LIQUID LOVE: ON THE FRAILTY OF HUMAN BONDS […] The ton...
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Ano: 2017
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UNEMAT
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UNEMAT
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UNEMAT - 2017 - UNEMAT - Vestibular - Segundo Semestre |
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LIQUID LOVE: ON THE FRAILTY OF HUMAN BONDS
[…]
The tone of Liquid Love isn’t elegiacal, or not often. Rather, Bauman’s book is a hymn to what he calls our liquid modern society. (…) The work of the liquid modern is likewise never done, but it takes much more imagination. Bauman finds his hero working everywhere – jabbering into mobile phones, addictively texting, leaping from one chat room to another, internet dating (whose key appeal, Bauman notes, is that you can always delete a dating without pain or peril). The liquid modern is forever at work, forever replacing quality of relationship with quantity. What’s the significance of all this anxious work? For Bauman the medium is not the message - the new gadgets we use hardly determine who we are. Nor are the messages that people send each other significant in themselves; rather, the message is the circulation of messages. The sense of belonging or security that the liquid modern creates consists in being cocooned in a web of messages. That way, we hope, the vexing problem of freedom and security will disappear. We text, argues Bauman, therefore we are. “We belong,” he writes, “to the even flow of words and unfinished sentences (abbreviated, to be sure, truncated to speed up the circulation). We belong to talking, not what talking about…So stop talking – and you are out. Silence equals exclusion.” (…) It is the fear of silence and the exclusion it implies makes us anxious that our ingeniously assembled security will fall apart. (…)
Disponível em http://www.theguardian.com/books/2003/apr/19/hi ghereducation.news. Acesso em nov. 2015.
Assinale a alternativa que corresponde às informações contidas no texto.
The tone of Liquid Love isn’t elegiacal, or not often. Rather, Bauman’s book is a hymn to what he calls our liquid modern society. (…) The work of the liquid modern is likewise never done, but it takes much more imagination. Bauman finds his hero working everywhere – jabbering into mobile phones, addictively texting, leaping from one chat room to another, internet dating (whose key appeal, Bauman notes, is that you can always delete a dating without pain or peril). The liquid modern is forever at work, forever replacing quality of relationship with quantity. What’s the significance of all this anxious work? For Bauman the medium is not the message - the new gadgets we use hardly determine who we are. Nor are the messages that people send each other significant in themselves; rather, the message is the circulation of messages. The sense of belonging or security that the liquid modern creates consists in being cocooned in a web of messages. That way, we hope, the vexing problem of freedom and security will disappear. We text, argues Bauman, therefore we are. “We belong,” he writes, “to the even flow of words and unfinished sentences (abbreviated, to be sure, truncated to speed up the circulation). We belong to talking, not what talking about…So stop talking – and you are out. Silence equals exclusion.” (…) It is the fear of silence and the exclusion it implies makes us anxious that our ingeniously assembled security will fall apart. (…)
Disponível em http://www.theguardian.com/books/2003/apr/19/hi ghereducation.news. Acesso em nov. 2015.
Assinale a alternativa que corresponde às informações contidas no texto.
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