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I. Cada tupla deve conter somente um valor para cada um dos seus atributos.
II. Não existe ordem para os componentes de uma tupla.
III. Cada subconjunto de uma tupla é outra tupla.
É correto o que se afirma em
I. Programas feitos para versão de 32 bits do Microsoft Windows 7 funcionam também nas versões de 64 bits do sistema operacional, como, por exemplo, aplicativos de escritório, antivírus e outros.
II. Os drives de dispositivo, mesmo tendo sido criados para funcionar com a versão de 64 bits do Microsoft Windows 7, funcionarão em computadores com uma versão de 32 bits do mesmo sistema operacional.
III. Para saber se o processador do computador é compatível com a versão de 64 bits do Windows 7, é possível acessar as informações contidas no Painel de Controle do sistema operacional.
É correto o que se afirma em
I feito sob medida para o usuário.
II. fornece auxílio em situações com alto grau de incerteza.
III. voltado para o futuro.
Analisando estas características, é correto afirmar que a descrição refere-se ao seguinte tipo de sistema de informação:
A pair ____ astronauts floated outside the International Space Station on Tuesday ____ a planned 6.5-hour spacewalk to perform maintenance work including putting an old cooling pump into storage.
Available in: http://www.theguardian.com
Starring Sandra Bullock and George Clooney as astronauts adrift in
space, Alfonso Cuarón’s astonishing thriller is one of the films of
the year, says Robbie Collin
Watch an astronaut drifting through space for long enough and eventually you notice how much they look like a newborn baby. The oxygen helmet makes their head bigger, rounder and cuter; their hands grasp eagerly at whatever happens to be passing; their limbs are made fat and their movements simple by the spacesuit’s cuddly bulk. They tumble head-over-heels like tripping toddlers or simply bob there in amniotic suspension. Even the lifeline that keeps them tethered to their ship has a pulsing, umbilical aspect.
Gravity, the new Alfonso Cuarón picture, is a heart- achingly tender film about the miracle of motherhood, and the billion-to-one odds against any of us being here, astronauts or not. It’s also a totally absorbing, often overpowering spectacle - a $100 million 3D action movie in which Sandra Bullock and George Clooney play two Hollywood-handsome spacefarers, fighting for their lives 375 miles above the Earth’s crust.
A series of captions over the opening titles reminds us that this is a dead zone: no oxygen or air pressure, and nothing to carry sound. “Life in space is impossible,” the final message tells us, as the cinema shakes with Steven Price’s resonant score, and then suddenly falls quiet.
For Dr. Ryan Stone (Bullock), a mission specialist in orbit for the first time, the lack of noise is welcome. She’s a medical engineer called up by NASA to install new software on to the Hubble Telescope, but also a mother in mourning for her four- year-old daughter, whom she lost in a senseless accident, and the silence enfolds her like a comfort blanket.
Available in: http://www.telegraph.co.uk
“The oxygen helmet makes their1 head bigger2 , rounder and cuter; their hands3 grasp eagerly at whatever happens to be passing; their limbs are made fat and their movements simple by the spacesuit’s cuddly bulk.”
Starring Sandra Bullock and George Clooney as astronauts adrift in
space, Alfonso Cuarón’s astonishing thriller is one of the films of
the year, says Robbie Collin
Watch an astronaut drifting through space for long enough and eventually you notice how much they look like a newborn baby. The oxygen helmet makes their head bigger, rounder and cuter; their hands grasp eagerly at whatever happens to be passing; their limbs are made fat and their movements simple by the spacesuit’s cuddly bulk. They tumble head-over-heels like tripping toddlers or simply bob there in amniotic suspension. Even the lifeline that keeps them tethered to their ship has a pulsing, umbilical aspect.
Gravity, the new Alfonso Cuarón picture, is a heart- achingly tender film about the miracle of motherhood, and the billion-to-one odds against any of us being here, astronauts or not. It’s also a totally absorbing, often overpowering spectacle - a $100 million 3D action movie in which Sandra Bullock and George Clooney play two Hollywood-handsome spacefarers, fighting for their lives 375 miles above the Earth’s crust.
A series of captions over the opening titles reminds us that this is a dead zone: no oxygen or air pressure, and nothing to carry sound. “Life in space is impossible,” the final message tells us, as the cinema shakes with Steven Price’s resonant score, and then suddenly falls quiet.
For Dr. Ryan Stone (Bullock), a mission specialist in orbit for the first time, the lack of noise is welcome. She’s a medical engineer called up by NASA to install new software on to the Hubble Telescope, but also a mother in mourning for her four- year-old daughter, whom she lost in a senseless accident, and the silence enfolds her like a comfort blanket.
Available in: http://www.telegraph.co.uk
“Watch an astronaut drifting through space for long enough and eventually you notice how much they look like a newborn baby.”
Starring Sandra Bullock and George Clooney as astronauts adrift in
space, Alfonso Cuarón’s astonishing thriller is one of the films of
the year, says Robbie Collin
Watch an astronaut drifting through space for long enough and eventually you notice how much they look like a newborn baby. The oxygen helmet makes their head bigger, rounder and cuter; their hands grasp eagerly at whatever happens to be passing; their limbs are made fat and their movements simple by the spacesuit’s cuddly bulk. They tumble head-over-heels like tripping toddlers or simply bob there in amniotic suspension. Even the lifeline that keeps them tethered to their ship has a pulsing, umbilical aspect.
Gravity, the new Alfonso Cuarón picture, is a heart- achingly tender film about the miracle of motherhood, and the billion-to-one odds against any of us being here, astronauts or not. It’s also a totally absorbing, often overpowering spectacle - a $100 million 3D action movie in which Sandra Bullock and George Clooney play two Hollywood-handsome spacefarers, fighting for their lives 375 miles above the Earth’s crust.
A series of captions over the opening titles reminds us that this is a dead zone: no oxygen or air pressure, and nothing to carry sound. “Life in space is impossible,” the final message tells us, as the cinema shakes with Steven Price’s resonant score, and then suddenly falls quiet.
For Dr. Ryan Stone (Bullock), a mission specialist in orbit for the first time, the lack of noise is welcome. She’s a medical engineer called up by NASA to install new software on to the Hubble Telescope, but also a mother in mourning for her four- year-old daughter, whom she lost in a senseless accident, and the silence enfolds her like a comfort blanket.
Available in: http://www.telegraph.co.uk
“It’s also a totally absorbing, often overpowering spectacle – a $100 million 3D action movie in which Sandra Bullock and George Clooney play two Hollywood-handsome spacefarers, fighting for their lives 375 miles above the Earth’s crust.”
According to the context and considering the text, it is correct to affirm that the underlined word refers to
“____ October 8th , interested skywatchers should attempt to see the total eclipse of the moon and the rising sun simultaneously.”
Available in: http://www.livescience.com
I. The team of astronauts had the potential to execute the experiments.
II. The university library will be closed until the end of the week.
III. The results of the experiments are different.
The sentence(s) in which the underlined word is a false cognate is(are)