Questões de Vestibular CEDERJ 2020 para Vestibular - Inglês

Foram encontradas 60 questões

Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712808 Matemática
Admita que o serviço meteorológico afirme que a probabilidade de choverem um determinado dia seja igual a 3/5. Nesse mesmo dia, a probabilidade de Francisco ir ao cinema é de 1/4.
A probabilidade de Francisco ir ao cinema e não chover nesse dia é igual a:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712809 Matemática
Afigura abaixo representa um bloco de concreto com a forma de um paralelepípedo retângulo que possui altura, comprimento e largura respectivamente iguais a 5 cm, 32 cm e 24 cm.

Imagem associada para resolução da questão

Considere que para se fabricar 1 m3 de concreto sejam necessários 13 sacos de cimento e que uma indústria receba uma encomenda de 600 desses blocos.
A quantidade mínima de sacos de cimento necessários para a indústria atender esse pedido é: 
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712810 Matemática
A figura a seguir representa um terreno retangular ABCD onde a região R, também retangular, possui área de 108 m2
Imagem associada para resolução da questão

Seja M o ponto médio do lado AB, e as medidas, em metros, dos segmentos ED, BC e CD respectivamente iguais a x, (2x +12) e 2x. O perímetro do retângulo ABCD corresponde à seguinte quantidade de metros:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712811 Matemática
Uma pequena confecção produz exclusivamente camisas. Admita que a quantidade N de camisas produzidas mensalmente no primeiro semestre de 2020 seja dada pela função N(t)=125+6.2((t-1)), sendo t, como mostra a tabela abaixo, o número que representa o mês do semestre.
Mês t Janeiro 1
Fevereiro 2 Março 3 Abril 4 Maio 5 Junho 6
Com os dados acima, pode-se concluir que essa confecção produziu exatamente 173 camisas no mês de:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712812 Matemática
Como proteção na internet, João criptografa cada documento com uma única senha formada com as sete letras da sigla CECIERJ, de modo que as 3 vogais ficam juntas e as 4 consoantes também. Se as senhas de todos os documentos são distintas entre si, o número máximo de documentos que João poderá proteger é igual a:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712813 Matemática
Admita que cada elemento da sequência (240, x, y, z, 420, t) represente o número total de pessoas testadas e com resultado positivo para COVID durante uma semana, em cada um de 6 municípios de um determinado Estado.
Se essa sequência é uma progressão aritmética, nessa semana de testagem o número total de casos com resultados positivos nos 6 municípios foi igual a:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712814 Matemática
As baterias de dois celulares possuem cargas de 20% e 60% e o gráfico a seguir, formado por dois segmentos de retas, representa a porcentagem da carga Q de cada bateria durante a próxima hora.
Imagem associada para resolução da questão

Pelo gráfico, conclui-se que, ao final dessa hora, um celular descarregou por completo e o outro que estava carregando atingiu carga de 60%. O número total de minutos decorridos até que os dois celulares ficaram com a mesma carga foi igual a:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712815 Raciocínio Lógico
Em uma pesquisa feita com n alunos verificou-se que:
•110 gostam de Matemática •110 gostam de Português • 50 não gostam dessas duas disciplinas • n/8 gostam das duas disciplinas • A soma dos algarismos dené igual a:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712816 Química
As estações de tratamento de água são como verdadeiras fábricas de produção de água potável. Uma das primeiras etapas no processo de tratamento da água é a clarificação, cujo objetivo é a remoção de sólidos suspensos. Neste processo, adiciona-se sulfato de alumínio na água, que funciona como um eletrólito que reduz a força de repulsão entre as partículas em suspensão, fazendo com que elas se agreguem em partículas maiores. Após isso, a água passa por tanques que promovem a sedimentação das partículas, separando-as da água. Partículas em suspensão residuais são posteriormente removidas ao passarem por tanques preenchidos com uma mistura de cascalho, areia e carvão.
A alternativa que mostra corretamente três processos de separação de misturas realizados na etapa de clarificação da água nas estações tratamento é:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712817 Química
Cheiro e gosto ruins na água do RJ não foram por geosmina, segundo análises da UFRJ
"O gosto e cheiro ruins na água do Rio de Janeiro do início do ano não foram causados pela geosmina, segundo análises de pesquisadores da UFRJ (Universidade Federal do RJ). Um laudo do estudo revelou que a substância encontrada na água tem estrutura parecida, mas não é a geosmina.
Por meio de nota, a Cedae informou que tanto a geosmina quanto o 2-Metil-lsoborneol (MIB) são compostos orgânicos produzidos pela cianobactéria Planktotrix. As duas causam alterações no gosto e odor da água, mas nenhuma delas causa danos à saúde.”
(Fonte: https://www.tratamentodeagua.com.br/geosmina-anali- ses-ufrj/, acessado em 29 de outubro de 2020)
Imagem associada para resolução da questão

Uma similaridade estrutural entre a geosmina e o MIB é que ambos:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712818 Química
O sulfato de bário é utilizado como contraste para radiografias. Porém, sabe-se que os íons Ba2+ são tóxicos, tendo uma dose letal de 0,5 g para um adulto com cerca de 70 quilogramas. Como o sal citado tem baixíssima solubilidade em água (Kps = 1.10-10), a forma tóxica Ba2+ jamais atinge a dose letal. Ainda assim, adiciona-se sulfato de potássio ao contraste, reduzindo ainda mais a solubilidade.
Considere um frasco de contraste contendo 100 mL de suspensão de sulfato de bário na presença de sulfato de potássio 0,01 mol.L-1. A massa de bário presente na forma de íons Ba2+ na suspensão está na ordem de:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712819 Química
Um grupo de pesquisadoras testava o efeito inibitório de extratos de um produto natural sobre a atividade de certa enzima envolvida em uma doença. A equipe preparou cinco extratos com mesmas quantidades do produto e condições de extração, alterando apenas o solvente: 
Extrato 1 - Hexano; Extrato 2 - Etanoato de etila; Extrato 3 - Água; Extrato 4 - Solução aquosa de HCl 5 %; Extrato 5 - Solução aquosa de NaOH 5 %.
Em seguida, foi feito o ensaio de inibição enzimática a 0,1 mg/mL de cada extrato, sendo obtido o gráfico abaixo: 
Imagem associada para resolução da questão

Após novos estudos, as pesquisadoras notaram que o Extrato 2 continha todas as moléculas detectadas nos outros extratos com possível atividade inibitória. Suas estruturas são dadas a seguir: 
Imagem associada para resolução da questão

Sabendo dessas informações, a alternativa que indica o provável composto responsável pelo efeito inibitório na enzima é:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712820 Química
Analise a tabela de potenciais padrão de redução a seguir:
Semirreação Eu (V) Al3+ (aq) + 3 e- A I (s) -1,66 Zn2+ (aq) + 2 e- Zn (s) -0,76 Fe2+ (aq) + 2 e- Fe (s) -0,44 Cu2+ (aq) + 2 e- Cu (s) +0,34 Ag+ (aq) + e- A g (s) +0,80
Com base na tabela, a afirmativa correta em relação ao processo de corrosão de metais é:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712821 Química
A queima completa de combustíveis que contém carbono em sua composição gera dióxido de carbono, um dos principais gases responsáveis pelo fenômeno do aquecimento global. O uso de etanol como combustível em veículos automotivos é uma iniciativa que reduz a emissão de dióxido de carbono para a atmosfera.
Considere a combustão completa de etanol suficiente para gerar um calor de 1.105 kJ.
Imagem associada para resolução da questão

         Com base na entalpia de formação aproximada dos compostos dados na tabela, a massa de gás carbônico, em kg, liberada nessa queima é de, aproximadamente:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712822 Química
O vinagre é um insumo presente na maioria das cozinhas de casas e restaurantes, cujo principal constituinte é o ácido acético (pKa = 5). Sua produção é feita pela fermentação alcoólica de um carboidrato, que pode vir, por exemplo, da maçã ou do arroz, por leveduras, gerando etanol como principal produto. Em seguida, é feita a fermentação acética do etanol por acetobactérias, convertendo-o a ácido acético.
Considere que uma colher de sopa de vinagre com um teor de ácido acético de 3,0 % (m/v) foi misturada com 4 colheres de sopa de água para ser usada em limpeza. O valor de pH do vinagre após a diluição é de:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712823 Química
A função orgânica dos ésteres é conhecida por sua aplicação como aditivos em alimentos que conferem fragrâncias e sabores artificiais. A tabela abaixo indica alguns ésteres e suas respectivas fragrâncias ou sabores associados.
Éster Fragrância ou sabor Acetato de isoamila Banana Acetato de propila Pera 2-metilbutanoato de etila Maçã verde 2-metilpropanoato de propila Rum Hexanoato de alila Abacaxi Acetato de isobutila Framboesa
Em um laboratório de química orgânica, foram feitas transformações com dois destes ésteres:
I) O éster relativo à fragrância de abacaxi foi hidrolisado em meio ácido. O álcool formado sofreu uma hidrogenação catalítica, gerando o composto A. II) O éster relativo à fragrância de framboesa também foi hidrolisado em meio ácido. O álcool formado foi oxidado na presença de KMnO4/H2SO4, gerando o composto B.
A alternativa que mostra a fragrância do éster formado pela reação entre os compostos AeBem meio ácido é:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712824 Inglês

What about the artists?

The Guardian - Wed 14 Oct 2020


The government is deaf to the plight of freelance musicians and othercreatives


      On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

     The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

     The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
     The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
     New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
     Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

The opinion editorial above advances the following position:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712825 Inglês

What about the artists?

The Guardian - Wed 14 Oct 2020


The government is deaf to the plight of freelance musicians and othercreatives


      On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

     The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

     The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
     The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
     New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
     Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

The "3 million people in the country qualified for help under the self-employed support scheme” (2nd paragraph) includes the following group of people:
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712826 Inglês

What about the artists?

The Guardian - Wed 14 Oct 2020


The government is deaf to the plight of freelance musicians and othercreatives


      On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

     The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

     The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
     The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
     New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
     Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

The second and first paragraphs are linked by a notion of contrast, which is explicitly conveyed by the linking word "though” (2nd paragraph). The contrast refers to the difference in treatment between::
Alternativas
Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712827 Inglês

What about the artists?

The Guardian - Wed 14 Oct 2020


The government is deaf to the plight of freelance musicians and othercreatives


      On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

     The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

     The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
     The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
     New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
     Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

Considering the expression of happenings in the past, verbs vary following time precision or imprecision. The example extracted from the editorial that reflects unspecified time is:
Alternativas
Respostas
41: C
42: B
43: A
44: D
45: C
46: B
47: D
48: A
49: D
50: A
51: B
52: C
53: A
54: C
55: B
56: D
57: A
58: C
59: D
60: C