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Q2399780 Inglês

Leia o texto a seguir e responda às questões 51, 52 e 53.


Romance and Reality


Military service is demanding and dangerous. As I write this, American soldiers serve in remote and hostile environments. For young leaders in today's Army, the war on terror constitutes a difficult and sometimes tragic reality.

Meanwhile, in the small classrooms of West Point, young cadets consider war through the eyes of Rudyard Kipling, Carl Sandburg, and John McCrae. During his or her plebe year, every West Point cadet takes a semester of English literature, reading and discussing poetry from Ovid to Owen, Spenser to Springsteen. Cadets must also recite poems from memory, a challenge that many graduates recall years later as one of their toughest hurdles.

Why, in an age of increasingly technical and complex warfare, would America's future combat leaders spend sixteen weeks studying the likes of irony, rhyme, and meter?

Poetry confronts cadets with new ideas that challenge their worldview. The West Point curriculum includes poetry, history, philosophy, politics, and law, because these subjects provide a universe of new ideas, different perspectives, competing values and conflicting emotions. In combat, our graduates face similar challenges: whether to fire at a sniper hiding in a mosque, or how to negotiate agreements between competing tribal leaders. Schoolbook solutions to these problems do not exist; combat leaders must rely on their own morality, their own creativity, their own convictions. In teaching cadets poetry, we teach them not what to think, but how to think.


Adapted from https://www.poetryfoundation.org/search?query=romance+and+reality.

According to the sentence “Cadets must also recite poems from memory” (paragraph 2), it is correct to say that cadets

Alternativas
Q2399778 Inglês

Leia o texto a seguir e responda às questões 51, 52 e 53.


Romance and Reality


Military service is demanding and dangerous. As I write this, American soldiers serve in remote and hostile environments. For young leaders in today's Army, the war on terror constitutes a difficult and sometimes tragic reality.

Meanwhile, in the small classrooms of West Point, young cadets consider war through the eyes of Rudyard Kipling, Carl Sandburg, and John McCrae. During his or her plebe year, every West Point cadet takes a semester of English literature, reading and discussing poetry from Ovid to Owen, Spenser to Springsteen. Cadets must also recite poems from memory, a challenge that many graduates recall years later as one of their toughest hurdles.

Why, in an age of increasingly technical and complex warfare, would America's future combat leaders spend sixteen weeks studying the likes of irony, rhyme, and meter?

Poetry confronts cadets with new ideas that challenge their worldview. The West Point curriculum includes poetry, history, philosophy, politics, and law, because these subjects provide a universe of new ideas, different perspectives, competing values and conflicting emotions. In combat, our graduates face similar challenges: whether to fire at a sniper hiding in a mosque, or how to negotiate agreements between competing tribal leaders. Schoolbook solutions to these problems do not exist; combat leaders must rely on their own morality, their own creativity, their own convictions. In teaching cadets poetry, we teach them not what to think, but how to think.


Adapted from https://www.poetryfoundation.org/search?query=romance+and+reality.

According to the text, choose the correct statement.

Alternativas
Q2399777 Inglês

Leia o texto a seguir e responda às questões 48, 49 e 50.


Cornelius Ryan, the Irish D-Day Reporter Who Re-Invented Journalism


The father of modern literary journalism is Cornelius Ryan, whose massive “I was there” coverage of D-Day and its aftermath led to two incredible books and movies, The Longest Day and A Bridge Too Far. He was an unlikely war correspondent.

Ryan was on a boat that ditched on Normandy Beach on June 6, 1944. He followed the Allied invasion attached to General Patton’s army. Years later he put together perhaps the best book about war ever written. It was exquisite writing and research, and as Michael Shapiro wrote in the Columbia Journalism Review in 2010, “it broke completely new ground”.

Shapiro wrote, “The book (The Longest Day) was a triumph, earning rave reviews and sales that, within a few years, would stretch into the tens of millions in eighteen different languages. I opened the book on the eve of a long weekend. I was hooked after a single page. Something was taking place in the telling of this story that transcended journalism.”

The book was written when Ryan placed an ad in several newspapers in 1957 which went, “June 6th, 1944: Were You There?” One thousand, one hundred, and fifty people wrote back. And of that group, he interviewed 172 alone or with his assistants. Out of that came a book that puts you at the heart of the greatest invasion of all time. You are there as the invasion forces first gain the beaches and the Germans, taken by surprise, fight back furiously.

Ryan died at just 54 from prostate cancer. On his gravestone in Connecticut is his name and one word: “Reporter.” No one has earned that title more. He deserves to be remembered.


Adapted from https://www.irishcentral.com/roots/history/cornelius-ryan-irish-dday-reporter.

According to the text, read the statements and choose the correct alternative.


I – Cornelius Ryan was a reporter who documented WWII’s D-day and made history in journalism.

II – The book The Longest Day was written in 1944 on the eve of a long weekend.

III – “It broke completely new ground” (paragraph 2) means Ryan’s book was different from anything that had been done before.

IV – Ryan’s book The Longest Day was published in 18 different countries, but only in English.

V – The interviews of 1957 took place on several beaches, but were not used in the book The Longest Day.

Alternativas
Q2399776 Inglês

Leia o texto a seguir e responda às questões 48, 49 e 50.


Cornelius Ryan, the Irish D-Day Reporter Who Re-Invented Journalism


The father of modern literary journalism is Cornelius Ryan, whose massive “I was there” coverage of D-Day and its aftermath led to two incredible books and movies, The Longest Day and A Bridge Too Far. He was an unlikely war correspondent.

Ryan was on a boat that ditched on Normandy Beach on June 6, 1944. He followed the Allied invasion attached to General Patton’s army. Years later he put together perhaps the best book about war ever written. It was exquisite writing and research, and as Michael Shapiro wrote in the Columbia Journalism Review in 2010, “it broke completely new ground”.

Shapiro wrote, “The book (The Longest Day) was a triumph, earning rave reviews and sales that, within a few years, would stretch into the tens of millions in eighteen different languages. I opened the book on the eve of a long weekend. I was hooked after a single page. Something was taking place in the telling of this story that transcended journalism.”

The book was written when Ryan placed an ad in several newspapers in 1957 which went, “June 6th, 1944: Were You There?” One thousand, one hundred, and fifty people wrote back. And of that group, he interviewed 172 alone or with his assistants. Out of that came a book that puts you at the heart of the greatest invasion of all time. You are there as the invasion forces first gain the beaches and the Germans, taken by surprise, fight back furiously.

Ryan died at just 54 from prostate cancer. On his gravestone in Connecticut is his name and one word: “Reporter.” No one has earned that title more. He deserves to be remembered.


Adapted from https://www.irishcentral.com/roots/history/cornelius-ryan-irish-dday-reporter.

How many people wrote back when Ryan placed an ad in the newspapers in 1957 (paragraph 4)?

Alternativas
Q2399774 Inglês

Leia o texto a seguir e responda às questões 48, 49 e 50.


Cornelius Ryan, the Irish D-Day Reporter Who Re-Invented Journalism


The father of modern literary journalism is Cornelius Ryan, whose massive “I was there” coverage of D-Day and its aftermath led to two incredible books and movies, The Longest Day and A Bridge Too Far. He was an unlikely war correspondent.

Ryan was on a boat that ditched on Normandy Beach on June 6, 1944. He followed the Allied invasion attached to General Patton’s army. Years later he put together perhaps the best book about war ever written. It was exquisite writing and research, and as Michael Shapiro wrote in the Columbia Journalism Review in 2010, “it broke completely new ground”.

Shapiro wrote, “The book (The Longest Day) was a triumph, earning rave reviews and sales that, within a few years, would stretch into the tens of millions in eighteen different languages. I opened the book on the eve of a long weekend. I was hooked after a single page. Something was taking place in the telling of this story that transcended journalism.”

The book was written when Ryan placed an ad in several newspapers in 1957 which went, “June 6th, 1944: Were You There?” One thousand, one hundred, and fifty people wrote back. And of that group, he interviewed 172 alone or with his assistants. Out of that came a book that puts you at the heart of the greatest invasion of all time. You are there as the invasion forces first gain the beaches and the Germans, taken by surprise, fight back furiously.

Ryan died at just 54 from prostate cancer. On his gravestone in Connecticut is his name and one word: “Reporter.” No one has earned that title more. He deserves to be remembered.


Adapted from https://www.irishcentral.com/roots/history/cornelius-ryan-irish-dday-reporter.

In the sentence “...whose massive ‘I was there’ coverage of D-Day…” (paragraph 1), the word whose refers to

Alternativas
Respostas
91: C
92: B
93: A
94: C
95: D