Questões de Concurso Comentadas para ancine
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Ano: 2013
Banca:
CESPE / CEBRASPE
Órgão:
ANCINE
Prova:
CESPE - 2013 - ANCINE - Todos os Cargos - Especialista em Regulação da Atividade Cinematográfica e Audiovisual Áreas I e II |
Q428577
Direito Constitucional
A respeito da administração direta e indireta, do ato administrativo, dos poderes administrativos e do controle da administração, julgue o item a seguir.
Só é permitida a criação de empresa estatal para a execução de atividades econômicas caso ela seja indispensável à garantia da segurança nacional ou em caso de relevante interesse coletivo.
Só é permitida a criação de empresa estatal para a execução de atividades econômicas caso ela seja indispensável à garantia da segurança nacional ou em caso de relevante interesse coletivo.
Ano: 2013
Banca:
CESPE / CEBRASPE
Órgão:
ANCINE
Provas:
CESPE - 2013 - ANCINE - Todos os Cargos - Especialista em Regulação da Atividade Cinematográfica e Audiovisual Área III
|
CESPE - 2013 - ANCINE - Todos os Cargos - Especialista em Regulação da Atividade Cinematográfica e Audiovisual Áreas I e II |
Q428556
Português
No que se refere às ideias e estruturas linguísticas do texto acima, julgue o item.
O trecho “seja natural, seja artificial” (l.6) poderia ser substituído por ora natural, ora artificial, mantendo-se a correção gramatical e o sentido original do texto.
O trecho “seja natural, seja artificial” (l.6) poderia ser substituído por ora natural, ora artificial, mantendo-se a correção gramatical e o sentido original do texto.
Ano: 2013
Banca:
CESPE / CEBRASPE
Órgão:
ANCINE
Provas:
CESPE - 2013 - ANCINE - Todos os Cargos - Especialista em Regulação da Atividade Cinematográfica e Audiovisual Área III
|
CESPE - 2013 - ANCINE - Todos os Cargos - Especialista em Regulação da Atividade Cinematográfica e Audiovisual Áreas I e II |
Q428545
Português
Com relação aos aspectos linguísticos apresentados no texto, julgue o item subsequente.
Sem prejuízo da coerência e da correção gramatical do texto, a expressão “às frases de efeito” (l.2) poderia ser substituída por a frases de efeito.
Sem prejuízo da coerência e da correção gramatical do texto, a expressão “às frases de efeito” (l.2) poderia ser substituída por a frases de efeito.
Ano: 2013
Banca:
CESPE / CEBRASPE
Órgão:
ANCINE
Prova:
CESPE - 2013 - ANCINE - Todos os Cargos - Especialista em Regulação da Atividade Cinematográfica e Audiovisual Área III |
Q428380
Inglês
Texto associado
The Butler
The long White House service of an African-American butler
Cecil Ganes (Forest Whitaker) is used as a prism through
which we view the development of the civil-rights movement.
As the liveried Cecil, silent and dignified, serves sandwiches
and coffee and exchanges courtesies with a variety of chief
executives, Cecil’s son, Louis (David Oyelowo), becomes a
militant and manages to hit every highlight, including the
Freedom Rides in 1961, and Martin Luther King’s motel room
on the day that he’s shot. The movie’s right-mindedness is
relieved now and then by scenes at Cecil’s house, where his
wife, Gloria (Oprah Winfrey), grows restive and resentful,
drinks and dallies with a neighbor.
Elysium
The title of Neil Blomkamp’s new film, set in the year 2154,
refers to a space station: a haven for the wealthy, spinning just
beyond the limits of our polluted planet. Our hero is Max (Matt
Damon), who, like the majority of humans, toils and sweats on
Earth, where the cops are intemperate robots. After an accident
at work, he takes on a reckless task, assailing an evil billionaire
(William Fichtner) and winding up on a shuttle to Elysium,
hell-bent on reaching this artificial heaven and obtaining
justice. Rather than viewing a future world from a distance and
admiring its digital enhancements, we feel thrust into the thick
of it with such immediacy and sensory impact that, like most of
its inhabitants, we can only dream of escape.
Enough Said
This mild romantic comedy has an up-front twist that’s beside
the point. Eva (Julia Louis-Dreyfus), a California divorcée who
works as a masseuse, goes to a party and meets Marianne
(Catherine Keener), a poet who becomes a client and a friend,
and Albert (James Gandolfini), a TV historian, who soon
becomes Eva’s boyfriend – and who turns out to be Marianne’s
ex-husband. Much else is beside the point, too, such as Eva’s
trivial conflicts with her daughter, Ellen (Tracey Fairaway),
who’s about to leave home for college, as is Albert and
Marianne’s daughter, Tess (Eve Hewson).
The New Yorker. September 23, 2013, p. 22 (adapted).
The long White House service of an African-American butler
Cecil Ganes (Forest Whitaker) is used as a prism through
which we view the development of the civil-rights movement.
As the liveried Cecil, silent and dignified, serves sandwiches
and coffee and exchanges courtesies with a variety of chief
executives, Cecil’s son, Louis (David Oyelowo), becomes a
militant and manages to hit every highlight, including the
Freedom Rides in 1961, and Martin Luther King’s motel room
on the day that he’s shot. The movie’s right-mindedness is
relieved now and then by scenes at Cecil’s house, where his
wife, Gloria (Oprah Winfrey), grows restive and resentful,
drinks and dallies with a neighbor.
Elysium
The title of Neil Blomkamp’s new film, set in the year 2154,
refers to a space station: a haven for the wealthy, spinning just
beyond the limits of our polluted planet. Our hero is Max (Matt
Damon), who, like the majority of humans, toils and sweats on
Earth, where the cops are intemperate robots. After an accident
at work, he takes on a reckless task, assailing an evil billionaire
(William Fichtner) and winding up on a shuttle to Elysium,
hell-bent on reaching this artificial heaven and obtaining
justice. Rather than viewing a future world from a distance and
admiring its digital enhancements, we feel thrust into the thick
of it with such immediacy and sensory impact that, like most of
its inhabitants, we can only dream of escape.
Enough Said
This mild romantic comedy has an up-front twist that’s beside
the point. Eva (Julia Louis-Dreyfus), a California divorcée who
works as a masseuse, goes to a party and meets Marianne
(Catherine Keener), a poet who becomes a client and a friend,
and Albert (James Gandolfini), a TV historian, who soon
becomes Eva’s boyfriend – and who turns out to be Marianne’s
ex-husband. Much else is beside the point, too, such as Eva’s
trivial conflicts with her daughter, Ellen (Tracey Fairaway),
who’s about to leave home for college, as is Albert and
Marianne’s daughter, Tess (Eve Hewson).
The New Yorker. September 23, 2013, p. 22 (adapted).
Based on the three film summaries presented above, judge the following items.
In The Butler, Oprah Winfrey plays the role of the main character’s drunk and unfaithful wife.
In The Butler, Oprah Winfrey plays the role of the main character’s drunk and unfaithful wife.
Ano: 2013
Banca:
CESPE / CEBRASPE
Órgão:
ANCINE
Prova:
CESPE - 2013 - ANCINE - Todos os Cargos - Especialista em Regulação da Atividade Cinematográfica e Audiovisual Área III |
Q428378
Inglês
Texto associado
The Butler
The long White House service of an African-American butler
Cecil Ganes (Forest Whitaker) is used as a prism through
which we view the development of the civil-rights movement.
As the liveried Cecil, silent and dignified, serves sandwiches
and coffee and exchanges courtesies with a variety of chief
executives, Cecil’s son, Louis (David Oyelowo), becomes a
militant and manages to hit every highlight, including the
Freedom Rides in 1961, and Martin Luther King’s motel room
on the day that he’s shot. The movie’s right-mindedness is
relieved now and then by scenes at Cecil’s house, where his
wife, Gloria (Oprah Winfrey), grows restive and resentful,
drinks and dallies with a neighbor.
Elysium
The title of Neil Blomkamp’s new film, set in the year 2154,
refers to a space station: a haven for the wealthy, spinning just
beyond the limits of our polluted planet. Our hero is Max (Matt
Damon), who, like the majority of humans, toils and sweats on
Earth, where the cops are intemperate robots. After an accident
at work, he takes on a reckless task, assailing an evil billionaire
(William Fichtner) and winding up on a shuttle to Elysium,
hell-bent on reaching this artificial heaven and obtaining
justice. Rather than viewing a future world from a distance and
admiring its digital enhancements, we feel thrust into the thick
of it with such immediacy and sensory impact that, like most of
its inhabitants, we can only dream of escape.
Enough Said
This mild romantic comedy has an up-front twist that’s beside
the point. Eva (Julia Louis-Dreyfus), a California divorcée who
works as a masseuse, goes to a party and meets Marianne
(Catherine Keener), a poet who becomes a client and a friend,
and Albert (James Gandolfini), a TV historian, who soon
becomes Eva’s boyfriend – and who turns out to be Marianne’s
ex-husband. Much else is beside the point, too, such as Eva’s
trivial conflicts with her daughter, Ellen (Tracey Fairaway),
who’s about to leave home for college, as is Albert and
Marianne’s daughter, Tess (Eve Hewson).
The New Yorker. September 23, 2013, p. 22 (adapted).
The long White House service of an African-American butler
Cecil Ganes (Forest Whitaker) is used as a prism through
which we view the development of the civil-rights movement.
As the liveried Cecil, silent and dignified, serves sandwiches
and coffee and exchanges courtesies with a variety of chief
executives, Cecil’s son, Louis (David Oyelowo), becomes a
militant and manages to hit every highlight, including the
Freedom Rides in 1961, and Martin Luther King’s motel room
on the day that he’s shot. The movie’s right-mindedness is
relieved now and then by scenes at Cecil’s house, where his
wife, Gloria (Oprah Winfrey), grows restive and resentful,
drinks and dallies with a neighbor.
Elysium
The title of Neil Blomkamp’s new film, set in the year 2154,
refers to a space station: a haven for the wealthy, spinning just
beyond the limits of our polluted planet. Our hero is Max (Matt
Damon), who, like the majority of humans, toils and sweats on
Earth, where the cops are intemperate robots. After an accident
at work, he takes on a reckless task, assailing an evil billionaire
(William Fichtner) and winding up on a shuttle to Elysium,
hell-bent on reaching this artificial heaven and obtaining
justice. Rather than viewing a future world from a distance and
admiring its digital enhancements, we feel thrust into the thick
of it with such immediacy and sensory impact that, like most of
its inhabitants, we can only dream of escape.
Enough Said
This mild romantic comedy has an up-front twist that’s beside
the point. Eva (Julia Louis-Dreyfus), a California divorcée who
works as a masseuse, goes to a party and meets Marianne
(Catherine Keener), a poet who becomes a client and a friend,
and Albert (James Gandolfini), a TV historian, who soon
becomes Eva’s boyfriend – and who turns out to be Marianne’s
ex-husband. Much else is beside the point, too, such as Eva’s
trivial conflicts with her daughter, Ellen (Tracey Fairaway),
who’s about to leave home for college, as is Albert and
Marianne’s daughter, Tess (Eve Hewson).
The New Yorker. September 23, 2013, p. 22 (adapted).
Based on the three film summaries presented above, judge the following items.
In one of the films, the main theme is a man/woman relationship.
In one of the films, the main theme is a man/woman relationship.
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