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Ano: 2021 Banca: FUVEST Órgão: USP Prova: FUVEST - 2021 - USP - Vestibular |
Q1687803 Inglês

I ain't gonna work on Maggie's farm no more

I ain't gonna work on Maggie's farm no more

Well, I wake up in the morning

Fold my hands and pray for rain

I got a head full of ideas

That are drivin' me insane

It's a shame the way she makes me scrub the floor

I ain't gonna work on Maggie's farm no more


I ain't gonna work for Maggie's brother no more

I ain't gonna work for Maggie's brother no more

Well, he hands you a nickel

He hands you a dime

He asks you with a grin

If you're havin' a good time

Then he fines you every time you slam the door

I ain't gonna work for Maggie's brother no more


I ain't gonna work for Maggie's pa no more

No, I ain't gonna work for Maggie's pa no more

Well, he puts his cigar out in your face just for kicks

His bedroom window it is made out of bricks

The National Guard stands around his door

Ah, I ain't gonna work for Maggie's pa no more, alright

Bob Dylan, "Maggie's Farm", do álbum Bringing it all back home, 1965.


Nestas estrofes, o conjunto de cenas descritas mostra que a principal dificuldade experimentada pela pessoa cuja história é contada na letra da música refere-se

Alternativas
Ano: 2021 Banca: FUVEST Órgão: USP Prova: FUVEST - 2021 - USP - Vestibular |
Q1687802 Inglês

    I knew TikTok existed, but I didn't fully understand what it was until a few months ago. I also realized that something radical, yet largely invisible, is happening on the internet - with implications we still don't understand.

    When I was growing up, I took it for granted that the people who became famous enough to be listened to by a crowd had worked hard for that accolade and generally operated with the support of an institution or an established industry.

    The idea that I, as a teenager in my bedroom, might suddenly communicate with 100,000 people or more, would have seemed bizarre.

    Today's kids no longer see life in these hierarchical and institutional terms. Yes, their physical worlds are often constrained by parental controls, a lack of access to the outdoors and insane over-scheduling.

    But despite that (or, more accurately, in reaction to that), they see the internet as a constantly evolving frontier, where it is still possible for a bold and lucky pioneer to grab some land or find a voice. Most voices on the internet never travel beyond a relatively small network, and much of the content that goes viral on platforms such as TikTok, YouTube or Instagram does so because of unseen institutions at work (for example, a public relations team aiming to boost a celebrity's profile).

    Fame can suddenly appear - and then just as suddenly be taken away again, because the audience gets bored, the platform's algorithms change or the cultural trend that a breakout video has tapped into goes out of fashion.

    For a teenager, social media can seem like a summer garden at dusk filled with fireflies: spots of lights suddenly flare up and then die down, moving in an unpredictable, capricious display.

    Is this a bad thing? We will not know for several years.

Financial Times. 5 February 2020. Adaptado. 

No texto, a referência a um jardim de verão ao entardecer, repleto de vagalumes, sugere que, para os adolescentes, as mídias sociais
Alternativas
Ano: 2021 Banca: FUVEST Órgão: USP Prova: FUVEST - 2021 - USP - Vestibular |
Q1687801 Inglês

    I knew TikTok existed, but I didn't fully understand what it was until a few months ago. I also realized that something radical, yet largely invisible, is happening on the internet - with implications we still don't understand.

    When I was growing up, I took it for granted that the people who became famous enough to be listened to by a crowd had worked hard for that accolade and generally operated with the support of an institution or an established industry.

    The idea that I, as a teenager in my bedroom, might suddenly communicate with 100,000 people or more, would have seemed bizarre.

    Today's kids no longer see life in these hierarchical and institutional terms. Yes, their physical worlds are often constrained by parental controls, a lack of access to the outdoors and insane over-scheduling.

    But despite that (or, more accurately, in reaction to that), they see the internet as a constantly evolving frontier, where it is still possible for a bold and lucky pioneer to grab some land or find a voice. Most voices on the internet never travel beyond a relatively small network, and much of the content that goes viral on platforms such as TikTok, YouTube or Instagram does so because of unseen institutions at work (for example, a public relations team aiming to boost a celebrity's profile).

    Fame can suddenly appear - and then just as suddenly be taken away again, because the audience gets bored, the platform's algorithms change or the cultural trend that a breakout video has tapped into goes out of fashion.

    For a teenager, social media can seem like a summer garden at dusk filled with fireflies: spots of lights suddenly flare up and then die down, moving in an unpredictable, capricious display.

    Is this a bad thing? We will not know for several years.

Financial Times. 5 February 2020. Adaptado. 

Conforme o texto, um aspecto associado ao caráter efêmero da popularidade de um usuário da internet, relativo ao uso de plataformas como TikTok, é
Alternativas
Ano: 2021 Banca: FUVEST Órgão: USP Prova: FUVEST - 2021 - USP - Vestibular |
Q1687800 Inglês
Conforme o texto, um critério tradicionalmente utilizado por astrônomos para avaliar estrelas envolve
Alternativas
Ano: 2021 Banca: FUVEST Órgão: USP Prova: FUVEST - 2021 - USP - Vestibular |
Q1687799 Inglês
No texto, o astrofísico Martin Asplund emprega a frase "The sun is a fundamental yardstick" (L. 15), por considerar o Sol
Alternativas
Respostas
116: C
117: C
118: B
119: A
120: E