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Ano: 2014 Banca: FUVEST Órgão: USP Prova: FUVEST - 2014 - USP - Vestibular 1° fase - 2015 |
Q537832 Inglês

                                                  


      You know the exit is somewhere along this stretch of highway, but you have never taken it before and do not want to miss it. As you carefully scan the side of the road for the exit sign, numerous distractions intrude on your visual field: billboards, a snazzy convertible, a cell phone buzzing on the dashboard. How does your brain focus on the task at hand?

      To answer this question, neuroscientists generally study the way the brain strengthens its response to what you are looking for – jolting itself with an especially large electrical pulse when you see it. Another mental trick may be just as important, according to a study published in April in the Journal of Neuroscience: the brain deliberately weakens its reaction to everything else so that the target seems more important in comparison.

      Such research may eventually help scientists understand what is happening in the brains of people with attention problems, such as attentionͲdeficit/hyperactivity disorder. And in a world increasingly permeated by distractions – a major contributor to traffic accidents – any insights into how the brain pays attention should get ours.


                                                                                  Scientific American, July 2014. Adaptado.

Segundo estudo publicado no Journal of Neuroscience, mencionado no texto,
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Ano: 2014 Banca: FUVEST Órgão: USP Prova: FUVEST - 2014 - USP - Vestibular 1° fase - 2015 |
Q537831 Inglês

                                                  


      You know the exit is somewhere along this stretch of highway, but you have never taken it before and do not want to miss it. As you carefully scan the side of the road for the exit sign, numerous distractions intrude on your visual field: billboards, a snazzy convertible, a cell phone buzzing on the dashboard. How does your brain focus on the task at hand?

      To answer this question, neuroscientists generally study the way the brain strengthens its response to what you are looking for – jolting itself with an especially large electrical pulse when you see it. Another mental trick may be just as important, according to a study published in April in the Journal of Neuroscience: the brain deliberately weakens its reaction to everything else so that the target seems more important in comparison.

      Such research may eventually help scientists understand what is happening in the brains of people with attention problems, such as attentionͲdeficit/hyperactivity disorder. And in a world increasingly permeated by distractions – a major contributor to traffic accidents – any insights into how the brain pays attention should get ours.


                                                                                  Scientific American, July 2014. Adaptado.

O foco principal do texto são as
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Ano: 2013 Banca: SENAC-SP Órgão: SENAC-SP Prova: SENAC-SP - 2013 - SENAC-SP - Vestibular - Inglês |
Q524689 Inglês
Atenção: A  questão refere-se ao texto apresentado abaixo.

The stories behind the black opera stars of 'I Live to Sing'
Washington Post − Saturday, August 24, 2013

Julie Cohen and Kamal Khan met in elementary school in Fairfax County about 40 years  . Today, Cohen, 49, is the Brooklyn-based founder of BetterThanFiction Productions, a documentary film company; Khan is the director of the University of Cape Town Opera School. “I Live to Sing," a feature-length documentary directed and produced by Cohen, focuses on three of Khan's black students who made their way from humble beginnings in often poverty-ridden townships to excel in opera ‒an art form most closely associated with white, elite audiences and performers.

How did you come to do this project?
It was just the fortuitous situation of knowing Kamal Khan. I met Kamal in third grade at Pine Ridge Elementary School in Fairfax County. He was unusual in that even at age 9 his prime interests seemed to be opera, classical music, Shakespeare. These are interests that when you're 40 and living in New York are not so strange! He became James Levine's assistant conductor at the Metropolitan Opera and he still now does a lot of conducting internationally, although his home base is at the University of Cape Town. In the meantime I started doing several documentaries about the human side behind the performing arts. Knowing what Kamal was up to I realized that his fascinating work − from an artistic, political and social context − was just the sort of thing I was interested in making films about.

Why is it interesting to you to document performing artists?
We're all so steeped in the relatively small circle of people who become really famous or really big deals. But it's also, I think, wonderful to see the work of and hear the life stories of the majority of performing artists who are toiling away, many of whom are supremely talented, but the world doesn't necessarily get to know.

Tell me about Linda's life, the young soprano featured in your film.
Linda Nteleza comes from a huge township adjacent to Cape Town that has a lot of problems − poverty, health-care issues, education issues, huge unemployment. I believe it has the fastest-growing rate of tuberculosis in the world, and Linda has suffered from the consequences of that. Linda learned to sing in school and then followed by her work in community choir, and through the teachers and coaches learned about University of Cape Town and its music program. She lived only a half-hour from the university but hadn't been aware that music was something that was out there. She was encouraged to go and apply. I think she didn't expect to get it, but to her joy andnamazement she did.
When Linda told her mother that “I want to go to college to study opera," her mother's immediate response was, “What's opera?" It wasn't that she wasn't well-versed in the art form; she didn't know what it was. Linda herself had first heard opera in a TV commercial for Shell Oil that had a beautiful soprano opera singer as background music and she was completely entranced, like, “That's what I want to sing."
Were you an opera fan before this?
[Laughs] I . . . must . . . confess that I was not only not an opera fan, but really almost actively probably disliked opera before this project. That's actually not something that I mentioned to Kamal when I pitched the idea of “Can I follow your program around? Can I bring cameras to your school?" [Laughs] . . . But as often when you delve into different art forms, particularly classical art forms that you are ignorant of, the more you get to know it, the  it starts to sound.

(Adapted from http://www.washingtonpost.com/lifestyle/style/qanda-the-stories-behind-the-black-opera-stars-of-i-live-to sing/2013/08/23)
A palavra que, no contexto, preenche adequadamente a  lacunaImagem associada para resolução da questão é:
Alternativas
Ano: 2013 Banca: SENAC-SP Órgão: SENAC-SP Prova: SENAC-SP - 2013 - SENAC-SP - Vestibular - Inglês |
Q524688 Inglês
Atenção: A  questão refere-se ao texto apresentado abaixo.

The stories behind the black opera stars of 'I Live to Sing'
Washington Post − Saturday, August 24, 2013

Julie Cohen and Kamal Khan met in elementary school in Fairfax County about 40 years  . Today, Cohen, 49, is the Brooklyn-based founder of BetterThanFiction Productions, a documentary film company; Khan is the director of the University of Cape Town Opera School. “I Live to Sing," a feature-length documentary directed and produced by Cohen, focuses on three of Khan's black students who made their way from humble beginnings in often poverty-ridden townships to excel in opera ‒an art form most closely associated with white, elite audiences and performers.

How did you come to do this project?
It was just the fortuitous situation of knowing Kamal Khan. I met Kamal in third grade at Pine Ridge Elementary School in Fairfax County. He was unusual in that even at age 9 his prime interests seemed to be opera, classical music, Shakespeare. These are interests that when you're 40 and living in New York are not so strange! He became James Levine's assistant conductor at the Metropolitan Opera and he still now does a lot of conducting internationally, although his home base is at the University of Cape Town. In the meantime I started doing several documentaries about the human side behind the performing arts. Knowing what Kamal was up to I realized that his fascinating work − from an artistic, political and social context − was just the sort of thing I was interested in making films about.

Why is it interesting to you to document performing artists?
We're all so steeped in the relatively small circle of people who become really famous or really big deals. But it's also, I think, wonderful to see the work of and hear the life stories of the majority of performing artists who are toiling away, many of whom are supremely talented, but the world doesn't necessarily get to know.

Tell me about Linda's life, the young soprano featured in your film.
Linda Nteleza comes from a huge township adjacent to Cape Town that has a lot of problems − poverty, health-care issues, education issues, huge unemployment. I believe it has the fastest-growing rate of tuberculosis in the world, and Linda has suffered from the consequences of that. Linda learned to sing in school and then followed by her work in community choir, and through the teachers and coaches learned about University of Cape Town and its music program. She lived only a half-hour from the university but hadn't been aware that music was something that was out there. She was encouraged to go and apply. I think she didn't expect to get it, but to her joy andnamazement she did.
When Linda told her mother that “I want to go to college to study opera," her mother's immediate response was, “What's opera?" It wasn't that she wasn't well-versed in the art form; she didn't know what it was. Linda herself had first heard opera in a TV commercial for Shell Oil that had a beautiful soprano opera singer as background music and she was completely entranced, like, “That's what I want to sing."
Were you an opera fan before this?
[Laughs] I . . . must . . . confess that I was not only not an opera fan, but really almost actively probably disliked opera before this project. That's actually not something that I mentioned to Kamal when I pitched the idea of “Can I follow your program around? Can I bring cameras to your school?" [Laughs] . . . But as often when you delve into different art forms, particularly classical art forms that you are ignorant of, the more you get to know it, the  it starts to sound.

(Adapted from http://www.washingtonpost.com/lifestyle/style/qanda-the-stories-behind-the-black-opera-stars-of-i-live-to sing/2013/08/23)
A palavra que preenche corretamente a lacunaImagem associada para resolução da questão é:
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Ano: 2015 Banca: UERJ Órgão: UERJ Prova: UERJ - 2015 - UERJ - Vestibular - Primeiro Exame |
Q518449 Inglês


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By establishing links between different parts of a text, one might guess the meaning of an unknown word.
Based on Calvin’s evaluation of the show he is watching, the meaning of the word tripe, in panel 8, is:

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Respostas
686: D
687: B
688: A
689: C
690: B