Questões de Vestibular UFTM 2013 para Vestibular - Prova 01

Foram encontradas 86 questões

Q1377271 Biologia
A decomposição da matéria orgânica nas florestas tropicais ocorre em poucos meses enquanto nas florestas temperadas demora de quatro a seis anos. Isso ocorre devido a dois fatores característicos das florestas tropicais e ausentes nas florestas temperadas, a saber,
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Q1377272 Biologia
Um homem que não produza as estruturas celulares cílios e flagelos terá maior chance de desenvolver, respectivamente,
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Q1377276 Biologia
Um estudante fez o seguinte experimento: em um vaso enterrou uma banana nanica sem a casca; em outro vaso, depois de retirar a “coroa” (conjunto de folhas) e a parte central fibrosa de um abacaxi, enterrou sua parte mole e comestível. Considerando as estruturas utilizadas, é correto deduzir que
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Q1377278 Biologia
Os neurônios existentes no cérebro “conversam” entre si, recebendo e transmitindo informações. Para que ocorra a transmissão mais comum do impulso nervoso de um neurônio a outro é necessário que
Alternativas
Q1377281 Biologia
Em ervilhas, o caráter cor amarela é determinado por alelo dominante (V) enquanto a cor verde é determinada por alelo recessivo (v). Esses alelos segregam-se independentemente dos alelos que determinam a textura, sendo a lisa determinada por alelo dominante (R) e a rugosa por alelo recessivo (r). Caso uma planta de ervilha duplo-heterozigota seja autofecundada, a proporção de descendentes que produzam ervilhas com fenótipos diferentes dessa planta original será de
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Q1377289 Física
Um garoto pretende projetar uma imagem da tela de sua TV ligada em uma das paredes brancas de sua sala e, para isso, utilizará uma lente esférica delgada. A superfície da parede escolhida e a da tela da TV são paralelas e a distância entre elas é 4 m. Para conseguir projetar uma imagem nítida e com dimensões três vezes menores do que as da tela da TV, o garoto deverá posicionar a lente, entre a parede e a TV, a uma distância da TV, em metros, igual a
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Q1377294 Atualidades
Os últimos quarenta anos foram marcados pela intensificação das discussões sobre o modelo de desenvolvimento econômico, as formas de uso dos recursos naturais e a necessidade de preservação da natureza. São exemplos de reuniões internacionais que tiveram como principal propósito definir estratégias para a promoção de um “desenvolvimento sustentável” em escala mundial:
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Q1377300 Geografia
    Trata-se de um compartimento geográfico caracterizado pela especialização produtiva obediente a parâmetros externos (em geral internacionais) de qualidade e custos. Essas regiões, preferencialmente, são as que atraem os investimentos públicos e privados, transformando grandes porções do território em áreas de exclusão. [...] O território brasileiro possui inúmeros exemplos de regiões competitivas. Alguns dos casos mais contundentes são as regiões produtoras de commodities agrícolas. A exportação de grande parcela da produção, a presença de firmas transnacionais, a implantação de sistemas técnicos especialmente concebidos para viabilizar a produção, a especialização funcional das cidades locais são características comuns presentes na maioria dessas regiões.

(Ricardo Castillo e Samuel Frederico. Dinâmica regional e globalização: espaços competitivos agrícolas no território brasileiro. Mercator, janeiro/abril de 2010.)
São exemplos de regiões competitivas agrícolas no território brasileiro as áreas produtoras de
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Q1377306 História
    No início dos Tempos Modernos, os reinos cristãos da Europa deram início ao longo processo de expansão comercial e geográfica que resultou no estabelecimento de comunicações regulares com populações e regiões do mundo até então desconhecidas entre si. [...]
     A vida dos habitantes do litoral do Atlântico Sul mudou radicalmente com a chegada dos europeus. A vinda daqueles homens barbados, pouco asseados e carregados de reluzentes e estrondosas armas introduziu os tupis na idade do ferro – para o bem e para o mal.
    As ferramentas trazidas pelos europeus facilitaram o árduo trabalho nas roças e nas florestas subtropicais. Por outro lado, o contato dos habitantes americanos com os colonizadores resultou numa das maiores catástrofes demográficas da história da humanidade.

(Adriana Lopez e Carlos Guilherme Mota. História do Brasil: uma interpretação, 2008.)
A caracterização dos europeus, presente no segundo parágrafo, sugere
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Q1377307 História
    No início dos Tempos Modernos, os reinos cristãos da Europa deram início ao longo processo de expansão comercial e geográfica que resultou no estabelecimento de comunicações regulares com populações e regiões do mundo até então desconhecidas entre si. [...]
     A vida dos habitantes do litoral do Atlântico Sul mudou radicalmente com a chegada dos europeus. A vinda daqueles homens barbados, pouco asseados e carregados de reluzentes e estrondosas armas introduziu os tupis na idade do ferro – para o bem e para o mal.
    As ferramentas trazidas pelos europeus facilitaram o árduo trabalho nas roças e nas florestas subtropicais. Por outro lado, o contato dos habitantes americanos com os colonizadores resultou numa das maiores catástrofes demográficas da história da humanidade.

(Adriana Lopez e Carlos Guilherme Mota. História do Brasil: uma interpretação, 2008.)
A afirmação de que “o contato dos habitantes americanos com os colonizadores resultou numa das maiores catástrofes demográficas da história da humanidade” é uma referência
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Q1377310 História
    As poucas fábricas que subsistiram durante as décadas de 1840 a 1870 se mantiveram graças a privilégios de exploração, de subvenções governamentais na forma de empréstimos e isenções de direitos de importação; em certas regiões, como o único substituto possível à produção agrícola decadente, enquanto, em outras, as dificuldades de comunicação e o alto custo do transporte atuavam como meios de proteção.
    Uma série de acontecimentos iria, contudo, reanimar as atividades industriais, no fim da década de sessenta.

(Sérgio Buarque de Holanda. O Brasil monárquico. Declínio e queda do Império, 1985. Adaptado.)
Em meio à “série de acontecimentos” que “iria reanimar as atividades industriais” no Brasil do final da década de 1860, podem-se citar
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Q1377312 História
Os combates entre Estados Unidos e Japão, durante a Segunda Guerra Mundial,
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Q1377314 História
Entre as principais características do regime militar brasileiro (1964-1985), podemos citar
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Q1377316 Inglês
Up Close With Sebastião Salgado, Brazil’s Legendary Photographer-Activist

By Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)


(Alto Xingu Indians in Central Brazil.
Sebastião Salgado/Amazonas Images)


    Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.
    The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.
    The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.


•  Coldest trip
I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

•  Frozen equipment
I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

•  Going digital for the first time
I started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

•  Stone Ages
I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.

•  Brazilian arrows
I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.

•  Activist or photographer?
Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

(www.worldcrunch.com. Adaptado.)
Sebastião Salgado
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Q1377317 Inglês
Up Close With Sebastião Salgado, Brazil’s Legendary Photographer-Activist

By Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)


(Alto Xingu Indians in Central Brazil.
Sebastião Salgado/Amazonas Images)


    Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.
    The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.
    The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.


•  Coldest trip
I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

•  Frozen equipment
I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

•  Going digital for the first time
I started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

•  Stone Ages
I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.

•  Brazilian arrows
I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.

•  Activist or photographer?
Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

(www.worldcrunch.com. Adaptado.)
One of the problems Salgado had when photographing Genesis was
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Q1377318 Inglês
Up Close With Sebastião Salgado, Brazil’s Legendary Photographer-Activist

By Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)


(Alto Xingu Indians in Central Brazil.
Sebastião Salgado/Amazonas Images)


    Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.
    The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.
    The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.


•  Coldest trip
I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

•  Frozen equipment
I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

•  Going digital for the first time
I started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

•  Stone Ages
I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.

•  Brazilian arrows
I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.

•  Activist or photographer?
Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

(www.worldcrunch.com. Adaptado.)
The Yamal peninsula
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Q1377322 Inglês
Up Close With Sebastião Salgado, Brazil’s Legendary Photographer-Activist

By Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)


(Alto Xingu Indians in Central Brazil.
Sebastião Salgado/Amazonas Images)


    Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.
    The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.
    The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.


•  Coldest trip
I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

•  Frozen equipment
I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

•  Going digital for the first time
I started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

•  Stone Ages
I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.

•  Brazilian arrows
I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.

•  Activist or photographer?
Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

(www.worldcrunch.com. Adaptado.)
Segundo o texto, a tribo Zo’e
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Q1377323 Inglês
Up Close With Sebastião Salgado, Brazil’s Legendary Photographer-Activist

By Fernanda Ezabella (Folha de S.Paulo/Worldcrunch)


(Alto Xingu Indians in Central Brazil.
Sebastião Salgado/Amazonas Images)


    Sebastião Salgado’s blue eyes have seen a bit of everything in this world – and this might not even be an exaggeration. For the past eight years in particular, the 69-year-old Brazilian photographer has travelled to more than 30 isolated regions of the world, collecting images of dozens of remote tribes, endangered animals and unusual landscapes.
    The Genesis project is a singular photographic journey that began in 2004 and ended in 2012, at a cost of one million Euros a year. The result will be shown in magazines, books, a documentary by Wim Wenders and a series of exhibitions around the world, each displaying some 250 black-and-white photos.
    The first exhibition will open in London on April 11, with former Brazilian President Lula – Salgado’s long-time friend – as special guest. “We want to create a little movement around these photos to provoke a debate on what we need to preserve,” he says. Salgado defends environmental causes through his organization, Instituto Terra. Even after travelling to so many exotic places, Salgado, now living in Paris, still takes vacations in Brazil. Here are excerpts from a conversation Salgado had with Folha, with new details about his travels, photographic techniques and new environmental projects.


•  Coldest trip
I visited the Nenets, in the Yamal peninsula, in northern Siberia, Russia. They are a nomadic tribe who raise reindeer in extreme Arctic conditions. When I went there it was spring and weather ranged between -35ºC and -45ºC. I didn’t wash myself for 45 days. They don’t take baths because there is no water. The only way to get water is to break off a piece of ice and warm it in a pot.

•  Frozen equipment
I used a Canon, an EOS1 Mark III, a very powerful machine. The problem was the batteries. In the Siberian temperatures, they quickly lost power. On average, I take 2,500 shots per battery, but this time I could only take 300-400 photos before the battery stopped working. I would put it inside my clothes, my assistant would give me another one, I would take 300 more pictures and, when that battery ran out energy, I would take out the other one and it would work again.

•  Going digital for the first time
I started Genesis with film and changed to digital. The airport X-Ray scanners degrade the quality of film, and so I decided to change to digital and was quite surprised. Quality was better than the one I had with negatives in medium format. I turned off the screen on the back of the camera, and used my camera as I have always done. When I came back to Paris, I printed contact sheets and edited the photos using a magnifying glass, because I don’t know how to do it in the computer.

•  Stone Ages
I met tribes that are still living in the Stone Ages, with working tools such as stone hammers. There were clans of about 10 people living in treetops. They had already seen white people before. They looked towards the direction I had come from and the chief asked me whether I was part of the white people clan that usually came from that direction. Because, for them, the world is all made of clans.

•  Brazilian arrows
I met the Zo’e tribe, in Brazil, who were first discovered 15 years ago and live in a state of total purity. You see the guy working with an arrow. He warms it, put some weight on it, a straight feather if he wants a quicker arrow, a rounder one to have it slower. It is the same science as for rockets. And he’s got the same problem as in Cape Canaveral, to recover his rockets. If his ballistic calculations are wrong, he loses his arrow. He takes only 10 arrows with him when he goes hunting, no more than that.

•  Activist or photographer?
Photography is my life. When I am taking photos, I am in a deep trance. When I have my camera and am travelling with the Nenets, it’s my life, morning to night. I have taken incredible photos, but my life is also the environment and Instituto Terra.

(www.worldcrunch.com. Adaptado.)
In the last paragraph, one can infer that the most important thing for Sebastião Salgado is
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Q1377325 Português
    Em nossos dias, o neo-indianismo dos modernos de 1922 (precedido por meio século de etnografia sistemática) iria acentuar aspectos autênticos da vida do índio, encarando-o, não como gentil-homem embrionário, mas como primitivo, cujo interesse residia precisamente no que trouxesse de diferente, contraditório em relação à nossa cultura europeia. O indianismo dos românticos, porém, preocupou-se sobremaneira em equipará-lo qualitativamente ao conquistador, realçando ou inventando aspectos do seu comportamento que pudessem fazê-lo ombrear com este – no cavalheirismo, na generosidade, na poesia.
    A altivez, o culto da vindita, a destreza bélica, a generosidade, encontravam alguma ressonância nos costumes aborígines, como os descreveram cronistas nem sempre capazes de observar fora dos padrões europeus e, sobretudo, como os quiseram deliberadamente ver escritores animados do desejo patriótico de chancelar a independência política do país com o brilho de uma grandeza heroica especificamente brasileira.

(Antonio Candido. Formação da literatura brasileira, 2000. Adaptado.)
Em sua análise, o crítico Antonio Candido argumenta que
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Q1377326 Português
    Em nossos dias, o neo-indianismo dos modernos de 1922 (precedido por meio século de etnografia sistemática) iria acentuar aspectos autênticos da vida do índio, encarando-o, não como gentil-homem embrionário, mas como primitivo, cujo interesse residia precisamente no que trouxesse de diferente, contraditório em relação à nossa cultura europeia. O indianismo dos românticos, porém, preocupou-se sobremaneira em equipará-lo qualitativamente ao conquistador, realçando ou inventando aspectos do seu comportamento que pudessem fazê-lo ombrear com este – no cavalheirismo, na generosidade, na poesia.
    A altivez, o culto da vindita, a destreza bélica, a generosidade, encontravam alguma ressonância nos costumes aborígines, como os descreveram cronistas nem sempre capazes de observar fora dos padrões europeus e, sobretudo, como os quiseram deliberadamente ver escritores animados do desejo patriótico de chancelar a independência política do país com o brilho de uma grandeza heroica especificamente brasileira.

(Antonio Candido. Formação da literatura brasileira, 2000. Adaptado.)
De acordo com a argumentação de Antonio Candido e ainda mobilizando outros conhecimentos sobre a literatura brasileira, é correto afirmar que o indianismo romântico funcionou como expressão
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Respostas
61: A
62: D
63: E
64: C
65: E
66: D
67: A
68: B
69: E
70: D
71: A
72: B
73: A
74: C
75: E
76: B
77: E
78: C
79: A
80: D