Questões de Concurso
Sobre interpretação de texto | reading comprehension em inglês
Foram encontradas 9.631 questões
Read this comic to answer questions 20 and 21.
In the last comic, Jon says that he'd better start making plans and Garfield adds that
Read this comic to answer questions 20 and 21.
In the comic, Jon decided to organize a party. So, in the first comic, he uses the present perfect "I’ve decided to throw a party" to
O trecho da música deve ser analisado para responder as perguntas a seguir
The war was lost
The treaty signed
I was not caught
I crossed the line
I was not caught
Though many tried
I live among you, well-disguised
I had to leave my life behind
I dug some graves
You'll never find the story's told
With facts and lies
I had a name but never mind
O personagem da canção:
O trecho da música deve ser analisado para responder as perguntas a seguir
The war was lost
The treaty signed
I was not caught
I crossed the line
I was not caught
Though many tried
I live among you, well-disguised
I had to leave my life behind
I dug some graves
You'll never find the story's told
With facts and lies
I had a name but never mind
É possível identificar o personagem da canção:
...I say to you today, my friends, so even though we face the difficulties of today and tomorrow, I still have a dream. It is a dream deeply rooted in the American dream. / have a dream that one day this nation will rise up and live out the true meaning of its creed: "We hold these truths to be self-evident: that all men are created equal.
A ideia central do texto é:
Scientists study the world’s oldest person
- After being bewildered by the “super grandmother’s” great health at 116 years old,
- scientists are studying Maria Branyas, the world’s oldest person, in an attempt to unearth the
- secret to a long life. Mr. Branyas was born __ San Francisco __ 1907, and __ the age of eight,
- she moved __ Catalonia, Spain, where her family was originally from. Ms. Branyas, known to her
- X followers as the “Super Catalan Grandma”, has lived in the region ever since and has resided
- in the same nursing home, Residència Santa María del Tura, for the last 22 years.
- She has agreed to undergo scientific testing, which researchers hope will further their
- understanding of certain illnesses associated with old age, such as neurodegenerative or
- cardiovascular diseases. Despite her age, Ms. Branyas has no health complications other than
- mobility issues and hearing (she suffered permanent hearing loss when she was a child). She also
- still has a great memory: “She has a completely lucid head,” scientist Manel Esteller told ABC, a
- Spanish outlet. “She remembers with impressive clarity episodes of her when she was only four
- years old, and she does not present any cardiovascular disease, common in elderly people.”
- Esteller, who studies genetics and how it applies to health conditions, became curious about how
- Ms. Branyas’ genetic makeup might affect her aging. After a long talk with Ms. Branyas, Mr.
- Esteller believes there must be more to her longevity than meets the eye.
- The remarkable woman has not had an easy life; she survived an earthquake while she
- was in the US, a major fire, both world wars, the Spanish Civil War, the Spanish Flu pandemic,
- and more recently, COVID-19 in 2020. Despite the various pandemics, wars, and family losses
- she has endured, her longevity has made scientists question what her secret could be. “We know
- Maria’s chronological age, 116 years, but we must determine her biological age,” Esteller said to
- ABC, believing that “she is much younger” physically. The scientist has taken biological samples
- of saliva, blood, and urine from Ms. Branyas, which are thought to be the “longest-lived” biological
- samples and have great scientific value, Josep Carreras, the head of a leukemia research institute,
- said to ABC. The samples will be compared with the 116-year-old’s middle daughter, who is 79
- years old.
- Ms. Branyas often has been asked what her secret is to her long life, and she uses her X
- account to post her advice for others. She attributed her longevity to “order, tranquillity, good
- connection with family and friends, contact with nature, emotional stability, no worries, no
- regrets, lots of positivity, and staying away from toxic people”. However, she also credits a great
- amount of luck. “It is clear that there is a genetic component because there are several members
- of her family who are over 90 years old,” said Esteller. The rare biological samples will assess her
- genes, which will hopefully advance the research of drugs that could help diseases associated
- with age and cancer. As for Ms. Branyas, she said on her X account that she is “very happy she
- can be useful for research and progress”.
(Available in: https://www.independent.co.uk/extras/lifestyle/maria-branyas-oldest-person-alive-spain-b2436228.html – text especially adapted for this test).
Which of the following statements about Ms. Branyas is INCORRECT?
Instruction: answer questions 31 to 40 based on the following text. The highlights throughout the text are cited in the questions.
Carnival
- ______ Carnival is ____ festival celebrated in _____countries of Catholic tradition, often
- with public parades of playful, imaginative wagons typically called "floats, masking, jokes and
- feasts”.
- Etymology
- The word carnival comes from the Latin "carnem levare" (=eliminate meat) and
- originally indicated the banquet that was held on the last day of Carnival (Mardi Gras),
- immediately before Lent, the period of fasting and abstinence when Christians would abstain
- _____ meat. The first evidence of the use of the word "carnevale" (or "carnevalo") are the texts
- of minstrel Matazone da Caligano of the late 13th century and writer Giovanni Sercambi around
- 1400.
- Carnival period
- In Catholic countries, traditionally Carnival begins on the Septuagesima Sunday (70
- days to Easter, it was the first of the nine Sundays before the Holy Week in the Gregorian
- calendar), and in the Roman rite ends on the Tuesday before Ash Wednesday, which marks the
- beginning of Lent. The climax is usually from Thursday until Tuesday, the last day of Carnival.
- Being connected with Easter which is a moveable feast, the final dates of Carnival vary each
- year, though in some places it may begin already on 17th January. Since Catholic Easter is on
- the Sunday after the 17first full moon of spring, therefore from 22 March to 25 April, and since
- there are 46 days between Ash Wednesday and Easter, then in non-leap years the last day of
- Carnival, Mardi Gras, can fall any time within February 3 to March 9.
- In the Ambrosian rite, which is followed in the Archdiocese of Milan and in some
- neighboring dioceses, Lent begins with the first Sunday of Lent, therefore the last day of
- Carnival is on Saturday, four days later than the Mardi Gras in other areas of Italy.
- Carnival in antiquity
- Although present in the Catholic tradition, Carnival has its origins in much older
- celebrations, such as the Greek Dionysian festivals ("Anthesteria") or the Roman "Saturnalia".
- During these ancient rites a temporary dissolution of the social obligations and hierarchies took
- place in favor of chaos, jokes and even debauchery. From a historical and religious point of
- view Carnival represented, therefore, a period of renewal, when chaos replaced the established
- order, but once festive period was over, a new or the old order re-emerged for another cycle
- until the next carnival.
- In Babylon, shortly after the vernal equinox the process of the foundation of the cosmos
- was re-enacted, described with the myth of the struggle of Marduk, the savior-god with Tiamat
- the dragon, which ended with the victory of the former. During these ceremonies a procession
- was held in which the forces of chaos were allegorically represented fighting the recreation of
- the universe, that is the myth of the death and resurrection of Marduk, the savior. In the parade
- there was a ship on wheels where the deities Moon and Sun were carried along a large avenue
- - a symbol of the Zodiac - to the sanctuary of Babylon, symbol of the earth. This period was
- accompanied by an unbridled freedom and a reversal of social order and morality.
- In the Roman world the feast in honor of the Egyptian goddess Isis involved the presence
- of masked groups, as told by Lucius Apuleius in the Metamorphoses (Book XI). Among the
- Romans the end of the old year was represented by a man covered with goat skins, carried in
- procession, hit with sticks and called Mamurius Veturius.
- Carnival is therefore a moment in a mythic cycle, it is the movement of spirits between
- heaven, earth and the underworld. In the spring, when the earth begins to show its power,
- Carnival opens a passage between the earth and the underworld, whose souls must be honored
- and for a short period the living lend them their bodies wearing masks. Masks therefore have
- often an apotropaic meaning, as the wearer takes on the features of the spirit represented.
- In the 15th and 16th centuries, the Medici in Florence organized large masked carts
- called "Trionfi" accompanied by carnival songs and dances one, the "Trionfo di Bacco e Arianna"
- also written by Lorenzo the Magnificent. In Rome under the Popes horse races took place and
- a called the "race of moccoletti" where runners bearing lit candles tried to blow out each other's
- candles.
(Available at: http://www.italyheritage.com/traditions/carnival/2023/04/14/ – text especially adapted for this test).
The sentence “Masks therefore have often an apotropaic meaning” (lines 47-48) can be rewritten with no significative changes in meaning as in:
Instruction: answer questions 31 to 40 based on the following text. The highlights throughout the text are cited in the questions.
Carnival
- ______ Carnival is ____ festival celebrated in _____countries of Catholic tradition, often
- with public parades of playful, imaginative wagons typically called "floats, masking, jokes and
- feasts”.
- Etymology
- The word carnival comes from the Latin "carnem levare" (=eliminate meat) and
- originally indicated the banquet that was held on the last day of Carnival (Mardi Gras),
- immediately before Lent, the period of fasting and abstinence when Christians would abstain
- _____ meat. The first evidence of the use of the word "carnevale" (or "carnevalo") are the texts
- of minstrel Matazone da Caligano of the late 13th century and writer Giovanni Sercambi around
- 1400.
- Carnival period
- In Catholic countries, traditionally Carnival begins on the Septuagesima Sunday (70
- days to Easter, it was the first of the nine Sundays before the Holy Week in the Gregorian
- calendar), and in the Roman rite ends on the Tuesday before Ash Wednesday, which marks the
- beginning of Lent. The climax is usually from Thursday until Tuesday, the last day of Carnival.
- Being connected with Easter which is a moveable feast, the final dates of Carnival vary each
- year, though in some places it may begin already on 17th January. Since Catholic Easter is on
- the Sunday after the 17first full moon of spring, therefore from 22 March to 25 April, and since
- there are 46 days between Ash Wednesday and Easter, then in non-leap years the last day of
- Carnival, Mardi Gras, can fall any time within February 3 to March 9.
- In the Ambrosian rite, which is followed in the Archdiocese of Milan and in some
- neighboring dioceses, Lent begins with the first Sunday of Lent, therefore the last day of
- Carnival is on Saturday, four days later than the Mardi Gras in other areas of Italy.
- Carnival in antiquity
- Although present in the Catholic tradition, Carnival has its origins in much older
- celebrations, such as the Greek Dionysian festivals ("Anthesteria") or the Roman "Saturnalia".
- During these ancient rites a temporary dissolution of the social obligations and hierarchies took
- place in favor of chaos, jokes and even debauchery. From a historical and religious point of
- view Carnival represented, therefore, a period of renewal, when chaos replaced the established
- order, but once festive period was over, a new or the old order re-emerged for another cycle
- until the next carnival.
- In Babylon, shortly after the vernal equinox the process of the foundation of the cosmos
- was re-enacted, described with the myth of the struggle of Marduk, the savior-god with Tiamat
- the dragon, which ended with the victory of the former. During these ceremonies a procession
- was held in which the forces of chaos were allegorically represented fighting the recreation of
- the universe, that is the myth of the death and resurrection of Marduk, the savior. In the parade
- there was a ship on wheels where the deities Moon and Sun were carried along a large avenue
- - a symbol of the Zodiac - to the sanctuary of Babylon, symbol of the earth. This period was
- accompanied by an unbridled freedom and a reversal of social order and morality.
- In the Roman world the feast in honor of the Egyptian goddess Isis involved the presence
- of masked groups, as told by Lucius Apuleius in the Metamorphoses (Book XI). Among the
- Romans the end of the old year was represented by a man covered with goat skins, carried in
- procession, hit with sticks and called Mamurius Veturius.
- Carnival is therefore a moment in a mythic cycle, it is the movement of spirits between
- heaven, earth and the underworld. In the spring, when the earth begins to show its power,
- Carnival opens a passage between the earth and the underworld, whose souls must be honored
- and for a short period the living lend them their bodies wearing masks. Masks therefore have
- often an apotropaic meaning, as the wearer takes on the features of the spirit represented.
- In the 15th and 16th centuries, the Medici in Florence organized large masked carts
- called "Trionfi" accompanied by carnival songs and dances one, the "Trionfo di Bacco e Arianna"
- also written by Lorenzo the Magnificent. In Rome under the Popes horse races took place and
- a called the "race of moccoletti" where runners bearing lit candles tried to blow out each other's
- candles.
(Available at: http://www.italyheritage.com/traditions/carnival/2023/04/14/ – text especially adapted for this test).
Analyze the following statements about the article:
I. Carnival is a festival with religious roots celebrated in countries of Catholic tradition.
II. The etymology of the word carnival, from the Latin carnem levare refers to the pagan Roman tradition of abstaining from meat in Lent.
III. Carnival has its origins in pagan festivals, and it was related to the temporary dissolution of social hierarchies and cycles of nature.
Which ones are correct?
Instruction: answer questions 31 to 40 based on the following text. The highlights throughout the text are cited in the questions.
Carnival
- ______ Carnival is ____ festival celebrated in _____countries of Catholic tradition, often
- with public parades of playful, imaginative wagons typically called "floats, masking, jokes and
- feasts”.
- Etymology
- The word carnival comes from the Latin "carnem levare" (=eliminate meat) and
- originally indicated the banquet that was held on the last day of Carnival (Mardi Gras),
- immediately before Lent, the period of fasting and abstinence when Christians would abstain
- _____ meat. The first evidence of the use of the word "carnevale" (or "carnevalo") are the texts
- of minstrel Matazone da Caligano of the late 13th century and writer Giovanni Sercambi around
- 1400.
- Carnival period
- In Catholic countries, traditionally Carnival begins on the Septuagesima Sunday (70
- days to Easter, it was the first of the nine Sundays before the Holy Week in the Gregorian
- calendar), and in the Roman rite ends on the Tuesday before Ash Wednesday, which marks the
- beginning of Lent. The climax is usually from Thursday until Tuesday, the last day of Carnival.
- Being connected with Easter which is a moveable feast, the final dates of Carnival vary each
- year, though in some places it may begin already on 17th January. Since Catholic Easter is on
- the Sunday after the 17first full moon of spring, therefore from 22 March to 25 April, and since
- there are 46 days between Ash Wednesday and Easter, then in non-leap years the last day of
- Carnival, Mardi Gras, can fall any time within February 3 to March 9.
- In the Ambrosian rite, which is followed in the Archdiocese of Milan and in some
- neighboring dioceses, Lent begins with the first Sunday of Lent, therefore the last day of
- Carnival is on Saturday, four days later than the Mardi Gras in other areas of Italy.
- Carnival in antiquity
- Although present in the Catholic tradition, Carnival has its origins in much older
- celebrations, such as the Greek Dionysian festivals ("Anthesteria") or the Roman "Saturnalia".
- During these ancient rites a temporary dissolution of the social obligations and hierarchies took
- place in favor of chaos, jokes and even debauchery. From a historical and religious point of
- view Carnival represented, therefore, a period of renewal, when chaos replaced the established
- order, but once festive period was over, a new or the old order re-emerged for another cycle
- until the next carnival.
- In Babylon, shortly after the vernal equinox the process of the foundation of the cosmos
- was re-enacted, described with the myth of the struggle of Marduk, the savior-god with Tiamat
- the dragon, which ended with the victory of the former. During these ceremonies a procession
- was held in which the forces of chaos were allegorically represented fighting the recreation of
- the universe, that is the myth of the death and resurrection of Marduk, the savior. In the parade
- there was a ship on wheels where the deities Moon and Sun were carried along a large avenue
- - a symbol of the Zodiac - to the sanctuary of Babylon, symbol of the earth. This period was
- accompanied by an unbridled freedom and a reversal of social order and morality.
- In the Roman world the feast in honor of the Egyptian goddess Isis involved the presence
- of masked groups, as told by Lucius Apuleius in the Metamorphoses (Book XI). Among the
- Romans the end of the old year was represented by a man covered with goat skins, carried in
- procession, hit with sticks and called Mamurius Veturius.
- Carnival is therefore a moment in a mythic cycle, it is the movement of spirits between
- heaven, earth and the underworld. In the spring, when the earth begins to show its power,
- Carnival opens a passage between the earth and the underworld, whose souls must be honored
- and for a short period the living lend them their bodies wearing masks. Masks therefore have
- often an apotropaic meaning, as the wearer takes on the features of the spirit represented.
- In the 15th and 16th centuries, the Medici in Florence organized large masked carts
- called "Trionfi" accompanied by carnival songs and dances one, the "Trionfo di Bacco e Arianna"
- also written by Lorenzo the Magnificent. In Rome under the Popes horse races took place and
- a called the "race of moccoletti" where runners bearing lit candles tried to blow out each other's
- candles.
(Available at: http://www.italyheritage.com/traditions/carnival/2023/04/14/ – text especially adapted for this test).
Which of the following sentences best summarizes the article?
How were the first 'voice mails' sent? In envelopes
“Hello Mother, Dad, and Blanche,” a quiet voice says above the cracks and pops of an old vinyl record, which has clearly been played many times over. “How’s everything at home? I’m recording this from Dallas…from this very little place where there are pinball machines and many other things like that…”
The disc is small, seven inches across, dated ___________ 1954. The faded green label shows that the speaker’s name is “Gene,” the recording addressed to “Folks.” Gene suggests in his minute-long message that he is traveling—“seeing America”—and tells his family not to worry about him.
“I should complete my trip sometime around Thanksgiving. I hope you received my letter and I, in turn, hope to receive some of the letters that you sent me.”
This largely forgotten sound is one of the world’s early “voice mails.” During the first half of the 20th century, these audio letters and other messages were recorded largely in booths, pressed onto metal discs and vinyl records, and mailed in places all over the world. Best known today for playing music at home, record players were then being used as a means of _____________ over long distances.
The idea of transporting a person’s voice had _________ large in the human imagination for some three centuries before it was finally achieved with the invention of the phonograph in the late 19th century. Historical documents from the Qing Dynasty in 16th-century China suggest the existence of a mysterious device called the “thousand-mile speaker,” a wooden cylinder that could be spoken into and sealed, such that the recipient could still hear the reverberations when opening it back up.
(Fonte: National Geographic - adaptado.)
According to the text, mark the CORRECT alternative:
O texto seguinte servirá de base para responder às questões de 21 a 25.
PUCKER UP I'm a dermatologist - you've been using lip balm all wrong - here's why your pout is still chapped
(1º§)YOU might be reaching for your lip balm more and more through these winter months. But are your lips still sore and chapped, no matter how much of the stuff you slather on? According to dermatology experts, the type of balm you put on your pout might be more important than the amount.
(2º§)Dr. Mona Gohara, an associate clinical professor of dermatology at the Yale School of Medicine, and Dr. Brendan Camp, a dermatologist at MDCS Dermatology in New York, told TODAY why some lip balms could do more harm than good.
(3º§)To start with, they discussed why your lips might be chapped in the first place. The cold weather can wreak havoc on them as the skin is very thin, so they're more likely to dry out, Dr Gohara said. Meanwhile, Dr Camp noted that the delicate skin of your pout can easily be irritated by ingredients in skincare or food, yeast or bacteria, and even enzymes in saliva.
(4º§)You might also not be giving them enough love: lot's of people forget about their lips when they're moisturising their face. But if your lips are dry and chapped not long after you apply your balm, you just might be using the wrong kind.
(5º§)Four things to avoid in a lip balm:
1.Tingly balms
2. Fragrances
3. Flavouring agents
4. Dyes
(6º§)Dr Camp said these might cause allergic contact dermatitis, a type of eczema triggered by contact with a particular substance. And if your lips are dry, cracked, red, scaly and itchy, you might have developed a sensitivity to an ingredient in your lip balm, he added. Moral of the story, check your lip balm ingredients.
(7º§)Since you're doing that, there are a few ingredients that will help hydrate your pout. Dr Camp said you want to look for ingredients that will help trap water in the skin while keeping it moisturized for a long period of time. "Ingredients like beeswax, olive oil, castor oil, coconut oil, and shea butter are often used for this purpose," he said.
(8º§)You should also be wearing a salve with SPF to protect your lips from the sun. Meanwhile, Dr Gohara said that your ideal balm will have a combination of humectants (like hyaluronic acid and glycerin), which draw moisture into the skin, and occlusives (such as shea butter and mineral oil), which lock moisture in.
(9º§)The NHS recommended you use one containing petroleum jelly or beeswax. It said: "Try a few different lip balms if one is not working for you - some people may be sensitive to some fragrances, dyes or cosmetic ingredients."
(10º§)As long as you're using the right type of balm, Dr Gohara said you can apply it multiple times a day. According to Dr Camp, it's best to put on lip balm once in the morning and once before bed. There are other ways of preventing dry lips too.
(11º§)Lisa Borg, skin specialist and nutritionist at the Pulse Light Clinc, said the best thing you can do is drink plenty of fluids throughout the day. Preferably quality water as opposed to dehydrating coffee and fizzy drinks, she noted.
(12º§)Lisa also recommended eating foods that simulate saliva production, such as apples, cucumbers, tomatoes, courgettes, watermelon, lemons, and crunchy fibrous vegetables like carrots and celery. Meanwhile, the NHS said you should wash your hands before applying lip balm and cover your lips with a scarf when you're outside in cold weather. If you're outdoors, use a balm with SPF 15 or more every two hours, it added.
(13º§)Common causes of dry lips: cold weather, dry air or wind; damage from the sun; dehydration; a lip injury; allergies; and lack of vitamins and minerals. If you have sore or dry lips, you should avoid: picking or biting any flaky skin on your lips - this can slow down healing; licking dry or cracked lips - this can make them sore; and sharing lip balms with other people - this can spread germs.
(adapted) -wwrongg-pu--chappeed .uk/health/21661055/dermatologist-using-lip-balm-wrong-pout-chapped/
Based on the text, what is the main cause of chapped lips during the winter months?
O texto seguinte servirá de base para responder às questões de 21 a 25.
PUCKER UP I'm a dermatologist - you've been using lip balm all wrong - here's why your pout is still chapped
(1º§)YOU might be reaching for your lip balm more and more through these winter months. But are your lips still sore and chapped, no matter how much of the stuff you slather on? According to dermatology experts, the type of balm you put on your pout might be more important than the amount.
(2º§)Dr. Mona Gohara, an associate clinical professor of dermatology at the Yale School of Medicine, and Dr. Brendan Camp, a dermatologist at MDCS Dermatology in New York, told TODAY why some lip balms could do more harm than good.
(3º§)To start with, they discussed why your lips might be chapped in the first place. The cold weather can wreak havoc on them as the skin is very thin, so they're more likely to dry out, Dr Gohara said. Meanwhile, Dr Camp noted that the delicate skin of your pout can easily be irritated by ingredients in skincare or food, yeast or bacteria, and even enzymes in saliva.
(4º§)You might also not be giving them enough love: lot's of people forget about their lips when they're moisturising their face. But if your lips are dry and chapped not long after you apply your balm, you just might be using the wrong kind.
(5º§)Four things to avoid in a lip balm:
1.Tingly balms
2. Fragrances
3. Flavouring agents
4. Dyes
(6º§)Dr Camp said these might cause allergic contact dermatitis, a type of eczema triggered by contact with a particular substance. And if your lips are dry, cracked, red, scaly and itchy, you might have developed a sensitivity to an ingredient in your lip balm, he added. Moral of the story, check your lip balm ingredients.
(7º§)Since you're doing that, there are a few ingredients that will help hydrate your pout. Dr Camp said you want to look for ingredients that will help trap water in the skin while keeping it moisturized for a long period of time. "Ingredients like beeswax, olive oil, castor oil, coconut oil, and shea butter are often used for this purpose," he said.
(8º§)You should also be wearing a salve with SPF to protect your lips from the sun. Meanwhile, Dr Gohara said that your ideal balm will have a combination of humectants (like hyaluronic acid and glycerin), which draw moisture into the skin, and occlusives (such as shea butter and mineral oil), which lock moisture in.
(9º§)The NHS recommended you use one containing petroleum jelly or beeswax. It said: "Try a few different lip balms if one is not working for you - some people may be sensitive to some fragrances, dyes or cosmetic ingredients."
(10º§)As long as you're using the right type of balm, Dr Gohara said you can apply it multiple times a day. According to Dr Camp, it's best to put on lip balm once in the morning and once before bed. There are other ways of preventing dry lips too.
(11º§)Lisa Borg, skin specialist and nutritionist at the Pulse Light Clinc, said the best thing you can do is drink plenty of fluids throughout the day. Preferably quality water as opposed to dehydrating coffee and fizzy drinks, she noted.
(12º§)Lisa also recommended eating foods that simulate saliva production, such as apples, cucumbers, tomatoes, courgettes, watermelon, lemons, and crunchy fibrous vegetables like carrots and celery. Meanwhile, the NHS said you should wash your hands before applying lip balm and cover your lips with a scarf when you're outside in cold weather. If you're outdoors, use a balm with SPF 15 or more every two hours, it added.
(13º§)Common causes of dry lips: cold weather, dry air or wind; damage from the sun; dehydration; a lip injury; allergies; and lack of vitamins and minerals. If you have sore or dry lips, you should avoid: picking or biting any flaky skin on your lips - this can slow down healing; licking dry or cracked lips - this can make them sore; and sharing lip balms with other people - this can spread germs.
(adapted) -wwrongg-pu--chappeed .uk/health/21661055/dermatologist-using-lip-balm-wrong-pout-chapped/
According to the text, it is important for people to look for lip balm ingredients that:
O texto seguinte servirá de base para responder às questões de 21 a 25.
PUCKER UP I'm a dermatologist - you've been using lip balm all wrong - here's why your pout is still chapped
(1º§)YOU might be reaching for your lip balm more and more through these winter months. But are your lips still sore and chapped, no matter how much of the stuff you slather on? According to dermatology experts, the type of balm you put on your pout might be more important than the amount.
(2º§)Dr. Mona Gohara, an associate clinical professor of dermatology at the Yale School of Medicine, and Dr. Brendan Camp, a dermatologist at MDCS Dermatology in New York, told TODAY why some lip balms could do more harm than good.
(3º§)To start with, they discussed why your lips might be chapped in the first place. The cold weather can wreak havoc on them as the skin is very thin, so they're more likely to dry out, Dr Gohara said. Meanwhile, Dr Camp noted that the delicate skin of your pout can easily be irritated by ingredients in skincare or food, yeast or bacteria, and even enzymes in saliva.
(4º§)You might also not be giving them enough love: lot's of people forget about their lips when they're moisturising their face. But if your lips are dry and chapped not long after you apply your balm, you just might be using the wrong kind.
(5º§)Four things to avoid in a lip balm:
1.Tingly balms
2. Fragrances
3. Flavouring agents
4. Dyes
(6º§)Dr Camp said these might cause allergic contact dermatitis, a type of eczema triggered by contact with a particular substance. And if your lips are dry, cracked, red, scaly and itchy, you might have developed a sensitivity to an ingredient in your lip balm, he added. Moral of the story, check your lip balm ingredients.
(7º§)Since you're doing that, there are a few ingredients that will help hydrate your pout. Dr Camp said you want to look for ingredients that will help trap water in the skin while keeping it moisturized for a long period of time. "Ingredients like beeswax, olive oil, castor oil, coconut oil, and shea butter are often used for this purpose," he said.
(8º§)You should also be wearing a salve with SPF to protect your lips from the sun. Meanwhile, Dr Gohara said that your ideal balm will have a combination of humectants (like hyaluronic acid and glycerin), which draw moisture into the skin, and occlusives (such as shea butter and mineral oil), which lock moisture in.
(9º§)The NHS recommended you use one containing petroleum jelly or beeswax. It said: "Try a few different lip balms if one is not working for you - some people may be sensitive to some fragrances, dyes or cosmetic ingredients."
(10º§)As long as you're using the right type of balm, Dr Gohara said you can apply it multiple times a day. According to Dr Camp, it's best to put on lip balm once in the morning and once before bed. There are other ways of preventing dry lips too.
(11º§)Lisa Borg, skin specialist and nutritionist at the Pulse Light Clinc, said the best thing you can do is drink plenty of fluids throughout the day. Preferably quality water as opposed to dehydrating coffee and fizzy drinks, she noted.
(12º§)Lisa also recommended eating foods that simulate saliva production, such as apples, cucumbers, tomatoes, courgettes, watermelon, lemons, and crunchy fibrous vegetables like carrots and celery. Meanwhile, the NHS said you should wash your hands before applying lip balm and cover your lips with a scarf when you're outside in cold weather. If you're outdoors, use a balm with SPF 15 or more every two hours, it added.
(13º§)Common causes of dry lips: cold weather, dry air or wind; damage from the sun; dehydration; a lip injury; allergies; and lack of vitamins and minerals. If you have sore or dry lips, you should avoid: picking or biting any flaky skin on your lips - this can slow down healing; licking dry or cracked lips - this can make them sore; and sharing lip balms with other people - this can spread germs.
(adapted) -wwrongg-pu--chappeed .uk/health/21661055/dermatologist-using-lip-balm-wrong-pout-chapped/
According to the text, it is correct to say that:
Written language and spoken language differ in several ways. A key difference between written and spoken languages is that written language tends to be more formal and complex than spoken language. For example, written English refers to the English language one notices in texts while spoken English is what one hears and uses for conversing with others. Although both written and spoken English can be used as mediums of communication, the key difference between written and spoken English is that while written English is textbased, spoken English is not. With that in mind, read the statements that follow and check the correct answer.
I. The writing of a text is usually detached in time and space from its reading. Speaking usually takes place in immediate interaction with known listeners and with the availability of immediate feedback.
II. Writing is less permanent and more easily changed. On the other hand, speaking is fixed and stable, for it is more likely to be organized and carefully formulated.
III. Writing normally uses a generally acceptable standard variety of the language whereas speech may sometimes be informal, therefore being associated with the use of slangs and colloquialisms.
IV.Spoken language involves speaking and listening skills while written language requires writing and reading skills.
V. Spoken English is more structured than written English, for spoken language can be both formal and informal depending on the context, and written language is mostly informal.
Based on the differences presented between written and spoken English, it is possible to say that are correct.
The experience of being hospitalised is usually an anxiety-provoking and even traumatic experience, especially for children. Children are particularly susceptible to the adverse effects of being ill, and their hospitalisation is a stressful event with potential unpleasant consequences for children and their families. In a sense, for children the hospital is like a foreign country to whose customs, language and culture they must learn to adapt, a situation which presents many challenges. Health care professionals, such as physicians, nurses, and psychologists, must be aware of the psychological and emotional needs of their patients, particularly those of children. Pediatric hospitals must go beyond a narrow focus of the medical aspect of treating children’s illnesses, by providing, for example, age-appropriate communication, support, and empathy, on the part of the medical and psychological staff, as means of interventions for those children who display marked signs of distress.
Avaiable in: https://www.oatext.com/Psychological-emotional-and-physical-experiences-of-hospitalized- children.php. Access: 30 Nov. 2022. Adapted.
“Age-appropriate communication, support and empathy” are mentioned in the text as examples of
The experience of being hospitalised is usually an anxiety-provoking and even traumatic experience, especially for children. Children are particularly susceptible to the adverse effects of being ill, and their hospitalisation is a stressful event with potential unpleasant consequences for children and their families. In a sense, for children the hospital is like a foreign country to whose customs, language and culture they must learn to adapt, a situation which presents many challenges. Health care professionals, such as physicians, nurses, and psychologists, must be aware of the psychological and emotional needs of their patients, particularly those of children. Pediatric hospitals must go beyond a narrow focus of the medical aspect of treating children’s illnesses, by providing, for example, age-appropriate communication, support, and empathy, on the part of the medical and psychological staff, as means of interventions for those children who display marked signs of distress.
Avaiable in: https://www.oatext.com/Psychological-emotional-and-physical-experiences-of-hospitalized- children.php. Access: 30 Nov. 2022. Adapted.
The text compares children’s experience in hospitals to being in a foreign country, because in both situations,
The Reasons Why We Dance
- As a choreographer, I get asked to share my opinion about a myriad of dance-related
- topics, from the practical, like “How can dance help you get in shape?” to the existential, like “Is
- my dancing a projection of my self-image?”. But the question I think matters most is: why do
- people dance? What is about moving our bodies to a song we love that is so joyfully Pavlovian?
- Why do we watch videos and take lessons on something that could be labeled as trivial? Why do
- we love it so?
- There are the obvious answers. We dance for physical fitness, mental clarity, emotional
- stability, and other such pluses. However, all these benefits could be attained by other means –
- though I confess I have yet to find a better alternative than a great “cha cha”* to lift both one’s
- heart rate and spirits. There must be something glorious about dancing that is more than just
- intangible. We cannot seem to explain it, yet we all know it so well that we do not hesitate to
- tap our feet to a Gershwin melody or pulse with the percussion of a samba rhythm.
- Perhaps dance is the way we express ourselves when words are insufficient. The joy we
- feel over newfound love, the determination we have in the face of great sorrow or adversity, the
- passionate fire of our youth, and the peacefulness of our softer and more graceful years – maybe
- they are never expressed more fully than through a waltz, or a tango, or a jive. We all want to
- be understood, and if we could truly speak the words that describe our feelings, how deep and
- powerful they would surely be. But alas, those words never seem to come to us just right. Maybe
- dance is simply a translator for the human heart.
- Perhaps dance is the medium through which we show the world who we truly are and who
- we can be. All of us, if we are honest, believe deep down that we are not ordinary. We know
- ourselves to be wonderfully unique, with many layers of personality and talent woven in such a
- way that no one on earth could possibly have our same make-up. We know it. We just do not
- always know how to prove it. Maybe dance gives us the opportunity. And perhaps dance is how
- we choose to remember, how we hold on to the past. It is how we relive __ fun-filled days of
- our youth or __ time we looked into their eyes and knew they were the one. It is our tribute to
- the heroes of yesterday who jitterbugged like carefree boys and girls, when tomorrow they would
- march as men and women to defend freedom’s cause. It is the chance to be __ princess again,
- waiting for __ outstretched hand and the call to __ romance that is graceful, true, and not as
- forgotten as the cynics say. When we dance, we can remember them all a little better, feel the
- butterflies once again, and if only for a moment, return to the purest part of our lives when time
- was of no matter…for we were dancing.
- Why do we dance? Every answer will be different, and that is as it should be. Perhaps the
- better question is, “Why would we not?”
*Cha Cha: an energetic modern dance.
(Available in: https://dancewithmeusa.com/why-we-dance-the-reasons/ – text especially adapted for this test).
Mark the INCORRECT statement about the article.
The Reasons Why We Dance
- As a choreographer, I get asked to share my opinion about a myriad of dance-related
- topics, from the practical, like “How can dance help you get in shape?” to the existential, like “Is
- my dancing a projection of my self-image?”. But the question I think matters most is: why do
- people dance? What is about moving our bodies to a song we love that is so joyfully Pavlovian?
- Why do we watch videos and take lessons on something that could be labeled as trivial? Why do
- we love it so?
- There are the obvious answers. We dance for physical fitness, mental clarity, emotional
- stability, and other such pluses. However, all these benefits could be attained by other means –
- though I confess I have yet to find a better alternative than a great “cha cha”* to lift both one’s
- heart rate and spirits. There must be something glorious about dancing that is more than just
- intangible. We cannot seem to explain it, yet we all know it so well that we do not hesitate to
- tap our feet to a Gershwin melody or pulse with the percussion of a samba rhythm.
- Perhaps dance is the way we express ourselves when words are insufficient. The joy we
- feel over newfound love, the determination we have in the face of great sorrow or adversity, the
- passionate fire of our youth, and the peacefulness of our softer and more graceful years – maybe
- they are never expressed more fully than through a waltz, or a tango, or a jive. We all want to
- be understood, and if we could truly speak the words that describe our feelings, how deep and
- powerful they would surely be. But alas, those words never seem to come to us just right. Maybe
- dance is simply a translator for the human heart.
- Perhaps dance is the medium through which we show the world who we truly are and who
- we can be. All of us, if we are honest, believe deep down that we are not ordinary. We know
- ourselves to be wonderfully unique, with many layers of personality and talent woven in such a
- way that no one on earth could possibly have our same make-up. We know it. We just do not
- always know how to prove it. Maybe dance gives us the opportunity. And perhaps dance is how
- we choose to remember, how we hold on to the past. It is how we relive __ fun-filled days of
- our youth or __ time we looked into their eyes and knew they were the one. It is our tribute to
- the heroes of yesterday who jitterbugged like carefree boys and girls, when tomorrow they would
- march as men and women to defend freedom’s cause. It is the chance to be __ princess again,
- waiting for __ outstretched hand and the call to __ romance that is graceful, true, and not as
- forgotten as the cynics say. When we dance, we can remember them all a little better, feel the
- butterflies once again, and if only for a moment, return to the purest part of our lives when time
- was of no matter…for we were dancing.
- Why do we dance? Every answer will be different, and that is as it should be. Perhaps the
- better question is, “Why would we not?”
*Cha Cha: an energetic modern dance.
(Available in: https://dancewithmeusa.com/why-we-dance-the-reasons/ – text especially adapted for this test).
When the author says “something that could be labeled as trivial” (l. 05), we understand that:
The Reasons Why We Dance
- As a choreographer, I get asked to share my opinion about a myriad of dance-related
- topics, from the practical, like “How can dance help you get in shape?” to the existential, like “Is
- my dancing a projection of my self-image?”. But the question I think matters most is: why do
- people dance? What is about moving our bodies to a song we love that is so joyfully Pavlovian?
- Why do we watch videos and take lessons on something that could be labeled as trivial? Why do
- we love it so?
- There are the obvious answers. We dance for physical fitness, mental clarity, emotional
- stability, and other such pluses. However, all these benefits could be attained by other means –
- though I confess I have yet to find a better alternative than a great “cha cha”* to lift both one’s
- heart rate and spirits. There must be something glorious about dancing that is more than just
- intangible. We cannot seem to explain it, yet we all know it so well that we do not hesitate to
- tap our feet to a Gershwin melody or pulse with the percussion of a samba rhythm.
- Perhaps dance is the way we express ourselves when words are insufficient. The joy we
- feel over newfound love, the determination we have in the face of great sorrow or adversity, the
- passionate fire of our youth, and the peacefulness of our softer and more graceful years – maybe
- they are never expressed more fully than through a waltz, or a tango, or a jive. We all want to
- be understood, and if we could truly speak the words that describe our feelings, how deep and
- powerful they would surely be. But alas, those words never seem to come to us just right. Maybe
- dance is simply a translator for the human heart.
- Perhaps dance is the medium through which we show the world who we truly are and who
- we can be. All of us, if we are honest, believe deep down that we are not ordinary. We know
- ourselves to be wonderfully unique, with many layers of personality and talent woven in such a
- way that no one on earth could possibly have our same make-up. We know it. We just do not
- always know how to prove it. Maybe dance gives us the opportunity. And perhaps dance is how
- we choose to remember, how we hold on to the past. It is how we relive __ fun-filled days of
- our youth or __ time we looked into their eyes and knew they were the one. It is our tribute to
- the heroes of yesterday who jitterbugged like carefree boys and girls, when tomorrow they would
- march as men and women to defend freedom’s cause. It is the chance to be __ princess again,
- waiting for __ outstretched hand and the call to __ romance that is graceful, true, and not as
- forgotten as the cynics say. When we dance, we can remember them all a little better, feel the
- butterflies once again, and if only for a moment, return to the purest part of our lives when time
- was of no matter…for we were dancing.
- Why do we dance? Every answer will be different, and that is as it should be. Perhaps the
- better question is, “Why would we not?”
*Cha Cha: an energetic modern dance.
(Available in: https://dancewithmeusa.com/why-we-dance-the-reasons/ – text especially adapted for this test).
Analyze the following statements about the text and mark T, if true, or F, if false.
( ) The author thinks there is not one right answer to the question in the title.
( ) Dancing is the only activity that brings both mental and physical benefits.
( ) The text says dancing could be used as a translator when we cannot put our emotions into words.
The correct order of filling the parentheses, from top to botton, is:
Village’s Amateur Archaeologists Find Lost Tudor Palace
- When a group of amateur archaeologists set out to find the buried remains of a Tudor palace
- in their Northamptonshire village five years ago, they knew the odds were against them. “Many
- of us were brought up in the village, and you hear about this lost palace, and wonder whether
- it’s a myth or real. So we just wanted to find it”, said Chris Close, the chair of the Collyweston
- Historical and Preservation Society (Chaps) which made the discovery of the Palace of
- Collyweston in a back garden this year. “But we’re a bunch of amateurs. We had no money, no
- expertise, no plans, no artist impressions to go off, and nothing remaining of the palace. It was
- naivety and just hard work that has led us to it”.
- The site was found using geophysical surveys and ground-penetrating radar. Various
- attempts had been made in the 1980s and 90s to find Collyweston Palace, the home of Henry
- VII’s mother, Lady Margaret Beaufort. However, without the advantage of modern technology,
- none had succeeded. The palace was famous during the 15th century and several historic events
- took place there. The pre-wedding celebrations of Margaret Tudor to James IV of Scotland in
- 1503 took place in the palace, and Henry VIII is recorded as holding court there on 16 and 17
- October 1541. By the mid-17th century, it had fallen into disrepair, and until the Chaps dig
- uncovered the palace walls in March, there was very little remaining evidence of its existence.
- “A number of things have only really come to light as we’ve done this project”, said Close.
- “As you do more and more research, and various different records start to become unearthed,
- we realized Collyweston had privy councils being run from here, which is of massive national
- importance”. Historians from the University of York helped verify the group’s findings and identify
- the palace through some uncovered stone moldings, and will work with Chaps on more
- excavations to further reveal the structure and conserve it for the future.
- The Chaps team, which comprises more than 80 members ranging from teenagers to people
- in their 70s and 80s, first set out their plan to find the palace in March 2018, using “local folktales
- and hearsay” to help refine their search area. They carried out geophysical surveys and used
- ground-penetrating radar (GPR) to help reveal the location of the palace walls, before securing
- permission from homeowners to excavate in gardens. “We’ve done it all on an absolute
- shoestring”, said Close. “We’ve basically done an £80,000-£90,000 project for roughly £13,000.
- For us, being a little society, to have achieved this with no money, or expertise, or plans, I think
- it’s something that the whole society should be proud of”.
(Available at: https://www.theguardian.com/science/2023/dec/06/tudor-collyweston-palace-northamptonshire-found-in-garden-by-amateur-archeologists - text especially adapted for this test).
Analyze the following statements about the text:
I. The “Chaps” is a society formed by people interested in archeology, its members are not required to have professional expertise in the area.
II. The group used technology to find the palace structure underground before they started the excavation.
III. The project received government funding through the University of York, which provided information about the palace’s possible location and the ground-penetrating radar.
Which ones are correct?