Questões de Vestibular Sobre inglês
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Michelle Hanson
Learning to play a musical instrument at any point in life is good for the brain. Who cares if I sound like a 'sick cow'?
It's exciting to know that I have done something right and rewarding – taking up the cello in my 60s. A new study from St. Andrew's University proves it. Taking up a musical instrument, even late in life, is good for the brain, and “can slow, stop, or even reverse, age or illness-related decline in mental functions". Hurrah!
My efforts have been rewarded, because starting the cello was a bit of a struggle, physically and mentally. Back then, my mother was alive, and rather critical: “You sound like a sick cow," she would cry out in a tormented way, but I persisted, joined an orchestra, and now here I am, with a bigger frontal cortex area than I might have otherwise had, and able to “adjust my behaviour more effectively in conflict-rich situations".
The more you practise the better, suggests the research. Good. It will spur me on, sick cow or not. Because I desperately need to keep my brain in order. Don't we all, if we're going to live to over 100? Last week I went for a walk with an old friend of mine and her dog. She is 92 and browned off.
“How are you?" I asked. “Fed up. I want to die." This was my mother's primary aim once she hit 96. “What do you want for your birthday?" we would ask. “To be dead!", she would say. No wonder. What else did life offer? At least my old friend could walk about. My mother could hardly walk, talk or eat.
If only they had played a musical instrument. You can do it sitting down, on your own, with friends, cheer yourself up, be in control, or wildly emotional. I cannot recommend it highly enough.
Fonte: http://www.theguardian.com/lifeandstyle/2013/sep/ 30/why-i-took-up-cello-in-60s
Glossário
took up: aprendi; struggle: luta/muito esforço; spur me on: encorajar/estimular; browned off: sem entusiasmo
Michelle Hanson
Learning to play a musical instrument at any point in life is good for the brain. Who cares if I sound like a 'sick cow'?
It's exciting to know that I have done something right and rewarding – taking up the cello in my 60s. A new study from St. Andrew's University proves it. Taking up a musical instrument, even late in life, is good for the brain, and “can slow, stop, or even reverse, age or illness-related decline in mental functions". Hurrah!
My efforts have been rewarded, because starting the cello was a bit of a struggle, physically and mentally. Back then, my mother was alive, and rather critical: “You sound like a sick cow," she would cry out in a tormented way, but I persisted, joined an orchestra, and now here I am, with a bigger frontal cortex area than I might have otherwise had, and able to “adjust my behaviour more effectively in conflict-rich situations".
The more you practise the better, suggests the research. Good. It will spur me on, sick cow or not. Because I desperately need to keep my brain in order. Don't we all, if we're going to live to over 100? Last week I went for a walk with an old friend of mine and her dog. She is 92 and browned off.
“How are you?" I asked. “Fed up. I want to die." This was my mother's primary aim once she hit 96. “What do you want for your birthday?" we would ask. “To be dead!", she would say. No wonder. What else did life offer? At least my old friend could walk about. My mother could hardly walk, talk or eat.
If only they had played a musical instrument. You can do it sitting down, on your own, with friends, cheer yourself up, be in control, or wildly emotional. I cannot recommend it highly enough.
Fonte: http://www.theguardian.com/lifeandstyle/2013/sep/ 30/why-i-took-up-cello-in-60s
Glossário
took up: aprendi; struggle: luta/muito esforço; spur me on: encorajar/estimular; browned off: sem entusiasmo
Alice Munro’s road to Nobel literature prize was not easy
Nobel literature prize winner Alice Munro.
Alice Munro has been awarded the 2013 Nobel Prize in literature, thus becoming its 13th female recipient. It’s a thrilling honour for a major writer: Munro has long been recognised in North America and the UK, but the Nobel will draw international attention, not only to women’s writing and Canadian writing, but to the short story, Munro’s chosen literary genre and one often neglected.
The road to the Nobel wasn’t an easy one for Munro. She found herself referred to as “some housewife”, and was told that her subject matter, being too “domestic”, was boring. A male writer told her she wrote good stories, but he wouldn’t want to sleep with her. “Nobody invited him,” said Munro. Maybe as a consequence of this initial reaction towards her, when writers occur in Munro stories, they are pretentious, or exploitative of others; or they’re being asked by their relatives why they aren’t famous, or – worse, if female – why they aren’t better-looking.
The chances that a literary star would emerge from her time and place would once have been zero. Munro was born in 1931, and thus experienced the Depression as a child and the Second World War as a teenager. This was in south-western Ontario, Canada, a region that also produced equally talented writers and poets such as Robertson Davies, Graeme Gibson, James Reaney, and Marian Engel. It’s this small-town setting that features most often in her stories – the snobberies, the eccentrics, and the jeering at ambitions, especially artistic ones.
Shame is a common driving force for Munro’s characters just as perfectionism in the writing and courage in her profession have been driving forces for her.
As in much else, Munro is essentially Canadian. Faced with the Nobel, she will be modest, she won’t get a swelled head. The rest of us, on this magnificent occasion, will just have to do that for her.
Besides Alice Munro's talent and courage, what other quality of this Nobel Prize winner is emphasized in the article?
Alice Munro’s road to Nobel literature prize was not easy
Nobel literature prize winner Alice Munro.
Alice Munro has been awarded the 2013 Nobel Prize in literature, thus becoming its 13th female recipient. It’s a thrilling honour for a major writer: Munro has long been recognised in North America and the UK, but the Nobel will draw international attention, not only to women’s writing and Canadian writing, but to the short story, Munro’s chosen literary genre and one often neglected.
The road to the Nobel wasn’t an easy one for Munro. She found herself referred to as “some housewife”, and was told that her subject matter, being too “domestic”, was boring. A male writer told her she wrote good stories, but he wouldn’t want to sleep with her. “Nobody invited him,” said Munro. Maybe as a consequence of this initial reaction towards her, when writers occur in Munro stories, they are pretentious, or exploitative of others; or they’re being asked by their relatives why they aren’t famous, or – worse, if female – why they aren’t better-looking.
The chances that a literary star would emerge from her time and place would once have been zero. Munro was born in 1931, and thus experienced the Depression as a child and the Second World War as a teenager. This was in south-western Ontario, Canada, a region that also produced equally talented writers and poets such as Robertson Davies, Graeme Gibson, James Reaney, and Marian Engel. It’s this small-town setting that features most often in her stories – the snobberies, the eccentrics, and the jeering at ambitions, especially artistic ones.
Shame is a common driving force for Munro’s characters just as perfectionism in the writing and courage in her profession have been driving forces for her.
As in much else, Munro is essentially Canadian. Faced with the Nobel, she will be modest, she won’t get a swelled head. The rest of us, on this magnificent occasion, will just have to do that for her.
In the third paragraph, in the sentence “This was in south-western Ontario", the pronoun “this" refers to
Alice Munro’s road to Nobel literature prize was not easy
Nobel literature prize winner Alice Munro.
Alice Munro has been awarded the 2013 Nobel Prize in literature, thus becoming its 13th female recipient. It’s a thrilling honour for a major writer: Munro has long been recognised in North America and the UK, but the Nobel will draw international attention, not only to women’s writing and Canadian writing, but to the short story, Munro’s chosen literary genre and one often neglected.
The road to the Nobel wasn’t an easy one for Munro. She found herself referred to as “some housewife”, and was told that her subject matter, being too “domestic”, was boring. A male writer told her she wrote good stories, but he wouldn’t want to sleep with her. “Nobody invited him,” said Munro. Maybe as a consequence of this initial reaction towards her, when writers occur in Munro stories, they are pretentious, or exploitative of others; or they’re being asked by their relatives why they aren’t famous, or – worse, if female – why they aren’t better-looking.
The chances that a literary star would emerge from her time and place would once have been zero. Munro was born in 1931, and thus experienced the Depression as a child and the Second World War as a teenager. This was in south-western Ontario, Canada, a region that also produced equally talented writers and poets such as Robertson Davies, Graeme Gibson, James Reaney, and Marian Engel. It’s this small-town setting that features most often in her stories – the snobberies, the eccentrics, and the jeering at ambitions, especially artistic ones.
Shame is a common driving force for Munro’s characters just as perfectionism in the writing and courage in her profession have been driving forces for her.
As in much else, Munro is essentially Canadian. Faced with the Nobel, she will be modest, she won’t get a swelled head. The rest of us, on this magnificent occasion, will just have to do that for her.
Alice Munro’s road to Nobel literature prize was not easy
Nobel literature prize winner Alice Munro.
Alice Munro has been awarded the 2013 Nobel Prize in literature, thus becoming its 13th female recipient. It’s a thrilling honour for a major writer: Munro has long been recognised in North America and the UK, but the Nobel will draw international attention, not only to women’s writing and Canadian writing, but to the short story, Munro’s chosen literary genre and one often neglected.
The road to the Nobel wasn’t an easy one for Munro. She found herself referred to as “some housewife”, and was told that her subject matter, being too “domestic”, was boring. A male writer told her she wrote good stories, but he wouldn’t want to sleep with her. “Nobody invited him,” said Munro. Maybe as a consequence of this initial reaction towards her, when writers occur in Munro stories, they are pretentious, or exploitative of others; or they’re being asked by their relatives why they aren’t famous, or – worse, if female – why they aren’t better-looking.
The chances that a literary star would emerge from her time and place would once have been zero. Munro was born in 1931, and thus experienced the Depression as a child and the Second World War as a teenager. This was in south-western Ontario, Canada, a region that also produced equally talented writers and poets such as Robertson Davies, Graeme Gibson, James Reaney, and Marian Engel. It’s this small-town setting that features most often in her stories – the snobberies, the eccentrics, and the jeering at ambitions, especially artistic ones.
Shame is a common driving force for Munro’s characters just as perfectionism in the writing and courage in her profession have been driving forces for her.
As in much else, Munro is essentially Canadian. Faced with the Nobel, she will be modest, she won’t get a swelled head. The rest of us, on this magnificent occasion, will just have to do that for her.
Alice Munro’s road to Nobel literature prize was not easy
Nobel literature prize winner Alice Munro.
Alice Munro has been awarded the 2013 Nobel Prize in literature, thus becoming its 13th female recipient. It’s a thrilling honour for a major writer: Munro has long been recognised in North America and the UK, but the Nobel will draw international attention, not only to women’s writing and Canadian writing, but to the short story, Munro’s chosen literary genre and one often neglected.
The road to the Nobel wasn’t an easy one for Munro. She found herself referred to as “some housewife”, and was told that her subject matter, being too “domestic”, was boring. A male writer told her she wrote good stories, but he wouldn’t want to sleep with her. “Nobody invited him,” said Munro. Maybe as a consequence of this initial reaction towards her, when writers occur in Munro stories, they are pretentious, or exploitative of others; or they’re being asked by their relatives why they aren’t famous, or – worse, if female – why they aren’t better-looking.
The chances that a literary star would emerge from her time and place would once have been zero. Munro was born in 1931, and thus experienced the Depression as a child and the Second World War as a teenager. This was in south-western Ontario, Canada, a region that also produced equally talented writers and poets such as Robertson Davies, Graeme Gibson, James Reaney, and Marian Engel. It’s this small-town setting that features most often in her stories – the snobberies, the eccentrics, and the jeering at ambitions, especially artistic ones.
Shame is a common driving force for Munro’s characters just as perfectionism in the writing and courage in her profession have been driving forces for her.
As in much else, Munro is essentially Canadian. Faced with the Nobel, she will be modest, she won’t get a swelled head. The rest of us, on this magnificent occasion, will just have to do that for her.
although the lyrics didn't make much sense to me: (l. 10)
His clever lyrics were often approved by the censors, (l. 24-25)
Nowadays, the lyrics are explicit (l. 34)
Based on these examples, lyrics is translated as:
If the two sentences above are rewritten as one, the result is:
He did that with the following aim:
The author's complete lack of knowledge is best established by means of the following sentence:
Sustainable flight
TAM was the first airline in South America to carry out an experimental flight using biofuel on November 22, 2010. Produced from the oil of 100% domestic nettlespurge, known in Portuguese as pinhão-manso, it reduces carbon emissions by between 65% and 80% compared with petroleum-derived kerosene, according to research. Besides, the plant does not threatens the food chain, as it is not edible for humans nor animals. “Compared with other biofuels, the fuel from this plant is very promising for the Brazilian scenario,” says Paulus Figueiredo, TAM’s fuel manager. The next step in the project is to implement a farming unit, in reduced scale, at TAM’s Technological Center in São Carlos (SP), exclusively to conduct studies and make better cultivation techniques viable. “The objective is to carry out studies concerning technical and economic viability to build a biofuel Brazilian platform based on nettlespurge,” explains TAM’s CEO, Líbano Barroso. The experimental flight was a joint effort between TAM, Airbus, CFM International (joint venture between U.S.’s GE and the French Safran Group) and Air BP. The trip was authorized by Brazil’s National Civil Aviation Agency (ANAC) and by the European Aviation Safety Agency (EASA).
(TAM News, January 2011. Adaptado.)
Sustainable flight
TAM was the first airline in South America to carry out an experimental flight using biofuel on November 22, 2010. Produced from the oil of 100% domestic nettlespurge, known in Portuguese as pinhão-manso, it reduces carbon emissions by between 65% and 80% compared with petroleum-derived kerosene, according to research. Besides, the plant does not threatens the food chain, as it is not edible for humans nor animals. “Compared with other biofuels, the fuel from this plant is very promising for the Brazilian scenario,” says Paulus Figueiredo, TAM’s fuel manager. The next step in the project is to implement a farming unit, in reduced scale, at TAM’s Technological Center in São Carlos (SP), exclusively to conduct studies and make better cultivation techniques viable. “The objective is to carry out studies concerning technical and economic viability to build a biofuel Brazilian platform based on nettlespurge,” explains TAM’s CEO, Líbano Barroso. The experimental flight was a joint effort between TAM, Airbus, CFM International (joint venture between U.S.’s GE and the French Safran Group) and Air BP. The trip was authorized by Brazil’s National Civil Aviation Agency (ANAC) and by the European Aviation Safety Agency (EASA).
(TAM News, January 2011. Adaptado.)
Sustainable flight
TAM was the first airline in South America to carry out an experimental flight using biofuel on November 22, 2010. Produced from the oil of 100% domestic nettlespurge, known in Portuguese as pinhão-manso, it reduces carbon emissions by between 65% and 80% compared with petroleum-derived kerosene, according to research. Besides, the plant does not threatens the food chain, as it is not edible for humans nor animals. “Compared with other biofuels, the fuel from this plant is very promising for the Brazilian scenario,” says Paulus Figueiredo, TAM’s fuel manager. The next step in the project is to implement a farming unit, in reduced scale, at TAM’s Technological Center in São Carlos (SP), exclusively to conduct studies and make better cultivation techniques viable. “The objective is to carry out studies concerning technical and economic viability to build a biofuel Brazilian platform based on nettlespurge,” explains TAM’s CEO, Líbano Barroso. The experimental flight was a joint effort between TAM, Airbus, CFM International (joint venture between U.S.’s GE and the French Safran Group) and Air BP. The trip was authorized by Brazil’s National Civil Aviation Agency (ANAC) and by the European Aviation Safety Agency (EASA).
(TAM News, January 2011. Adaptado.)
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