What is the main purpose of the Nasca and Pampas de
Jumana geoglyphs?

Question

Lines and Geoglyphs of Nasca and Palpa
(1º§) Located in the arid Peruvian coastal plain, some
400 km south of Lima, the geoglyphs of Nasca and the
pampas of Jumana cover about 450 km2 . These lines,
which were scratched on the surface of the ground
between 500 B.C. and A.D. 500, are among
archaeology's greatest enigmas because of their
quantity, nature, size and continuity. The geoglyphs
depict living creatures, stylized plants and imaginary
beings, as well as geometric figures several kilometres
long. They are believed to have had ritual astronomical
functions.
(2º§) Located in the arid Peruvian coastal plain, some
400 km south of Lima, the Lines and Geoglyphs of Nasca
and Pampas de Jumana are one of the most
impressive-looking archaeological areas in the world and
an extraordinary example of the traditional and millenary
magical-religious world of the ancient Pre-Hispanic
societies which flourished on the Peruvian south coast
between the 8th century BC and the 8th century AD.
They are located in the desert plains of the basin river of Rio Grande de Nasca, the archaeological site covers an
area of approximately 75,358.47 Ha where for nearly
2,000 uninterrupted years, the region's ancient
inhabitants drew on the arid ground a great variety of
thousands of large scale zoomorphic and
anthropomorphic figures and lines or sweeps with
outstanding geometric precision, transforming the vast
land into a highly symbolic, ritual and social cultural
landscape that remains until today. They represent a
remarkable manifestation of a common religion and
social homogeneity that lasted a considerable period of
time.(3º§) They are the most outstanding group of geoglyphs
anywhere in the world and are unmatched in its extent,
magnitude, quantity, size, diversity and ancient tradition
 to any similar work in the world. The concentration and
juxtaposition of the lines, as well as their cultural
continuity, demonstrate that this was an important and
long-lasting activity, lasting approximately one thousand
years. Intensive study of the geoglyphs and comparison
with other manifestations of contemporary art forms
suggests that they can be divided chronologically from
the Middle and Late Formative (500 BC − 200 AD) to the
Regional Development Period (200 − 500 AD),
highlighting the Paracas phase (400 - 200 BC) and the
Nasca phase (200 BC - 500 AD). There are two
categories of glyphs: the first group is representational,
depicting in schematic form a variety of natural forms
including animals, birds, insects, and other living
creatures and flowers, plants, and trees, deformed or
fantastic figures and objects of everyday life. There are
very few anthropomorphic figures. The second group
comprises the lines, which are generally straight lines
that criss-cross certain parts of the pampas in all
directions. Some are several kilometres in length and
form designs of many different geometrical figures -
triangles, spirals, rectangles, wavy lines, etc. Others
radiate from a central promontory or encircle it. Yet
another group consists of so-called 'tracks', which appear
 to have been laid out to accommodate large numbers of
people.(4º§) Criterion (i): The Nasca Lines and Geoglyphs form
 a unique and magnificent artistic achievement of the
Andean culture that is unrivalled in its extension,
dimensions and diversity and long existence anywhere in
the prehistoric world.
(5º§) Criterion (iii): The Nasca and Pampas de Jumana
Lines and Geoglyphs, through its unique form of land
use, are an exceptional testimony of the culture and
magical-religious tradition and beliefs of the societies that
developed in Pre-Columbian South America between the
8th BC and 8th AD centuries.
(6º§) Criterion (iv): The system of lines and geoglyphs,
which has survived intact for more than two millennia,
evidences an unusual way of using the land and the
natural environment that represent a highly symbolic
cultural landscape, using a construction technology that
allowed them to design large-scale figures with
outstanding geometric precision.(7º§) The Lines and Geoglyphs of Nasca and Pampas de
Jumana, with their protection area that extends over
75,358.47 Ha, are well defined and include all physical
aspects that convey the Outstanding Universal Value of
the property, including its surrounding landscape with
which they make up an indivisible unit in a harmonious
relationship that has survived virtually unaltered over the
centuries.
(8º§) The Pleistocene alluvial terrace, currently with
occasional water activity (only during the El Niño
Southern Oscillation - ENSO) and the low rainfall rates
(the lowest in the world), determine desert climate
characteristics and extreme aridity that have favoured the
preservation of the Lines and Geoglyphs of Nasca and
Pampas de Jumana. Likewise, harmful human activity
has caused no severe impact on the property, so the
geoglyphs and cultural landscape have remained intact
for nearly two millennia, from their design in the 8th
century BC to nowadays. The cleaning and preservation
works performed have not affected the property's integrity
and have promoted their conservation.
(9º§) The construction of the South Pan-American
Highway, which directly crosses the property, has caused
damages in some lines and figures sectors. However,
most of the lines and figures are in fair condition.
(10º§) The authenticity of the Lines and Geoglyphs of
Nasca and Pampas de Jumana is indisputable. The
method of their formation, by removing the overlying
weathered gravels to reveal the lighter bedrock, is such
that their authenticity is assured. The creation, design,
morphology, size and variety of the geoglyphs and lines
correspond to the original designs produced during the
historic evolution of the region's and have remained
unchanged. The ideology, symbolism and sacred and
ritual character of the geoglyphs and the landscape are
clearly represented, and their significance remains intact
even today.
(11º§) The concentration and overlapping of lines and
figures provide a clear evidence of long and intense
activity in the territory, reflecting the millenary
magical-religious tradition of this activity by pre-Hispanic
societies and the historic continuity in Nasca's Rio
Grande river basin. The property also shows different
social process stages. Several historic sources and
researches confirm the property's originality and its
original landscape surroundings still preserved in pristine
condition and unaltered.
(12º§) Even though there have been some impacts
caused by natural and human factors, these have been
minimal and the geoglyphs maintain their authenticity and
express their high symbolic and historic value even
today.
(13º§) The National Constitution (Art 36) and Law Nº
28296, General Law for National Cultural Heritage are
the main legal protection tools for the Lines and
Geoglyphs of Nasca and Pampas de Jumana,
(14º§) The protection area boundaries are established by
Resolution Nº 421/INC as an Archaeological Reserve.
However, it has been recommended to redefine those boundaries according to the lines and geoglyphs' real
distribution in the field and submit a new proposal to the
World Heritage Committee.
(15º§) Since 1941 foreign scientists (notably Dr. Maria
Reiche) and the Ministry of Culture have carried out
archaeological investigation, conservation, permanent
protection and maintenance measures.
(16º§) The management and protection of the Lines and
Geoglyphs of Nasca and Pampas de Jumana is the
responsibility of the Peruvian Government represented by
the Ministry of Culture. Documentation, research,
protection and dissemination activities are being
performed through the implementation of national and
international research projects and civil associations, in
the territory of Nasca and Palpa provinces.
(17º§) A management plan "Sistema de Gestión para el
Patrimonio Cultural y Natural del territorio de Nasca y
Palpa" for the entire area, which is fundamental in the
protection of the Lines and Geoglyphs, has been
formulated and is being implemented.
https://whc.unesco.org/en/list/700/ What is the main purpose of the Nasca and Pampas de
Jumana geoglyphs? Alternativa A: To showcase advanced construction technology. Ou Alternativa B: To represent everyday life of the ancient inhabitants. Ou Alternativa C: To create a cultural landscape for contemporary art
forms. Ou Alternativa D: To depict ritual astronomical functions. Ou Alternativa E: To serve as a map for ancient societies in the region.

Qconcursos · Accepted Answer

Alternativa [D] To depict ritual astronomical functions. Alternativa correta: D - To depict ritual astronomical functions.

Vamos entender o porquê dessa alternativa ser a correta e analisar as outras opções.

Tema da questão: A questão aborda o propósito principal dos geoglifos de Nasca e Pampas de Jumana, um dos maiores enigmas arqueológicos do mundo. Para resolver essa questão, é necessário interpretar o texto e identificar as informações que indicam a função dos geoglifos.

Justificativa da alternativa correta:

A alternativa D está correta porque o texto menciona que os geoglifos "são acreditados para terem funções rituais astronômicas" (1º parágrafo). Essa informação deixa claro que a principal função dos geoglifos estava relacionada a rituais e astronomia, o que é reforçado ao longo do texto.

Análise das alternativas incorretas:

A - To showcase advanced construction technology: Embora o texto mencione que a construção dos geoglifos demonstra uma tecnologia de construção notável, essa não é apontada como a principal função dos geoglifos. A principal função está relacionada a rituais astronômicos, e não apenas a tecnologia de construção.

B - To represent everyday life of the ancient inhabitants: O texto claramente afirma que os geoglifos representam seres vivos, plantas estilizadas e seres imaginários, mas não se foca na vida cotidiana dos habitantes antigos. Além disso, os geoglifos possuem um caráter altamente simbólico e ritual, o que vai além da simples representação da vida cotidiana.

C - To create a cultural landscape for contemporary art forms: A questão menciona que os geoglifos são uma parte significativa da paisagem cultural, mas não afirma que foram criados como uma forma de arte contemporânea. Eles têm um valor ritual e simbólico para as sociedades antigas, não para a arte contemporânea.

E - To serve as a map for ancient societies in the region: O texto não fornece nenhuma indicação de que os geoglifos foram usados como um mapa. Em vez disso, a ênfase está em suas funções rituais e astronômicas.

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