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Q2289322
Português
Texto associado
Texto I
O incendiador de caminhos
Uma das intervenções a que sou chamado a
participar em Moçambique destina-se a combater as
chamadas “queimadas descontroladas”. Este combate
parece ter todo o fundamento: trata-se de proteger
ecossistemas e de conservar espaços úteis e
produtivos.
Contudo, eu receio que seja mais uma das ingratas
batalhas sem hipótese de sucesso imediato. Na
realidade, nós não entendemos a complexa ecologia do
fogo na savana africana. Não entendemos as razões
que são anteriores ao fogo. De qualquer modo, não
param de me pedir para que fale com os camponeses
sobre os malefícios dos incêndios rurais. Devo
confessar que nunca fui capaz de cumprir essa
incumbência.
Na realidade, o que tenho feito é tentar descortinar
algumas das razões que levam os camponeses a
converter os capinzais em chamas. Sabe-se que a
agricultura de corte e queimada é uma das principais
razões para estas práticas incendiárias. Mas fala-se
pouco de um outro culpado que é uma personagem a
que chamarei de “homem visitador”. É sobre este
“homem visitador” que irei falar neste breve
depoimento.
Na família rural de Moçambique, a divisão de tarefas
sugere uma sociedade que faz pesar sobre a mulher a
maior parte do trabalho. Os que adoram quantificar as
relações sociais publicaram já gráficos e tabelas que
demonstram profusamente que, enquanto o homem
repousa, a mulher se ocupa o dia inteiro. Mas esse
mesmo camponês faz outras coisas que escapam aos
contabilistas sociais. Entre as ocupações invisíveis do
homem rural sobressai a visitação. Essa atividade é
central nas sociedades rurais de Moçambique.
O homem passa meses do ano prestando visitas aos
vizinhos e familiares distantes. As visitas parecem não
ter um propósito prático e definido. Quando se pergunta
a um desses visitantes qual a finalidade da sua viagem
ele responde: “Só venho visitar”. Na realidade, prestar
visitas é uma forma de prevenir conflitos e construir
bons laços de harmonia que são vitais numa sociedade
dispersa e sem mecanismos estatais que garantam
estabilidade.
Os visitadores gastam a maior parte do tempo em
rituais de boas-vindas e de despedida. Abrir as portas
de um sítio requer entendimentos com os
antepassados que são os únicos verdadeiros “donos”
de cada um dos lugares. Pois os homens visitadores
percorrem a pé distâncias inacreditáveis. À medida que
progridem, vão ateando fogo ao capim. A não ser que
seja em pleno Inverno, esse capim arde pouco. O fogo
espalha-se e desfalece pelas imediações do atalho que
os viajantes vão percorrendo. Esse incêndio tem
serviços e vantagens diversas que se manifestam
claramente no regresso: define um mapa de
referências, afasta as cobras e os perigos de
emboscadas, facilita o piso e torna o retorno mais fácil
e seguro. [...]
(COUTO, Mia. E se Obama fosse africano?. São Paulo: Companhia
das Letras. 2011)
A estrutura verbal destacada em “Sabe-se que
a agricultura de corte e queimada” (3º§),
manteria equivalência, em relação à voz
passiva, com o uso de:
Q2289321
Português
Texto associado
Texto I
O incendiador de caminhos
Uma das intervenções a que sou chamado a
participar em Moçambique destina-se a combater as
chamadas “queimadas descontroladas”. Este combate
parece ter todo o fundamento: trata-se de proteger
ecossistemas e de conservar espaços úteis e
produtivos.
Contudo, eu receio que seja mais uma das ingratas
batalhas sem hipótese de sucesso imediato. Na
realidade, nós não entendemos a complexa ecologia do
fogo na savana africana. Não entendemos as razões
que são anteriores ao fogo. De qualquer modo, não
param de me pedir para que fale com os camponeses
sobre os malefícios dos incêndios rurais. Devo
confessar que nunca fui capaz de cumprir essa
incumbência.
Na realidade, o que tenho feito é tentar descortinar
algumas das razões que levam os camponeses a
converter os capinzais em chamas. Sabe-se que a
agricultura de corte e queimada é uma das principais
razões para estas práticas incendiárias. Mas fala-se
pouco de um outro culpado que é uma personagem a
que chamarei de “homem visitador”. É sobre este
“homem visitador” que irei falar neste breve
depoimento.
Na família rural de Moçambique, a divisão de tarefas
sugere uma sociedade que faz pesar sobre a mulher a
maior parte do trabalho. Os que adoram quantificar as
relações sociais publicaram já gráficos e tabelas que
demonstram profusamente que, enquanto o homem
repousa, a mulher se ocupa o dia inteiro. Mas esse
mesmo camponês faz outras coisas que escapam aos
contabilistas sociais. Entre as ocupações invisíveis do
homem rural sobressai a visitação. Essa atividade é
central nas sociedades rurais de Moçambique.
O homem passa meses do ano prestando visitas aos
vizinhos e familiares distantes. As visitas parecem não
ter um propósito prático e definido. Quando se pergunta
a um desses visitantes qual a finalidade da sua viagem
ele responde: “Só venho visitar”. Na realidade, prestar
visitas é uma forma de prevenir conflitos e construir
bons laços de harmonia que são vitais numa sociedade
dispersa e sem mecanismos estatais que garantam
estabilidade.
Os visitadores gastam a maior parte do tempo em
rituais de boas-vindas e de despedida. Abrir as portas
de um sítio requer entendimentos com os
antepassados que são os únicos verdadeiros “donos”
de cada um dos lugares. Pois os homens visitadores
percorrem a pé distâncias inacreditáveis. À medida que
progridem, vão ateando fogo ao capim. A não ser que
seja em pleno Inverno, esse capim arde pouco. O fogo
espalha-se e desfalece pelas imediações do atalho que
os viajantes vão percorrendo. Esse incêndio tem
serviços e vantagens diversas que se manifestam
claramente no regresso: define um mapa de
referências, afasta as cobras e os perigos de
emboscadas, facilita o piso e torna o retorno mais fácil
e seguro. [...]
(COUTO, Mia. E se Obama fosse africano?. São Paulo: Companhia
das Letras. 2011)
Ao longo do texto, a expressão “Na realidade”
cumpre papel coesivo e é empregada no 2º, no
3º e no 5º parágrafos. Essa expressão equivale,
semanticamente, a:
Q2289320
Português
Texto associado
Texto I
O incendiador de caminhos
Uma das intervenções a que sou chamado a
participar em Moçambique destina-se a combater as
chamadas “queimadas descontroladas”. Este combate
parece ter todo o fundamento: trata-se de proteger
ecossistemas e de conservar espaços úteis e
produtivos.
Contudo, eu receio que seja mais uma das ingratas
batalhas sem hipótese de sucesso imediato. Na
realidade, nós não entendemos a complexa ecologia do
fogo na savana africana. Não entendemos as razões
que são anteriores ao fogo. De qualquer modo, não
param de me pedir para que fale com os camponeses
sobre os malefícios dos incêndios rurais. Devo
confessar que nunca fui capaz de cumprir essa
incumbência.
Na realidade, o que tenho feito é tentar descortinar
algumas das razões que levam os camponeses a
converter os capinzais em chamas. Sabe-se que a
agricultura de corte e queimada é uma das principais
razões para estas práticas incendiárias. Mas fala-se
pouco de um outro culpado que é uma personagem a
que chamarei de “homem visitador”. É sobre este
“homem visitador” que irei falar neste breve
depoimento.
Na família rural de Moçambique, a divisão de tarefas
sugere uma sociedade que faz pesar sobre a mulher a
maior parte do trabalho. Os que adoram quantificar as
relações sociais publicaram já gráficos e tabelas que
demonstram profusamente que, enquanto o homem
repousa, a mulher se ocupa o dia inteiro. Mas esse
mesmo camponês faz outras coisas que escapam aos
contabilistas sociais. Entre as ocupações invisíveis do
homem rural sobressai a visitação. Essa atividade é
central nas sociedades rurais de Moçambique.
O homem passa meses do ano prestando visitas aos
vizinhos e familiares distantes. As visitas parecem não
ter um propósito prático e definido. Quando se pergunta
a um desses visitantes qual a finalidade da sua viagem
ele responde: “Só venho visitar”. Na realidade, prestar
visitas é uma forma de prevenir conflitos e construir
bons laços de harmonia que são vitais numa sociedade
dispersa e sem mecanismos estatais que garantam
estabilidade.
Os visitadores gastam a maior parte do tempo em
rituais de boas-vindas e de despedida. Abrir as portas
de um sítio requer entendimentos com os
antepassados que são os únicos verdadeiros “donos”
de cada um dos lugares. Pois os homens visitadores
percorrem a pé distâncias inacreditáveis. À medida que
progridem, vão ateando fogo ao capim. A não ser que
seja em pleno Inverno, esse capim arde pouco. O fogo
espalha-se e desfalece pelas imediações do atalho que
os viajantes vão percorrendo. Esse incêndio tem
serviços e vantagens diversas que se manifestam
claramente no regresso: define um mapa de
referências, afasta as cobras e os perigos de
emboscadas, facilita o piso e torna o retorno mais fácil
e seguro. [...]
(COUTO, Mia. E se Obama fosse africano?. São Paulo: Companhia
das Letras. 2011)
A partir da leitura atenta do texto, pode-se
perceber que o enunciador enfatiza o seguinte
aspecto das queimadas em Moçambique:
Q2280165
Inglês
Texto associado
Leia o texto a seguir para responder a questão
On the surface, there is little to distinguish the Woolf Social Club from any other hipster
hangout in Seoul, South Korea. Customers perch on wooden stools at formica tables,
tapping on laptops while they sip their coffee. Records and cds line the walls, soft jazz
trickles from speakers. On the white wall above the bar, in big black letters, is the statement:
“More dignity, less bullshit”.
It is only on closer inspection that you realise this is more than just another coffee shop. On
the mugs are cartoon drawings of Virginia Woolf, an angry wolf roaring from her shirt. A
bookshelf contains South Korean feminist novels and works of self-help (titles include
“Lessons on Being Unmarried”) alongside “The Second Sex” by Simone de Beauvoir and
“The Handmaid’s Tale” by Margaret Atwood. On the wall is a poster for an exhibition of
feminist art at a nearby gallery.
“I wanted a space for like-minded women to meet and talk,” says Kim Jina, a 47-year-old
former advertising executive and politician who founded the café six years ago. Kim was
inspired by Woolf’s dictum that in order to write fiction, a woman needed “five hundred
[pounds] a year and a room with a lock on the door”. That is, financial independence and a
place to think. The café’s casual vibe is deliberate: she wanted to avoid creating barriers to
entry for women who were merely curious, rather than fully committed to the movement.
Besides, she adds, “If I limited myself to feminist customers, I could never make a living.”
South Korea, even its trendy capital, is a difficult place to be a woman. The wage gap
between the sexes is the highest in the rich world. Traditional expectations about gender
roles, beauty standards and the way women should conduct themselves remain pervasive.
“Misogyny surrounds you so naturally that you barely even notice it,” says Kim. “I had no
role models, so my idea of how a successful woman should be came straight from ‘Sex and
the City’.” For much of her 20s and 30s, she spent most of her money on make-up and
expensive handbags, partying every weekend and dreaming about meeting her version of
Mr Big, the rich, smooth-talking love interest of the show’s main character, Carrie.
“I never worried about misogyny because I thought being sexually attractive was a form of
power,” says Kim. “But eventually I realised that men with real power don’t wear make-up
and expensive dresses.” Her epiphany came when she was passed over for promotion in
favour of a male colleague. “My boss said, ‘He needs it more than you because he has a
wife and a child to take care of,’ and I realised that I had been wrong to think that all I needed
to do was work hard and be good at my job.”
Kim’s burgeoning feminism crystallised in the summer of 2016, after a woman was murdered
in a public toilet in an upmarket part of Seoul. The killer initially claimed that he had done it
because he had been ignored by women. “I lived right around the corner, and I thought: that
could have been me,” says Kim. Like many other women, she was upset by media coverage
that ignored the misogynist motives for his crime and blamed it entirely on his mental-health
problems.
The murder prompted South Korean women to come together, initially in online
communities, and discuss how to fight back against sexism. Then they took to the streets.
In 2018 there was a series of protests against the widespread practice of recording illegal
footage of women by hiding small cameras in public toilets or changing rooms.
Kim founded the Woolf Social Club in 2017. “I thought, we talk to each other on the internet,
but it would be good to have a physical space in which to do that,” she says. “If you walk
around Seoul, you see all these cafés aimed at couples, where women look pretty and lower
their voices. I wanted a space where they could raise them.”
[Fonte: Lena Schipper. “Virginia Woolf is inspiring South Korean feminists”. In: The
Economist, 09/05/2022,<http://www.economist.com/1843/2022/05/09/virginia-woolf-is-inspiring-south-korean-feminists>. Adaptado. Data de acesso: 27/08/2023.]
De acordo com os parágrafos seis e sete, as manifestações nas ruas contra
o sexismo na Coreia tiveram como estopim
Q2280164
Inglês
Texto associado
Leia o texto a seguir para responder a questão
On the surface, there is little to distinguish the Woolf Social Club from any other hipster
hangout in Seoul, South Korea. Customers perch on wooden stools at formica tables,
tapping on laptops while they sip their coffee. Records and cds line the walls, soft jazz
trickles from speakers. On the white wall above the bar, in big black letters, is the statement:
“More dignity, less bullshit”.
It is only on closer inspection that you realise this is more than just another coffee shop. On
the mugs are cartoon drawings of Virginia Woolf, an angry wolf roaring from her shirt. A
bookshelf contains South Korean feminist novels and works of self-help (titles include
“Lessons on Being Unmarried”) alongside “The Second Sex” by Simone de Beauvoir and
“The Handmaid’s Tale” by Margaret Atwood. On the wall is a poster for an exhibition of
feminist art at a nearby gallery.
“I wanted a space for like-minded women to meet and talk,” says Kim Jina, a 47-year-old
former advertising executive and politician who founded the café six years ago. Kim was
inspired by Woolf’s dictum that in order to write fiction, a woman needed “five hundred
[pounds] a year and a room with a lock on the door”. That is, financial independence and a
place to think. The café’s casual vibe is deliberate: she wanted to avoid creating barriers to
entry for women who were merely curious, rather than fully committed to the movement.
Besides, she adds, “If I limited myself to feminist customers, I could never make a living.”
South Korea, even its trendy capital, is a difficult place to be a woman. The wage gap
between the sexes is the highest in the rich world. Traditional expectations about gender
roles, beauty standards and the way women should conduct themselves remain pervasive.
“Misogyny surrounds you so naturally that you barely even notice it,” says Kim. “I had no
role models, so my idea of how a successful woman should be came straight from ‘Sex and
the City’.” For much of her 20s and 30s, she spent most of her money on make-up and
expensive handbags, partying every weekend and dreaming about meeting her version of
Mr Big, the rich, smooth-talking love interest of the show’s main character, Carrie.
“I never worried about misogyny because I thought being sexually attractive was a form of
power,” says Kim. “But eventually I realised that men with real power don’t wear make-up
and expensive dresses.” Her epiphany came when she was passed over for promotion in
favour of a male colleague. “My boss said, ‘He needs it more than you because he has a
wife and a child to take care of,’ and I realised that I had been wrong to think that all I needed
to do was work hard and be good at my job.”
Kim’s burgeoning feminism crystallised in the summer of 2016, after a woman was murdered
in a public toilet in an upmarket part of Seoul. The killer initially claimed that he had done it
because he had been ignored by women. “I lived right around the corner, and I thought: that
could have been me,” says Kim. Like many other women, she was upset by media coverage
that ignored the misogynist motives for his crime and blamed it entirely on his mental-health
problems.
The murder prompted South Korean women to come together, initially in online
communities, and discuss how to fight back against sexism. Then they took to the streets.
In 2018 there was a series of protests against the widespread practice of recording illegal
footage of women by hiding small cameras in public toilets or changing rooms.
Kim founded the Woolf Social Club in 2017. “I thought, we talk to each other on the internet,
but it would be good to have a physical space in which to do that,” she says. “If you walk
around Seoul, you see all these cafés aimed at couples, where women look pretty and lower
their voices. I wanted a space where they could raise them.”
[Fonte: Lena Schipper. “Virginia Woolf is inspiring South Korean feminists”. In: The
Economist, 09/05/2022,<http://www.economist.com/1843/2022/05/09/virginia-woolf-is-inspiring-south-korean-feminists>. Adaptado. Data de acesso: 27/08/2023.]
Dentre as razões expostas no texto sobre as dificuldades encontradas pelas
mulheres coreanas, são corretas as afirmações, EXCETO:
Q2280163
Inglês
Texto associado
Leia o texto a seguir para responder a questão
On the surface, there is little to distinguish the Woolf Social Club from any other hipster
hangout in Seoul, South Korea. Customers perch on wooden stools at formica tables,
tapping on laptops while they sip their coffee. Records and cds line the walls, soft jazz
trickles from speakers. On the white wall above the bar, in big black letters, is the statement:
“More dignity, less bullshit”.
It is only on closer inspection that you realise this is more than just another coffee shop. On
the mugs are cartoon drawings of Virginia Woolf, an angry wolf roaring from her shirt. A
bookshelf contains South Korean feminist novels and works of self-help (titles include
“Lessons on Being Unmarried”) alongside “The Second Sex” by Simone de Beauvoir and
“The Handmaid’s Tale” by Margaret Atwood. On the wall is a poster for an exhibition of
feminist art at a nearby gallery.
“I wanted a space for like-minded women to meet and talk,” says Kim Jina, a 47-year-old
former advertising executive and politician who founded the café six years ago. Kim was
inspired by Woolf’s dictum that in order to write fiction, a woman needed “five hundred
[pounds] a year and a room with a lock on the door”. That is, financial independence and a
place to think. The café’s casual vibe is deliberate: she wanted to avoid creating barriers to
entry for women who were merely curious, rather than fully committed to the movement.
Besides, she adds, “If I limited myself to feminist customers, I could never make a living.”
South Korea, even its trendy capital, is a difficult place to be a woman. The wage gap
between the sexes is the highest in the rich world. Traditional expectations about gender
roles, beauty standards and the way women should conduct themselves remain pervasive.
“Misogyny surrounds you so naturally that you barely even notice it,” says Kim. “I had no
role models, so my idea of how a successful woman should be came straight from ‘Sex and
the City’.” For much of her 20s and 30s, she spent most of her money on make-up and
expensive handbags, partying every weekend and dreaming about meeting her version of
Mr Big, the rich, smooth-talking love interest of the show’s main character, Carrie.
“I never worried about misogyny because I thought being sexually attractive was a form of
power,” says Kim. “But eventually I realised that men with real power don’t wear make-up
and expensive dresses.” Her epiphany came when she was passed over for promotion in
favour of a male colleague. “My boss said, ‘He needs it more than you because he has a
wife and a child to take care of,’ and I realised that I had been wrong to think that all I needed
to do was work hard and be good at my job.”
Kim’s burgeoning feminism crystallised in the summer of 2016, after a woman was murdered
in a public toilet in an upmarket part of Seoul. The killer initially claimed that he had done it
because he had been ignored by women. “I lived right around the corner, and I thought: that
could have been me,” says Kim. Like many other women, she was upset by media coverage
that ignored the misogynist motives for his crime and blamed it entirely on his mental-health
problems.
The murder prompted South Korean women to come together, initially in online
communities, and discuss how to fight back against sexism. Then they took to the streets.
In 2018 there was a series of protests against the widespread practice of recording illegal
footage of women by hiding small cameras in public toilets or changing rooms.
Kim founded the Woolf Social Club in 2017. “I thought, we talk to each other on the internet,
but it would be good to have a physical space in which to do that,” she says. “If you walk
around Seoul, you see all these cafés aimed at couples, where women look pretty and lower
their voices. I wanted a space where they could raise them.”
[Fonte: Lena Schipper. “Virginia Woolf is inspiring South Korean feminists”. In: The
Economist, 09/05/2022,<http://www.economist.com/1843/2022/05/09/virginia-woolf-is-inspiring-south-korean-feminists>. Adaptado. Data de acesso: 27/08/2023.]
In the excerpt from the third paragraph “I wanted a space for like-minded
women to meet and talk,” the underlined term expresses an idea of:
Q2280162
Inglês
Texto associado
Leia o texto a seguir para responder a questão
On the surface, there is little to distinguish the Woolf Social Club from any other hipster
hangout in Seoul, South Korea. Customers perch on wooden stools at formica tables,
tapping on laptops while they sip their coffee. Records and cds line the walls, soft jazz
trickles from speakers. On the white wall above the bar, in big black letters, is the statement:
“More dignity, less bullshit”.
It is only on closer inspection that you realise this is more than just another coffee shop. On
the mugs are cartoon drawings of Virginia Woolf, an angry wolf roaring from her shirt. A
bookshelf contains South Korean feminist novels and works of self-help (titles include
“Lessons on Being Unmarried”) alongside “The Second Sex” by Simone de Beauvoir and
“The Handmaid’s Tale” by Margaret Atwood. On the wall is a poster for an exhibition of
feminist art at a nearby gallery.
“I wanted a space for like-minded women to meet and talk,” says Kim Jina, a 47-year-old
former advertising executive and politician who founded the café six years ago. Kim was
inspired by Woolf’s dictum that in order to write fiction, a woman needed “five hundred
[pounds] a year and a room with a lock on the door”. That is, financial independence and a
place to think. The café’s casual vibe is deliberate: she wanted to avoid creating barriers to
entry for women who were merely curious, rather than fully committed to the movement.
Besides, she adds, “If I limited myself to feminist customers, I could never make a living.”
South Korea, even its trendy capital, is a difficult place to be a woman. The wage gap
between the sexes is the highest in the rich world. Traditional expectations about gender
roles, beauty standards and the way women should conduct themselves remain pervasive.
“Misogyny surrounds you so naturally that you barely even notice it,” says Kim. “I had no
role models, so my idea of how a successful woman should be came straight from ‘Sex and
the City’.” For much of her 20s and 30s, she spent most of her money on make-up and
expensive handbags, partying every weekend and dreaming about meeting her version of
Mr Big, the rich, smooth-talking love interest of the show’s main character, Carrie.
“I never worried about misogyny because I thought being sexually attractive was a form of
power,” says Kim. “But eventually I realised that men with real power don’t wear make-up
and expensive dresses.” Her epiphany came when she was passed over for promotion in
favour of a male colleague. “My boss said, ‘He needs it more than you because he has a
wife and a child to take care of,’ and I realised that I had been wrong to think that all I needed
to do was work hard and be good at my job.”
Kim’s burgeoning feminism crystallised in the summer of 2016, after a woman was murdered
in a public toilet in an upmarket part of Seoul. The killer initially claimed that he had done it
because he had been ignored by women. “I lived right around the corner, and I thought: that
could have been me,” says Kim. Like many other women, she was upset by media coverage
that ignored the misogynist motives for his crime and blamed it entirely on his mental-health
problems.
The murder prompted South Korean women to come together, initially in online
communities, and discuss how to fight back against sexism. Then they took to the streets.
In 2018 there was a series of protests against the widespread practice of recording illegal
footage of women by hiding small cameras in public toilets or changing rooms.
Kim founded the Woolf Social Club in 2017. “I thought, we talk to each other on the internet,
but it would be good to have a physical space in which to do that,” she says. “If you walk
around Seoul, you see all these cafés aimed at couples, where women look pretty and lower
their voices. I wanted a space where they could raise them.”
[Fonte: Lena Schipper. “Virginia Woolf is inspiring South Korean feminists”. In: The
Economist, 09/05/2022,<http://www.economist.com/1843/2022/05/09/virginia-woolf-is-inspiring-south-korean-feminists>. Adaptado. Data de acesso: 27/08/2023.]
Kim Jina was inspired by Virginia Woolf to open the Woolf Social Club because:
Q2280161
Inglês
Texto associado
Leia o texto a seguir para responder a questão
On the surface, there is little to distinguish the Woolf Social Club from any other hipster
hangout in Seoul, South Korea. Customers perch on wooden stools at formica tables,
tapping on laptops while they sip their coffee. Records and cds line the walls, soft jazz
trickles from speakers. On the white wall above the bar, in big black letters, is the statement:
“More dignity, less bullshit”.
It is only on closer inspection that you realise this is more than just another coffee shop. On
the mugs are cartoon drawings of Virginia Woolf, an angry wolf roaring from her shirt. A
bookshelf contains South Korean feminist novels and works of self-help (titles include
“Lessons on Being Unmarried”) alongside “The Second Sex” by Simone de Beauvoir and
“The Handmaid’s Tale” by Margaret Atwood. On the wall is a poster for an exhibition of
feminist art at a nearby gallery.
“I wanted a space for like-minded women to meet and talk,” says Kim Jina, a 47-year-old
former advertising executive and politician who founded the café six years ago. Kim was
inspired by Woolf’s dictum that in order to write fiction, a woman needed “five hundred
[pounds] a year and a room with a lock on the door”. That is, financial independence and a
place to think. The café’s casual vibe is deliberate: she wanted to avoid creating barriers to
entry for women who were merely curious, rather than fully committed to the movement.
Besides, she adds, “If I limited myself to feminist customers, I could never make a living.”
South Korea, even its trendy capital, is a difficult place to be a woman. The wage gap
between the sexes is the highest in the rich world. Traditional expectations about gender
roles, beauty standards and the way women should conduct themselves remain pervasive.
“Misogyny surrounds you so naturally that you barely even notice it,” says Kim. “I had no
role models, so my idea of how a successful woman should be came straight from ‘Sex and
the City’.” For much of her 20s and 30s, she spent most of her money on make-up and
expensive handbags, partying every weekend and dreaming about meeting her version of
Mr Big, the rich, smooth-talking love interest of the show’s main character, Carrie.
“I never worried about misogyny because I thought being sexually attractive was a form of
power,” says Kim. “But eventually I realised that men with real power don’t wear make-up
and expensive dresses.” Her epiphany came when she was passed over for promotion in
favour of a male colleague. “My boss said, ‘He needs it more than you because he has a
wife and a child to take care of,’ and I realised that I had been wrong to think that all I needed
to do was work hard and be good at my job.”
Kim’s burgeoning feminism crystallised in the summer of 2016, after a woman was murdered
in a public toilet in an upmarket part of Seoul. The killer initially claimed that he had done it
because he had been ignored by women. “I lived right around the corner, and I thought: that
could have been me,” says Kim. Like many other women, she was upset by media coverage
that ignored the misogynist motives for his crime and blamed it entirely on his mental-health
problems.
The murder prompted South Korean women to come together, initially in online
communities, and discuss how to fight back against sexism. Then they took to the streets.
In 2018 there was a series of protests against the widespread practice of recording illegal
footage of women by hiding small cameras in public toilets or changing rooms.
Kim founded the Woolf Social Club in 2017. “I thought, we talk to each other on the internet,
but it would be good to have a physical space in which to do that,” she says. “If you walk
around Seoul, you see all these cafés aimed at couples, where women look pretty and lower
their voices. I wanted a space where they could raise them.”
[Fonte: Lena Schipper. “Virginia Woolf is inspiring South Korean feminists”. In: The
Economist, 09/05/2022,<http://www.economist.com/1843/2022/05/09/virginia-woolf-is-inspiring-south-korean-feminists>. Adaptado. Data de acesso: 27/08/2023.]
In the excerpt from the second paragraph “A bookshelf contains South Korean
feminist novels and works of self-help (titles include “Lessons on Being Unmarried”)
alongside “The Second Sex” by Simone de Beauvoir and “The Handmaid’s Tale” by
Margaret Atwood”, the underlined word expresses an idea of:
Q2280160
Inglês
Texto associado
Leia o texto a seguir para responder a questão
On the surface, there is little to distinguish the Woolf Social Club from any other hipster
hangout in Seoul, South Korea. Customers perch on wooden stools at formica tables,
tapping on laptops while they sip their coffee. Records and cds line the walls, soft jazz
trickles from speakers. On the white wall above the bar, in big black letters, is the statement:
“More dignity, less bullshit”.
It is only on closer inspection that you realise this is more than just another coffee shop. On
the mugs are cartoon drawings of Virginia Woolf, an angry wolf roaring from her shirt. A
bookshelf contains South Korean feminist novels and works of self-help (titles include
“Lessons on Being Unmarried”) alongside “The Second Sex” by Simone de Beauvoir and
“The Handmaid’s Tale” by Margaret Atwood. On the wall is a poster for an exhibition of
feminist art at a nearby gallery.
“I wanted a space for like-minded women to meet and talk,” says Kim Jina, a 47-year-old
former advertising executive and politician who founded the café six years ago. Kim was
inspired by Woolf’s dictum that in order to write fiction, a woman needed “five hundred
[pounds] a year and a room with a lock on the door”. That is, financial independence and a
place to think. The café’s casual vibe is deliberate: she wanted to avoid creating barriers to
entry for women who were merely curious, rather than fully committed to the movement.
Besides, she adds, “If I limited myself to feminist customers, I could never make a living.”
South Korea, even its trendy capital, is a difficult place to be a woman. The wage gap
between the sexes is the highest in the rich world. Traditional expectations about gender
roles, beauty standards and the way women should conduct themselves remain pervasive.
“Misogyny surrounds you so naturally that you barely even notice it,” says Kim. “I had no
role models, so my idea of how a successful woman should be came straight from ‘Sex and
the City’.” For much of her 20s and 30s, she spent most of her money on make-up and
expensive handbags, partying every weekend and dreaming about meeting her version of
Mr Big, the rich, smooth-talking love interest of the show’s main character, Carrie.
“I never worried about misogyny because I thought being sexually attractive was a form of
power,” says Kim. “But eventually I realised that men with real power don’t wear make-up
and expensive dresses.” Her epiphany came when she was passed over for promotion in
favour of a male colleague. “My boss said, ‘He needs it more than you because he has a
wife and a child to take care of,’ and I realised that I had been wrong to think that all I needed
to do was work hard and be good at my job.”
Kim’s burgeoning feminism crystallised in the summer of 2016, after a woman was murdered
in a public toilet in an upmarket part of Seoul. The killer initially claimed that he had done it
because he had been ignored by women. “I lived right around the corner, and I thought: that
could have been me,” says Kim. Like many other women, she was upset by media coverage
that ignored the misogynist motives for his crime and blamed it entirely on his mental-health
problems.
The murder prompted South Korean women to come together, initially in online
communities, and discuss how to fight back against sexism. Then they took to the streets.
In 2018 there was a series of protests against the widespread practice of recording illegal
footage of women by hiding small cameras in public toilets or changing rooms.
Kim founded the Woolf Social Club in 2017. “I thought, we talk to each other on the internet,
but it would be good to have a physical space in which to do that,” she says. “If you walk
around Seoul, you see all these cafés aimed at couples, where women look pretty and lower
their voices. I wanted a space where they could raise them.”
[Fonte: Lena Schipper. “Virginia Woolf is inspiring South Korean feminists”. In: The
Economist, 09/05/2022,<http://www.economist.com/1843/2022/05/09/virginia-woolf-is-inspiring-south-korean-feminists>. Adaptado. Data de acesso: 27/08/2023.]
O Woolf Social Club é primordialmente um local onde
Q2280159
Inglês
Texto associado
Leia o texto a seguir para responder a questão.
Read Your Way Through Salvador
By Itamar Vieira Junior and translated by Johnny Lorenz. July 19, 2023.
I was born in Salvador, in the Brazilian state of Bahia, and lived in the general vicinity until I
reached the age of 15. But it was when I left that I really came to know my city. How was I
able to discover more about my birthplace while traveling far from home? It might sound
rather clichéd but, I assure you, literature made this possible: It took me on a journey, long
and profound, back home, enveloping me in words and imagination.
To understand the formation of our unique society and, consequently, the cityscape of
Salvador, one should read, before anything else, “The Story of Rufino: Slavery, Freedom
and Islam in the Black Atlantic,” by João José Reis, Flávio dos Santos Gomes and Marcus
J.M. de Carvalho. Rufino was an alufá, or Muslim spiritual leader, born in the Oyo empire in
present-day Nigeria and enslaved during his adolescence. “The Story of Rufino” is an epic
tale, encapsulating the life of one man in search of freedom as well as the history of the
development of Salvador itself, a place inextricably linked with the diaspora across the Black
Atlantic. Another book for which I have deep affection is “The City of Women,” by the
American anthropologist Ruth Landes. It offers an intriguing perspective, focusing on
matriarchal power in candomblé, an Afro-Brazilian sacred practice, and revealing how the
social organization of its spiritual communities reverberates across the city.
If you want to feel the intensity of life on the streets of Salvador, these two books, both by
Amado, are indispensable: “Captains of the Sands” and “Dona Flor and Her Two
Husbands.” The first is a coming-of-age story in which we follow a group of children and
adolescents living on the streets and on the beaches around the Bay of All Saints. Written
more than 80 years ago, the book was banned and even burned in the public square during
the dictatorship of Getúlio Vargas in the first half of the 20th century. As a portrait of
Salvador, it is still relevant and reveals our deep inequalities. “Dona Flor and her Two
Husbands” is one of Amado’s most popular novels, translated into more than 30 languages
and adapted many times for theater, cinema, and television. The book is a kind of manifesto
for a woman’s liberation. Dona Flor possesses great culinary talent, and oppressed by a
patriarchal society, finds herself divided between two men, one being her deceased
husband. While the novel captures the daily life of the city in the 1940s, it is also a wonderful
guide to the cuisine of Salvador, with its African and Portuguese influences.
I invite readers to travel into the interior of Bahia, many hours by car from Salvador to the
region known as the Sertão, whose name translates loosely to “backwoods.” Two books can
also transport you there, and they are sides of the same story: “Backlands: The Canudos
Campaign,” by Euclides da Cunha, and “The War of the End of the World,” by Mario
Vargas Llosa.
“Backlands” is one of the most important works in the history of Brazilian literature. It is a
journalistic telling that introduces us not only to the brutal War of Canudos, but also to the
intriguing landscape of the Sertão, a place so full of contradictions. In his writing of the
conflict, da Cunha tells the story of the genesis of the tough sertanejo: a mythic,
cowboyesque figure of the drought-stricken, lawless interior. “The War of the End of the
World” is an essential epic that amplifies the narrative of “Backlands,” bringing a more imaginative, creative aspect to the story of Antônio Conselheiro, the spiritual leader of a
rebellion, and of the multitude that followed him to their deaths.
[Fonte: “Read Your Way Through Salvador”. In: The New York Times, 19/07/2023,<http://www.nytimes.com/2023/07/19/books/salvador-bahia-brazil-books.html> . Adaptado. Data
de acesso: 01/09/2023.]
According to the information about the two books presented in the fourth and
fifth paragraphs,
Q2280158
Inglês
Texto associado
Leia o texto a seguir para responder a questão.
Read Your Way Through Salvador
By Itamar Vieira Junior and translated by Johnny Lorenz. July 19, 2023.
I was born in Salvador, in the Brazilian state of Bahia, and lived in the general vicinity until I
reached the age of 15. But it was when I left that I really came to know my city. How was I
able to discover more about my birthplace while traveling far from home? It might sound
rather clichéd but, I assure you, literature made this possible: It took me on a journey, long
and profound, back home, enveloping me in words and imagination.
To understand the formation of our unique society and, consequently, the cityscape of
Salvador, one should read, before anything else, “The Story of Rufino: Slavery, Freedom
and Islam in the Black Atlantic,” by João José Reis, Flávio dos Santos Gomes and Marcus
J.M. de Carvalho. Rufino was an alufá, or Muslim spiritual leader, born in the Oyo empire in
present-day Nigeria and enslaved during his adolescence. “The Story of Rufino” is an epic
tale, encapsulating the life of one man in search of freedom as well as the history of the
development of Salvador itself, a place inextricably linked with the diaspora across the Black
Atlantic. Another book for which I have deep affection is “The City of Women,” by the
American anthropologist Ruth Landes. It offers an intriguing perspective, focusing on
matriarchal power in candomblé, an Afro-Brazilian sacred practice, and revealing how the
social organization of its spiritual communities reverberates across the city.
If you want to feel the intensity of life on the streets of Salvador, these two books, both by
Amado, are indispensable: “Captains of the Sands” and “Dona Flor and Her Two
Husbands.” The first is a coming-of-age story in which we follow a group of children and
adolescents living on the streets and on the beaches around the Bay of All Saints. Written
more than 80 years ago, the book was banned and even burned in the public square during
the dictatorship of Getúlio Vargas in the first half of the 20th century. As a portrait of
Salvador, it is still relevant and reveals our deep inequalities. “Dona Flor and her Two
Husbands” is one of Amado’s most popular novels, translated into more than 30 languages
and adapted many times for theater, cinema, and television. The book is a kind of manifesto
for a woman’s liberation. Dona Flor possesses great culinary talent, and oppressed by a
patriarchal society, finds herself divided between two men, one being her deceased
husband. While the novel captures the daily life of the city in the 1940s, it is also a wonderful
guide to the cuisine of Salvador, with its African and Portuguese influences.
I invite readers to travel into the interior of Bahia, many hours by car from Salvador to the
region known as the Sertão, whose name translates loosely to “backwoods.” Two books can
also transport you there, and they are sides of the same story: “Backlands: The Canudos
Campaign,” by Euclides da Cunha, and “The War of the End of the World,” by Mario
Vargas Llosa.
“Backlands” is one of the most important works in the history of Brazilian literature. It is a
journalistic telling that introduces us not only to the brutal War of Canudos, but also to the
intriguing landscape of the Sertão, a place so full of contradictions. In his writing of the
conflict, da Cunha tells the story of the genesis of the tough sertanejo: a mythic,
cowboyesque figure of the drought-stricken, lawless interior. “The War of the End of the
World” is an essential epic that amplifies the narrative of “Backlands,” bringing a more imaginative, creative aspect to the story of Antônio Conselheiro, the spiritual leader of a
rebellion, and of the multitude that followed him to their deaths.
[Fonte: “Read Your Way Through Salvador”. In: The New York Times, 19/07/2023,<http://www.nytimes.com/2023/07/19/books/salvador-bahia-brazil-books.html> . Adaptado. Data
de acesso: 01/09/2023.]
No trecho do terceiro parágrafo “While the novel captures the daily life of the
city in the 1940s, it is also a wonderful guide to the cuisine of Salvador” o termo sublinhado
pode ser substituído, sem alteração de sentido, por:
Q2280157
Inglês
Texto associado
Leia o texto a seguir para responder a questão.
Read Your Way Through Salvador
By Itamar Vieira Junior and translated by Johnny Lorenz. July 19, 2023.
I was born in Salvador, in the Brazilian state of Bahia, and lived in the general vicinity until I
reached the age of 15. But it was when I left that I really came to know my city. How was I
able to discover more about my birthplace while traveling far from home? It might sound
rather clichéd but, I assure you, literature made this possible: It took me on a journey, long
and profound, back home, enveloping me in words and imagination.
To understand the formation of our unique society and, consequently, the cityscape of
Salvador, one should read, before anything else, “The Story of Rufino: Slavery, Freedom
and Islam in the Black Atlantic,” by João José Reis, Flávio dos Santos Gomes and Marcus
J.M. de Carvalho. Rufino was an alufá, or Muslim spiritual leader, born in the Oyo empire in
present-day Nigeria and enslaved during his adolescence. “The Story of Rufino” is an epic
tale, encapsulating the life of one man in search of freedom as well as the history of the
development of Salvador itself, a place inextricably linked with the diaspora across the Black
Atlantic. Another book for which I have deep affection is “The City of Women,” by the
American anthropologist Ruth Landes. It offers an intriguing perspective, focusing on
matriarchal power in candomblé, an Afro-Brazilian sacred practice, and revealing how the
social organization of its spiritual communities reverberates across the city.
If you want to feel the intensity of life on the streets of Salvador, these two books, both by
Amado, are indispensable: “Captains of the Sands” and “Dona Flor and Her Two
Husbands.” The first is a coming-of-age story in which we follow a group of children and
adolescents living on the streets and on the beaches around the Bay of All Saints. Written
more than 80 years ago, the book was banned and even burned in the public square during
the dictatorship of Getúlio Vargas in the first half of the 20th century. As a portrait of
Salvador, it is still relevant and reveals our deep inequalities. “Dona Flor and her Two
Husbands” is one of Amado’s most popular novels, translated into more than 30 languages
and adapted many times for theater, cinema, and television. The book is a kind of manifesto
for a woman’s liberation. Dona Flor possesses great culinary talent, and oppressed by a
patriarchal society, finds herself divided between two men, one being her deceased
husband. While the novel captures the daily life of the city in the 1940s, it is also a wonderful
guide to the cuisine of Salvador, with its African and Portuguese influences.
I invite readers to travel into the interior of Bahia, many hours by car from Salvador to the
region known as the Sertão, whose name translates loosely to “backwoods.” Two books can
also transport you there, and they are sides of the same story: “Backlands: The Canudos
Campaign,” by Euclides da Cunha, and “The War of the End of the World,” by Mario
Vargas Llosa.
“Backlands” is one of the most important works in the history of Brazilian literature. It is a
journalistic telling that introduces us not only to the brutal War of Canudos, but also to the
intriguing landscape of the Sertão, a place so full of contradictions. In his writing of the
conflict, da Cunha tells the story of the genesis of the tough sertanejo: a mythic,
cowboyesque figure of the drought-stricken, lawless interior. “The War of the End of the
World” is an essential epic that amplifies the narrative of “Backlands,” bringing a more imaginative, creative aspect to the story of Antônio Conselheiro, the spiritual leader of a
rebellion, and of the multitude that followed him to their deaths.
[Fonte: “Read Your Way Through Salvador”. In: The New York Times, 19/07/2023,<http://www.nytimes.com/2023/07/19/books/salvador-bahia-brazil-books.html> . Adaptado. Data
de acesso: 01/09/2023.]
No trecho do terceiro parágrafo “As a portrait of Salvador, it is still relevant and
reveals our deep inequalities”, o termo sublinhado contém um prefixo de negação. Assinale
a alternativa que apresenta o termo que NÃO contém prefixo de negação.
Q2280156
Inglês
Texto associado
Leia o texto a seguir para responder a questão.
Read Your Way Through Salvador
By Itamar Vieira Junior and translated by Johnny Lorenz. July 19, 2023.
I was born in Salvador, in the Brazilian state of Bahia, and lived in the general vicinity until I
reached the age of 15. But it was when I left that I really came to know my city. How was I
able to discover more about my birthplace while traveling far from home? It might sound
rather clichéd but, I assure you, literature made this possible: It took me on a journey, long
and profound, back home, enveloping me in words and imagination.
To understand the formation of our unique society and, consequently, the cityscape of
Salvador, one should read, before anything else, “The Story of Rufino: Slavery, Freedom
and Islam in the Black Atlantic,” by João José Reis, Flávio dos Santos Gomes and Marcus
J.M. de Carvalho. Rufino was an alufá, or Muslim spiritual leader, born in the Oyo empire in
present-day Nigeria and enslaved during his adolescence. “The Story of Rufino” is an epic
tale, encapsulating the life of one man in search of freedom as well as the history of the
development of Salvador itself, a place inextricably linked with the diaspora across the Black
Atlantic. Another book for which I have deep affection is “The City of Women,” by the
American anthropologist Ruth Landes. It offers an intriguing perspective, focusing on
matriarchal power in candomblé, an Afro-Brazilian sacred practice, and revealing how the
social organization of its spiritual communities reverberates across the city.
If you want to feel the intensity of life on the streets of Salvador, these two books, both by
Amado, are indispensable: “Captains of the Sands” and “Dona Flor and Her Two
Husbands.” The first is a coming-of-age story in which we follow a group of children and
adolescents living on the streets and on the beaches around the Bay of All Saints. Written
more than 80 years ago, the book was banned and even burned in the public square during
the dictatorship of Getúlio Vargas in the first half of the 20th century. As a portrait of
Salvador, it is still relevant and reveals our deep inequalities. “Dona Flor and her Two
Husbands” is one of Amado’s most popular novels, translated into more than 30 languages
and adapted many times for theater, cinema, and television. The book is a kind of manifesto
for a woman’s liberation. Dona Flor possesses great culinary talent, and oppressed by a
patriarchal society, finds herself divided between two men, one being her deceased
husband. While the novel captures the daily life of the city in the 1940s, it is also a wonderful
guide to the cuisine of Salvador, with its African and Portuguese influences.
I invite readers to travel into the interior of Bahia, many hours by car from Salvador to the
region known as the Sertão, whose name translates loosely to “backwoods.” Two books can
also transport you there, and they are sides of the same story: “Backlands: The Canudos
Campaign,” by Euclides da Cunha, and “The War of the End of the World,” by Mario
Vargas Llosa.
“Backlands” is one of the most important works in the history of Brazilian literature. It is a
journalistic telling that introduces us not only to the brutal War of Canudos, but also to the
intriguing landscape of the Sertão, a place so full of contradictions. In his writing of the
conflict, da Cunha tells the story of the genesis of the tough sertanejo: a mythic,
cowboyesque figure of the drought-stricken, lawless interior. “The War of the End of the
World” is an essential epic that amplifies the narrative of “Backlands,” bringing a more imaginative, creative aspect to the story of Antônio Conselheiro, the spiritual leader of a
rebellion, and of the multitude that followed him to their deaths.
[Fonte: “Read Your Way Through Salvador”. In: The New York Times, 19/07/2023,<http://www.nytimes.com/2023/07/19/books/salvador-bahia-brazil-books.html> . Adaptado. Data
de acesso: 01/09/2023.]
The two books that present same gender main characters around which the
action centers are:
Q2280147
Literatura
Tema predominante ao longo de O avesso da pele, a tomada de consciência
sobre a negritude pode ser verificada em todos os trechos seguintes, EXCETO EM:
Q2263464
Português
Texto associado
ChatGPT ajuda a criar roteiro criativo de viagem
Planejar uma viagem pode ser uma tarefa desafiadora. Os guias, por sua natureza, mandam todos os leitores para os mesmos destinos. E as pesquisas na web podem ter como resultado dados confusos e inúteis. Mas, alguns viajantes que são fãs de tecnologia estão tendo sucesso recorrendo aos chatbots de inteligência artificial, como o ChatGPT e o Bard, para se inspirar e planejar as férias, tratando esses serviços como agentes de viagens gratuitos e sob demanda.
Alpa Patel, uma viajante ávida que vive na cidade de Nova Iorque, gostou da ideia de usar o ChatGPT porque ele oferece uma lista muito clara às pessoas. Ela está planejando uma viagem com a família para Edimburgo, na Escócia, no verão. Depois de ficar frustrada com a mesmice de sempre dos sites de viagens que aparecem no Google, Alpa teve uma ideia: que tal pedir alguns conselhos ao ChatGPT?
Ela perguntou de forma bem específica pelos passeios de um dia, adequados quando se tem um filho que enjoa ao andar de carro. Portanto, ela achava que não seria viável passar horas dentro de um carro para chegar a seu destino. Em resposta, o ChatGPT sugeriu a ela algumas opções nas quais ela poderia deslocar-se de trem.
(Disponível em: estadão.com.br. Acesso em: 26.06.2023. Adaptado)
O elemento de sequenciação e coesão textual
– Portanto –, em destaque no terceiro parágrafo, está
em coordenação com o enunciado anterior expressando relação de sentido de
Q2262352
Português
Interpretando-se a tira, é correto concluir que o efeito de
sentido nela produzido revela-se
Q2261939
Português
Assinale a alternativa que apresenta o enunciado redigido segundo a ortografia oficial e com a concordância de
acordo com a norma-padrão.
Q2261936
Português
Texto associado
ChatGPT ajuda a criar roteiro criativo de viagem
Planejar uma viagem pode ser uma tarefa desafiadora. Os guias, por sua natureza, mandam todos os leitores para os mesmos destinos. E as pesquisas na web podem ter como resultado dados confusos e inúteis. Mas, alguns viajantes que são fãs de tecnologia estão tendo sucesso recorrendo aos chatbots de inteligência artificial, como o ChatGPT e o Bard, para se inspirar e planejar as férias, tratando esses serviços como agentes de viagens gratuitos e sob demanda.
Alpa Patel, uma viajante ávida que vive na cidade de Nova Iorque, gostou da ideia de usar o ChatGPT porque ele oferece uma lista muito clara às pessoas. Ela está planejando uma viagem com a família para Edimburgo, na Escócia, no verão. Depois de ficar frustrada com a mesmice de sempre dos sites de viagens que aparecem no Google, Alpa teve uma ideia: que tal pedir alguns conselhos ao ChatGPT?
Ela perguntou de forma bem específica pelos passeios de um dia, adequados quando se tem um filho que enjoa ao andar de carro. Portanto, ela achava que não seria viável passar horas dentro de um carro para chegar a seu destino. Em resposta, o ChatGPT sugeriu a ela algumas opções nas quais ela poderia deslocar-se de trem.
(Disponível em: estadão.com.br. Acesso em: 26.06.2023. Adaptado)
O trecho destacado que pode ser expresso por um
pronome representando o objeto indireto do verbo a
que se subordina é:
Q2261935
Português
Texto associado
ChatGPT ajuda a criar roteiro criativo de viagem
Planejar uma viagem pode ser uma tarefa desafiadora. Os guias, por sua natureza, mandam todos os leitores para os mesmos destinos. E as pesquisas na web podem ter como resultado dados confusos e inúteis. Mas, alguns viajantes que são fãs de tecnologia estão tendo sucesso recorrendo aos chatbots de inteligência artificial, como o ChatGPT e o Bard, para se inspirar e planejar as férias, tratando esses serviços como agentes de viagens gratuitos e sob demanda.
Alpa Patel, uma viajante ávida que vive na cidade de Nova Iorque, gostou da ideia de usar o ChatGPT porque ele oferece uma lista muito clara às pessoas. Ela está planejando uma viagem com a família para Edimburgo, na Escócia, no verão. Depois de ficar frustrada com a mesmice de sempre dos sites de viagens que aparecem no Google, Alpa teve uma ideia: que tal pedir alguns conselhos ao ChatGPT?
Ela perguntou de forma bem específica pelos passeios de um dia, adequados quando se tem um filho que enjoa ao andar de carro. Portanto, ela achava que não seria viável passar horas dentro de um carro para chegar a seu destino. Em resposta, o ChatGPT sugeriu a ela algumas opções nas quais ela poderia deslocar-se de trem.
(Disponível em: estadão.com.br. Acesso em: 26.06.2023. Adaptado)
Observando-se a relação de subordinação da oração destacada no primeiro parágrafo – Planejar uma viagem –,
constata-se que ela tem equivalente de função na oração
que se destaca em:
Ano: 2023
Banca:
VUNESP
Órgão:
EsFCEx
Prova:
VUNESP - 2023 - EsFCEx - Oficial - Magistério em Português |
Q2260612
Português
As propostas atuais asseveram que o ensino de gramática na escola
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