but an unusual quantity of soot being observed in the fire-place, a search was made in the chimney, and (horrible to relate!) the corpse of the daughter, head downward, was dragged therefrom; it having been thus forced up the narrow aperture for a considerable distance. The body was quite warm. Upon examining it, many excoriations were perceived, no doubt occasioned by the violence with which it had been thrust up and disengaged. Upon the face were many severe scratches, and, upon the throat, dark bruises, and deep indentations of finger nails, as if the deceased had been throttled to death.
After a thorough investigation of every portion of the house, without farther discovery, the party made its way into a small paved yard in the rear of the building, where lay the corpse of the old lady, with her throat so entirely cut that, upon an attempt to raise her, the head fell off. The body, as well as the head, was fearfully mutilated - the former so much so as scarcely to retain any semblance of humanity.
To this horrible mystery there is not as yet, we believe, the slightest clew…”
Of Madame L’Espanaye no traces were here seen; but an unusual quantity of soot being observed in the fire-place, a search was made in the chimney, and (horrible to relate!) the corpse of the daughter, head downward, was dragged therefrom; it having been thus forced up the narrow aperture for a considerable distance. The body was quite warm. Upon examining it, many excoriations were perceived, no doubt occasioned by the violence with which it had been thrust up and disengaged. Upon the face were many severe scratches, and, upon the throat, dark bruises, and deep indentations of finger nails, as if the deceased had been throttled to death.
After a thorough investigation of every portion of the house, without farther discovery, the party made its way into a small paved yard in the rear of the building, where lay the corpse of the old lady, with her throat so entirely cut that, upon an attempt to raise her, the head fell off. The body, as well as the head, was fearfully mutilated - the former so much so as scarcely to retain any semblance of humanity.
To this horrible mystery there is not as yet, we believe, the slightest clew…”
Edgar Allan Poe – The Murders in the Rue Morgue
The bodies found in the Rue Morgue,
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338542
Inglês
Texto associado
HOW EFFECTIVE IS YOUR TEACHERESE?
By Stephan Hughes
Why is it that most of our students whine that
they are able to almost fully understand what we
say in the classroom but when faced with English
in a real-life situation, the level of comprehension
falls to near bottom, leading to their puzzlement,
frustration and despair (in that order)?
Some reasons for the phenomenon: teachers use a special language called teacherese. It is tailored form of the English language, which allows students to follow and obtain at least a global comprehension of what is being uttered. The speed is toned down somewhat, the lexis is full of Portuguese-like cognates so as to help students make necessary associations and/or simultaneous translations. Its linguistic variation is limited, especially at lower proficiency levels.
__( I )__ what is most noteworthy of teacherese is that its inability to stretch students’ listening skills may lie more in the fact that teachers, non-native in particular, barely use the rich idiomatic language that is used in magazines, newspapers, TV shows, movies, songs – in short, in real life situations that they usually face. The lexis may not necessarily be second nature to ELT professionals, __( II )__ its absence in everyday use in the classroom.
Another reason: apart from using teacherese, most teachers don’t have any legitimate speaking opportunities outside of the classroom, __( III )__ reducing their oral skills to instructional and explanatory phrases or typical fixed expressions prescribed in the course book. Giving these educators opportunities to use the language naturally – be it in conversational settings arranged by the institutions or with native speakers in loco or online – may be crucial to whittle away at the problem.
A third and final reason: familiarity breeds ease, which in turn breeds comprehension. The more time students stay with a said teacher, the easier it might be for them to understand them and get used to their accent, intonation, lexical choice and pace. This is a point that cannot be ignored and is worth looking into.
__( IV )__ the question we need to ask ourselves is: how effective is the language we use in the classroom and to what extent this effectiveness plays a vital role in helping our students understand the world around them in English? __( V )__, in a communicative context, the teacher is but should not be the ultimate language model for the students, so students should not gauge their listening competence by the teacher. The catch is exposing students to more and more real language in the classroom and fostering effective listening strategies.
Some reasons for the phenomenon: teachers use a special language called teacherese. It is tailored form of the English language, which allows students to follow and obtain at least a global comprehension of what is being uttered. The speed is toned down somewhat, the lexis is full of Portuguese-like cognates so as to help students make necessary associations and/or simultaneous translations. Its linguistic variation is limited, especially at lower proficiency levels.
__( I )__ what is most noteworthy of teacherese is that its inability to stretch students’ listening skills may lie more in the fact that teachers, non-native in particular, barely use the rich idiomatic language that is used in magazines, newspapers, TV shows, movies, songs – in short, in real life situations that they usually face. The lexis may not necessarily be second nature to ELT professionals, __( II )__ its absence in everyday use in the classroom.
Another reason: apart from using teacherese, most teachers don’t have any legitimate speaking opportunities outside of the classroom, __( III )__ reducing their oral skills to instructional and explanatory phrases or typical fixed expressions prescribed in the course book. Giving these educators opportunities to use the language naturally – be it in conversational settings arranged by the institutions or with native speakers in loco or online – may be crucial to whittle away at the problem.
A third and final reason: familiarity breeds ease, which in turn breeds comprehension. The more time students stay with a said teacher, the easier it might be for them to understand them and get used to their accent, intonation, lexical choice and pace. This is a point that cannot be ignored and is worth looking into.
__( IV )__ the question we need to ask ourselves is: how effective is the language we use in the classroom and to what extent this effectiveness plays a vital role in helping our students understand the world around them in English? __( V )__, in a communicative context, the teacher is but should not be the ultimate language model for the students, so students should not gauge their listening competence by the teacher. The catch is exposing students to more and more real language in the classroom and fostering effective listening strategies.
Braz-Tesol Newsletter
According to teacher Stephan Hughes,
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338543
Inglês
Texto associado
HOW EFFECTIVE IS YOUR TEACHERESE?
By Stephan Hughes
Why is it that most of our students whine that
they are able to almost fully understand what we
say in the classroom but when faced with English
in a real-life situation, the level of comprehension
falls to near bottom, leading to their puzzlement,
frustration and despair (in that order)?
Some reasons for the phenomenon: teachers use a special language called teacherese. It is tailored form of the English language, which allows students to follow and obtain at least a global comprehension of what is being uttered. The speed is toned down somewhat, the lexis is full of Portuguese-like cognates so as to help students make necessary associations and/or simultaneous translations. Its linguistic variation is limited, especially at lower proficiency levels.
__( I )__ what is most noteworthy of teacherese is that its inability to stretch students’ listening skills may lie more in the fact that teachers, non-native in particular, barely use the rich idiomatic language that is used in magazines, newspapers, TV shows, movies, songs – in short, in real life situations that they usually face. The lexis may not necessarily be second nature to ELT professionals, __( II )__ its absence in everyday use in the classroom.
Another reason: apart from using teacherese, most teachers don’t have any legitimate speaking opportunities outside of the classroom, __( III )__ reducing their oral skills to instructional and explanatory phrases or typical fixed expressions prescribed in the course book. Giving these educators opportunities to use the language naturally – be it in conversational settings arranged by the institutions or with native speakers in loco or online – may be crucial to whittle away at the problem.
A third and final reason: familiarity breeds ease, which in turn breeds comprehension. The more time students stay with a said teacher, the easier it might be for them to understand them and get used to their accent, intonation, lexical choice and pace. This is a point that cannot be ignored and is worth looking into.
__( IV )__ the question we need to ask ourselves is: how effective is the language we use in the classroom and to what extent this effectiveness plays a vital role in helping our students understand the world around them in English? __( V )__, in a communicative context, the teacher is but should not be the ultimate language model for the students, so students should not gauge their listening competence by the teacher. The catch is exposing students to more and more real language in the classroom and fostering effective listening strategies.
Some reasons for the phenomenon: teachers use a special language called teacherese. It is tailored form of the English language, which allows students to follow and obtain at least a global comprehension of what is being uttered. The speed is toned down somewhat, the lexis is full of Portuguese-like cognates so as to help students make necessary associations and/or simultaneous translations. Its linguistic variation is limited, especially at lower proficiency levels.
__( I )__ what is most noteworthy of teacherese is that its inability to stretch students’ listening skills may lie more in the fact that teachers, non-native in particular, barely use the rich idiomatic language that is used in magazines, newspapers, TV shows, movies, songs – in short, in real life situations that they usually face. The lexis may not necessarily be second nature to ELT professionals, __( II )__ its absence in everyday use in the classroom.
Another reason: apart from using teacherese, most teachers don’t have any legitimate speaking opportunities outside of the classroom, __( III )__ reducing their oral skills to instructional and explanatory phrases or typical fixed expressions prescribed in the course book. Giving these educators opportunities to use the language naturally – be it in conversational settings arranged by the institutions or with native speakers in loco or online – may be crucial to whittle away at the problem.
A third and final reason: familiarity breeds ease, which in turn breeds comprehension. The more time students stay with a said teacher, the easier it might be for them to understand them and get used to their accent, intonation, lexical choice and pace. This is a point that cannot be ignored and is worth looking into.
__( IV )__ the question we need to ask ourselves is: how effective is the language we use in the classroom and to what extent this effectiveness plays a vital role in helping our students understand the world around them in English? __( V )__, in a communicative context, the teacher is but should not be the ultimate language model for the students, so students should not gauge their listening competence by the teacher. The catch is exposing students to more and more real language in the classroom and fostering effective listening strategies.
Braz-Tesol Newsletter
The words that properly fill in blanks I, II, III, IV and V, in the text, are
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338544
Inglês
The blank I, in the text, must be correctly completed with
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338545
Inglês
Texto associado
________ THE G M T – M A S T E R I I _________
THE P I L O T ’S W A T C H
No other watch is engineered quite like a Rolex. The GMT-Master,
introduced in 1955, __( I )__ in collaboration with Pan Am to meet
the needs of their international pilots. The GMT-Master II __( II )__ to
be even more invaluable as it features a rotatable 24-hour graduated
bezel that allows those who travel the world to read three different time
zones. Two simultaneously. The 40 mm GMT-Master II __( III )__ with a
virtually scratch-resistant black Cerachrom disc and is
presented here in Rolex signature Rolesor, a unique
combination of 904L steel and 18 ct yellow gold.________ THE G M T – M A S T E R I I _________
The GMT-Master II
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338546
Inglês
Texto associado
________ THE G M T – M A S T E R I I _________
THE P I L O T ’S W A T C H
No other watch is engineered quite like a Rolex. The GMT-Master,
introduced in 1955, __( I )__ in collaboration with Pan Am to meet
the needs of their international pilots. The GMT-Master II __( II )__ to
be even more invaluable as it features a rotatable 24-hour graduated
bezel that allows those who travel the world to read three different time
zones. Two simultaneously. The 40 mm GMT-Master II __( III )__ with a
virtually scratch-resistant black Cerachrom disc and is
presented here in Rolex signature Rolesor, a unique
combination of 904L steel and 18 ct yellow gold.________ THE G M T – M A S T E R I I _________
The right forms of the verbs develop, prove and fit which appropriately complete
blanks I, II and III in the advertisement are:
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338547
Matemática
No intervalo [0;π], seja k o número de valores reais de x tais que sen2x = |cos x|.
Dessa forma,
Ano: 2011
Banca:
Universidade Presbiteriana Mackenzie
Órgão:
MACKENZIE
Prova:
Universidade Presbiteriana Mackenzie - 2011 - MACKENZIE - vestibular |
Q1338548
Matemática
Seja t a reta bissetriz dos ângulos agudos formados pelas retas (r) √3 x + y – 5 = 0
e (s) √3 x – y – 2 = 0. Considere um ponto B ∈ t, cuja a distância à reta s seja 3.
Dessa forma, a distância da intersecção das retas r e s à projeção de B sobre r é
Conheça nossos planos