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Q2064456 Inglês

Text I

Nurturing Multimodalism


    […]

   New learning collaborations call on the teacher as learner, and the learner as teacher. The teacher is a lifelong learner; this is simply more apparent in the Information Age. In instances of best practice, collaborative learning partnerships are forged between and among teachers for strategic, bottom-up, in-house professional development. This allows teachers to share in reflective, on-going, contextualized learning, tailored to their collective knowledge. This sharing also includes the learner as teacher. ELT typically employs learner-centered activities: these can include learners sharing their knowledge of strategic digital literacies with others in the classrooms.

   The digital universe, so threatening to adult notions of socially sanctioned literacies, is intuitive to children, who have been socialized into it, and for whom digital literacies are exploratory play. Adults may find new ways of communicating digitally to be quite baffling and confronting of our communicative expertise; children do not. Instant messaging systems, such as MSN, AOL, ICQ, for example, provide as natural a medium for communicating to them as telephones did for the baby-boomer generation. It is not fair for the teacher to treat Information and Communication Technologies as auxiliary communication with learners for whom it is mainstream and primary.

    Learning spaces are important. Although teachers seldom have much individual say in the layout of teaching spaces, collaborative relationships may help to encourage integrated digitization, where computers are not segregated in laboratories but are interspersed throughout the school environment. In digitally infused curricula, postmodern literacies do not supplant but complement modern literacies, so that access to information is driven by purpose and content rather than by the media available.


Adapted from: LOTHERINGTON, H. From literacy to multiliteracies in ELT. In: CUMMINS, J.; DAVISON, C. (Eds.) International Handbook of English Language Teaching. New York: Springer, 2007, p. 820. Available at: https://www.researchgate.net/publication/226802846_From_Literacy_to_Multiliter acies_in_ELT 

In the phrase “collaborative learning partnerships” (1st paragraph), the word “learning” is a(n) 
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Q2026108 Inglês
Read the text below and answer the question that follow:
Text 1:

What makes a school good? (Part I)

Everyone is concerned about the quality of education a school offers, but how is quality measured? We often hear that schools in some countries are excellent, while schools in other countries are filled with problems. What factors should we be looking at to judge how 'good' schools are or aren't? I decided to do some research on the topic to see if I could come up with some answers.

One way of deciding if a school is good is by looking at how many students go on to university when they leave. If you look at all the schools in the world, the country which sends the highest numbers of its students to university is Finland. So, I looked at conditions in Finnish schools to see what made them so successful.

Often you will hear people say that the best schools are those that are strict. So, are the schools in Finland very strict? The answer is no, they aren't. They are usually very informal places with teachers and students sharing ideas. In fact, Finnish schools have a unique way of dealing with students and this could be the reason why they are so successful. While students in many countries spend long hours in school studying boring subjects, lucky students in Finland have short school days and ten weeks of summer holidays.Added to that, lunch is free and there are lots of lessons in sport, music and art.

Also, Finnish schools seem to have a different philosophy. They believe in equality and making school seem like a home away from home, so students feel comfortable and enjoy going there. The aim of the schools is not only to focus on 'good' students but also to provide extra help to students that need it. The result of this is that less able students do much better in Finland than they would in other countries.

Taken from: Chapman, Joanne. Laser B1 +. Teacher's book. Macmillan, 2008.

According to the third paragraph, there are lots of lessons in music in Finnish schools.

Choose the only sentence in which the noun MUSIC was used correctly.

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Q2022977 Inglês

Text 4A1-II

You know a nun when you see one. The uniform, known as a habit, is a dead giveaway. But the outfit you’re picturing in your head might look very different from the one worn by the sisters at your local convent. And yet, each ensemble’s meaning is immediately clear. That’s because nuns abide by a sartorial system that is at once endlessly adaptable and instantly recognizable.
That’s an impressive feat for any visual system. In the case of nuns’ habits, that system relies on a standardized combination of symbolic elements. “It’s really a kit of parts”, says Lucienne Roberts, cofounder of a British publishing house devoted to design’s more esoteric subjects. For their latest book, Looking Good: A Visual Guide to the Nun’s Habit, Roberts worked with her team to dissect the dress of nuns from some 40 Catholic orders. The result is a fascinating work of reference on a subject to which you've almost certainly never paid much mind.
The book begins by cataloguing the various components that typically comprise a nun's habit. These may include things like veils, rosaries, tunics, medals, coifs (the cap worn under the veil), and sandals. It's a collection from which each religious order draws some, but not all, of its impeccable elements. This section provides the reader with a visual framework which relies on simple cues to distinguish between religious families.
For instance, many orders of nuns wear some form of girdle, be it a belt, a cord, or a cincture. Each type and subtype of garment carries specific connotations. Franciscan nuns, for instance, favor a cord over a leather belt, to reflect their order's devotion to poverty. Its four knots, plainly visible in the book as an illustration of the Franciscan garb, represent the order's vows of chastity, poverty, obedience, and enclosure.
These are the kinds of minutiae encoded in the book's pages, which the authors color code to differentiate between the various orders. Even the nuns' orientation on the page is significant; some face towards the reader, while others face away. This is to distinguish between sisterhoods that are active in their communities from ones that live cloistered lives, respectively. The book itself, like the habits it analyzes, is a form of information design.

Internet: <www.wired.com>(adapted). 
Parts of speech are traditional classes of words (such as adjectives, adverbs, etc.) that are distinguished according to the kind of idea denoted and the function performed in a sentence.
On the basis of this definition, it is correct to say that the words “almost” (last sentence of the second paragraph), “favor” (third sentence of the fourth paragraph), “which” (first sentence of the last paragraph) and “between” (third sentence of the last paragraph), which were taken from text 4A1-II, are, respectively, 
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Q2022976 Inglês

Text 4A1-II

You know a nun when you see one. The uniform, known as a habit, is a dead giveaway. But the outfit you’re picturing in your head might look very different from the one worn by the sisters at your local convent. And yet, each ensemble’s meaning is immediately clear. That’s because nuns abide by a sartorial system that is at once endlessly adaptable and instantly recognizable.
That’s an impressive feat for any visual system. In the case of nuns’ habits, that system relies on a standardized combination of symbolic elements. “It’s really a kit of parts”, says Lucienne Roberts, cofounder of a British publishing house devoted to design’s more esoteric subjects. For their latest book, Looking Good: A Visual Guide to the Nun’s Habit, Roberts worked with her team to dissect the dress of nuns from some 40 Catholic orders. The result is a fascinating work of reference on a subject to which you've almost certainly never paid much mind.
The book begins by cataloguing the various components that typically comprise a nun's habit. These may include things like veils, rosaries, tunics, medals, coifs (the cap worn under the veil), and sandals. It's a collection from which each religious order draws some, but not all, of its impeccable elements. This section provides the reader with a visual framework which relies on simple cues to distinguish between religious families.
For instance, many orders of nuns wear some form of girdle, be it a belt, a cord, or a cincture. Each type and subtype of garment carries specific connotations. Franciscan nuns, for instance, favor a cord over a leather belt, to reflect their order's devotion to poverty. Its four knots, plainly visible in the book as an illustration of the Franciscan garb, represent the order's vows of chastity, poverty, obedience, and enclosure.
These are the kinds of minutiae encoded in the book's pages, which the authors color code to differentiate between the various orders. Even the nuns' orientation on the page is significant; some face towards the reader, while others face away. This is to distinguish between sisterhoods that are active in their communities from ones that live cloistered lives, respectively. The book itself, like the habits it analyzes, is a form of information design.

Internet: <www.wired.com>(adapted). 
As used in text 4A1-II, the expression “dead giveaway” (second sentence of the first paragraph) indicates that nuns’ uniform
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Q2016705 Inglês
Activities for raising awareness of diversity

    Our first goal as language teachers is always to encourage our learners to make use of their developing language. Giving them a genuine communicative purpose and making it personal to them are two good ways of achieving this. For students beginning their journey to greater self-awareness, teachers could devise an inventory of learning skills for them to rate themselves on. This could include items such as ‘I keep my notes in order’, ‘I always make a note of homework and the date it should be done’ or whatever is appropriate to their level. Students could rate themselves privately, but then discuss with other students which ones they find most challenging, exchanging tips about how they could improve these aspects of learning. From these discussions, it will probably become clear that some students have already got good study strategies in place, even if some of them seem a little unusual. Revisiting the checklist later in the course helps learners to reflect on how they have improved and what they still need to work on. […]

    Making use of materials that include a diverse range of characters is another great way of initiating discussion and raising awareness of the issues. There may be no explicit mention made in the text of this diversity, thereby sending the implicit message that this is just how the world is. Students may see characters that they can relate to more easily, and feel more included generally. Other materials, such as the ‘Adventures on Inkling Island’ comic strips, explicitly showcase the daily challenges and talents of neurodiverse people, demonstrating that being different can be a strength in some situations.

    A powerful way of enabling people to understand how it might feel to be in the minority on a daily basis, whether in terms of physical abilities or cognitive function, is to set up experiential activities which challenge the participants to perform unusual tasks in conditions that make their usual way of working impossible. As well as being a fun way of introducing the topic for further discussion, these activities are usually very memorable and drive home the message that – in the vast majority of cases – lack of success in academic tasks is not due to laziness or stupidity.


Adapted from: https://www.teachingenglish.org.uk/article/raising-awarenessdiversity-language-classroom 
The underlined word in “make use of their developing language” (1st paragraph) is a(n) 
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Respostas
61: E
62: B
63: A
64: A
65: D