Questões de Vestibular de Inglês - Interpretação de texto | Reading comprehension
Foram encontradas 4.863 questões
Q1782765
Inglês
WORLD CINEMA DRAMATIC SPECIAL JURY
AWARD: ACTING
Val is the kind of live-in housekeeper who takes her work seriously. She wears a crisp maid’s uniform while serving perfect canapés; she serves her wealthy São Paulo employers day in and day out while lovingly nannying their teenage son whom she’s raised since toddlerhood. Everyone and everything in the elegant house has its place until one day, Val’s ambitious, clever daughter Jessica arrives from Val’s hometown to take the college entrance examination. Jessica’s confident, youthful presence upsets the unspoken yet strict balance of power in the household; Val must decide where her allegiances lie and what she’s willing to sacrifice.
With subtly dark, giddy humor and keenly drawn characters, director Anna Muylaert mines the incendiary drama when old ideas and new worlds collide. The immense satisfaction and fun of The Second Mother stem from watching tacit social codes and delicate hierarchies waver as a new generation blithely treads on sacrosanct boundaries. Muylaert has given us a fresh, contemporary spin on class in Brazil, wrapped in a deeply moving story of what belonging and family mean.
Disponível em: http://www.sundance.org/projects/the-second-mother. Acesso em nov. 2015.
De acordo com a sinopse, o tema central do filme baseia-se:
Val is the kind of live-in housekeeper who takes her work seriously. She wears a crisp maid’s uniform while serving perfect canapés; she serves her wealthy São Paulo employers day in and day out while lovingly nannying their teenage son whom she’s raised since toddlerhood. Everyone and everything in the elegant house has its place until one day, Val’s ambitious, clever daughter Jessica arrives from Val’s hometown to take the college entrance examination. Jessica’s confident, youthful presence upsets the unspoken yet strict balance of power in the household; Val must decide where her allegiances lie and what she’s willing to sacrifice.
With subtly dark, giddy humor and keenly drawn characters, director Anna Muylaert mines the incendiary drama when old ideas and new worlds collide. The immense satisfaction and fun of The Second Mother stem from watching tacit social codes and delicate hierarchies waver as a new generation blithely treads on sacrosanct boundaries. Muylaert has given us a fresh, contemporary spin on class in Brazil, wrapped in a deeply moving story of what belonging and family mean.
Disponível em: http://www.sundance.org/projects/the-second-mother. Acesso em nov. 2015.
De acordo com a sinopse, o tema central do filme baseia-se:
Ano: 2015
Banca:
FCC
Órgão:
UNINOVE
Prova:
FCC - 2015 - UNINOVE - Processo Seletivo Medicina - Conhecimentos Gerais |
Q1782402
Inglês
Texto associado
Leia o texto para responder à questão.
You need only go back 70 years to a time when a scratch and a common infection could prove deadly. Routine surgery and childbirth could be a hazardous business. Penicillin had been discovered in 1928 by Sir Alexander Fleming, but human trials did not begin for over a decade. The first patient was an Oxford policeman, Albert Alexander, who had scratched his face on a rose bush and the wound became seriously infected (another historical version has him injured in a bombing raid). He was treated with penicillin and his condition rapidly improved, but supplies ran out before he could be cured and he died. By the end of the war penicillin was being widely produced, and other drugs quickly followed - marking the start of the antibiotic era.
So most of us have grown up with these miracle drugs readily available. It’s understandable that patients and some doctors simply can’t comprehend the concept of a pre-antibiotic world. But that is what’s at stake unless the threat is taken seriously.
• Rise of superbugs
Much of modern medicine is now underpinned by antibiotics. Surgery is more invasive than ever: from hip replacements to cancer treatment and transplants - antibiotics are essential to prevent and treat infection. There have been repeated calls on doctors to curb the overuse of antibiotics going back many years.
Whilst it is important that the NHS (National Health System in England) exercises better stewardship of antibiotics, it is worth remembering that this is a global problem that requires global solutions. Superbug infections respect no borders and have spread from continent to continent with ease. This is a serious concern because many developing countries have far poorer controls on antibiotic use.
• Misuse
Last year the World Health Organization found that some antibiotics could be bought legally over the counter in 19 out of 43 European countries surveyed. Then there is the widespread misuse of antibiotics in agriculture, in farmed animals and fish. More antibiotics are used in livestock production than for human health and there is widespread concern about the use of long-term, low-dose antibiotics in animal feed in countries like the US, China and India.
Part of the problem is due to simple evolutionary pressure: bacteria are constantly evolving, and resistant strains emerging. This means there is a constant battle to stay ahead of the germs. But developing new antibiotics has proved hugely difficult - it’s nearly 30 years since the last new class of antibiotics came on the market.
According to the sixth paragraph,
Ano: 2015
Banca:
FCC
Órgão:
UNINOVE
Prova:
FCC - 2015 - UNINOVE - Processo Seletivo Medicina - Conhecimentos Gerais |
Q1782400
Inglês
Texto associado
Leia o texto para responder à questão.
You need only go back 70 years to a time when a scratch and a common infection could prove deadly. Routine surgery and childbirth could be a hazardous business. Penicillin had been discovered in 1928 by Sir Alexander Fleming, but human trials did not begin for over a decade. The first patient was an Oxford policeman, Albert Alexander, who had scratched his face on a rose bush and the wound became seriously infected (another historical version has him injured in a bombing raid). He was treated with penicillin and his condition rapidly improved, but supplies ran out before he could be cured and he died. By the end of the war penicillin was being widely produced, and other drugs quickly followed - marking the start of the antibiotic era.
So most of us have grown up with these miracle drugs readily available. It’s understandable that patients and some doctors simply can’t comprehend the concept of a pre-antibiotic world. But that is what’s at stake unless the threat is taken seriously.
• Rise of superbugs
Much of modern medicine is now underpinned by antibiotics. Surgery is more invasive than ever: from hip replacements to cancer treatment and transplants - antibiotics are essential to prevent and treat infection. There have been repeated calls on doctors to curb the overuse of antibiotics going back many years.
Whilst it is important that the NHS (National Health System in England) exercises better stewardship of antibiotics, it is worth remembering that this is a global problem that requires global solutions. Superbug infections respect no borders and have spread from continent to continent with ease. This is a serious concern because many developing countries have far poorer controls on antibiotic use.
• Misuse
Last year the World Health Organization found that some antibiotics could be bought legally over the counter in 19 out of 43 European countries surveyed. Then there is the widespread misuse of antibiotics in agriculture, in farmed animals and fish. More antibiotics are used in livestock production than for human health and there is widespread concern about the use of long-term, low-dose antibiotics in animal feed in countries like the US, China and India.
Part of the problem is due to simple evolutionary pressure: bacteria are constantly evolving, and resistant strains emerging. This means there is a constant battle to stay ahead of the germs. But developing new antibiotics has proved hugely difficult - it’s nearly 30 years since the last new class of antibiotics came on the market.
No trecho final do quarto parágrafo “This is a serious
concern”, o termo em destaque se refere
Ano: 2015
Banca:
FCC
Órgão:
UNINOVE
Prova:
FCC - 2015 - UNINOVE - Processo Seletivo Medicina - Conhecimentos Gerais |
Q1782399
Inglês
Texto associado
Leia o texto para responder à questão.
You need only go back 70 years to a time when a scratch and a common infection could prove deadly. Routine surgery and childbirth could be a hazardous business. Penicillin had been discovered in 1928 by Sir Alexander Fleming, but human trials did not begin for over a decade. The first patient was an Oxford policeman, Albert Alexander, who had scratched his face on a rose bush and the wound became seriously infected (another historical version has him injured in a bombing raid). He was treated with penicillin and his condition rapidly improved, but supplies ran out before he could be cured and he died. By the end of the war penicillin was being widely produced, and other drugs quickly followed - marking the start of the antibiotic era.
So most of us have grown up with these miracle drugs readily available. It’s understandable that patients and some doctors simply can’t comprehend the concept of a pre-antibiotic world. But that is what’s at stake unless the threat is taken seriously.
• Rise of superbugs
Much of modern medicine is now underpinned by antibiotics. Surgery is more invasive than ever: from hip replacements to cancer treatment and transplants - antibiotics are essential to prevent and treat infection. There have been repeated calls on doctors to curb the overuse of antibiotics going back many years.
Whilst it is important that the NHS (National Health System in England) exercises better stewardship of antibiotics, it is worth remembering that this is a global problem that requires global solutions. Superbug infections respect no borders and have spread from continent to continent with ease. This is a serious concern because many developing countries have far poorer controls on antibiotic use.
• Misuse
Last year the World Health Organization found that some antibiotics could be bought legally over the counter in 19 out of 43 European countries surveyed. Then there is the widespread misuse of antibiotics in agriculture, in farmed animals and fish. More antibiotics are used in livestock production than for human health and there is widespread concern about the use of long-term, low-dose antibiotics in animal feed in countries like the US, China and India.
Part of the problem is due to simple evolutionary pressure: bacteria are constantly evolving, and resistant strains emerging. This means there is a constant battle to stay ahead of the germs. But developing new antibiotics has proved hugely difficult - it’s nearly 30 years since the last new class of antibiotics came on the market.
Conforme as informações do terceiro parágrafo, a medicina
atual
Ano: 2015
Banca:
FCC
Órgão:
UNINOVE
Prova:
FCC - 2015 - UNINOVE - Processo Seletivo Medicina - Conhecimentos Gerais |
Q1782395
Inglês
Texto associado
Leia o texto para responder à questão.
You need only go back 70 years to a time when a scratch and a common infection could prove deadly. Routine surgery and childbirth could be a hazardous business. Penicillin had been discovered in 1928 by Sir Alexander Fleming, but human trials did not begin for over a decade. The first patient was an Oxford policeman, Albert Alexander, who had scratched his face on a rose bush and the wound became seriously infected (another historical version has him injured in a bombing raid). He was treated with penicillin and his condition rapidly improved, but supplies ran out before he could be cured and he died. By the end of the war penicillin was being widely produced, and other drugs quickly followed - marking the start of the antibiotic era.
So most of us have grown up with these miracle drugs readily available. It’s understandable that patients and some doctors simply can’t comprehend the concept of a pre-antibiotic world. But that is what’s at stake unless the threat is taken seriously.
• Rise of superbugs
Much of modern medicine is now underpinned by antibiotics. Surgery is more invasive than ever: from hip replacements to cancer treatment and transplants - antibiotics are essential to prevent and treat infection. There have been repeated calls on doctors to curb the overuse of antibiotics going back many years.
Whilst it is important that the NHS (National Health System in England) exercises better stewardship of antibiotics, it is worth remembering that this is a global problem that requires global solutions. Superbug infections respect no borders and have spread from continent to continent with ease. This is a serious concern because many developing countries have far poorer controls on antibiotic use.
• Misuse
Last year the World Health Organization found that some antibiotics could be bought legally over the counter in 19 out of 43 European countries surveyed. Then there is the widespread misuse of antibiotics in agriculture, in farmed animals and fish. More antibiotics are used in livestock production than for human health and there is widespread concern about the use of long-term, low-dose antibiotics in animal feed in countries like the US, China and India.
Part of the problem is due to simple evolutionary pressure: bacteria are constantly evolving, and resistant strains emerging. This means there is a constant battle to stay ahead of the germs. But developing new antibiotics has proved hugely difficult - it’s nearly 30 years since the last new class of antibiotics came on the market.
According to the text, Albert Alexander
Ano: 2015
Banca:
FCC
Órgão:
UNINOVE
Prova:
FCC - 2015 - UNINOVE - Processo Seletivo Medicina - Conhecimentos Gerais |
Q1782393
Inglês
Texto associado
Leia o texto para responder à questão.
You need only go back 70 years to a time when a scratch and a common infection could prove deadly. Routine surgery and childbirth could be a hazardous business. Penicillin had been discovered in 1928 by Sir Alexander Fleming, but human trials did not begin for over a decade. The first patient was an Oxford policeman, Albert Alexander, who had scratched his face on a rose bush and the wound became seriously infected (another historical version has him injured in a bombing raid). He was treated with penicillin and his condition rapidly improved, but supplies ran out before he could be cured and he died. By the end of the war penicillin was being widely produced, and other drugs quickly followed - marking the start of the antibiotic era.
So most of us have grown up with these miracle drugs readily available. It’s understandable that patients and some doctors simply can’t comprehend the concept of a pre-antibiotic world. But that is what’s at stake unless the threat is taken seriously.
• Rise of superbugs
Much of modern medicine is now underpinned by antibiotics. Surgery is more invasive than ever: from hip replacements to cancer treatment and transplants - antibiotics are essential to prevent and treat infection. There have been repeated calls on doctors to curb the overuse of antibiotics going back many years.
Whilst it is important that the NHS (National Health System in England) exercises better stewardship of antibiotics, it is worth remembering that this is a global problem that requires global solutions. Superbug infections respect no borders and have spread from continent to continent with ease. This is a serious concern because many developing countries have far poorer controls on antibiotic use.
• Misuse
Last year the World Health Organization found that some antibiotics could be bought legally over the counter in 19 out of 43 European countries surveyed. Then there is the widespread misuse of antibiotics in agriculture, in farmed animals and fish. More antibiotics are used in livestock production than for human health and there is widespread concern about the use of long-term, low-dose antibiotics in animal feed in countries like the US, China and India.
Part of the problem is due to simple evolutionary pressure: bacteria are constantly evolving, and resistant strains emerging. This means there is a constant battle to stay ahead of the germs. But developing new antibiotics has proved hugely difficult - it’s nearly 30 years since the last new class of antibiotics came on the market.
According to the first paragraph, antibiotics
Q1770228
Inglês
Texto associado
PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.
In the last stanza, there is a change in perspective, suggesting a less subjective look at what happened.
This change is signaled by:
Q1770227
Inglês
Texto associado
PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.
Nor is it strange (l. 20) The inversion observed in the line above emphasizes what is being said. Another way of expressing emphasis is exemplified in the fragment below:
Q1770225
Inglês
Texto associado
PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.
An example of paradox can be found in the following statement:
Q1770222
Inglês
Texto associado
Morro velho
MILTON NASCIMENTO
Adaptado de miltonnascimento.com.br.
PAUL SIMON and ART GARFUNKEL
Adaptado de genius.com.
The lyrics to the songs The boxer and Morro velho mention characters who move to other cities.
A common feature concerning these characters’ lives is:
Ano: 2021
Banca:
COMVEST - UNICAMP
Órgão:
UNICAMP
Prova:
COMVEST - UNICAMP - 2021 - UNICAMP - Vestibular - Primeira Fase - Provas E e G - Exatas e Tecnológicas - Humanas e Artes |
Q1713582
Inglês
Equity is about giving people what they need, in order to
make things fair. This is not the same as equality, social
justice, nor is it the same as inequality. It is giving more to
those who need it, which is proportionate to their own
circumstances, in order to ensure that everyone has the
same opportunities; for example providing more support to
a disadvantaged student so they can reach their full
potential.
(Adaptado de https://social-change.co.uk/blog/2019-03-29-equality-and-equity; https://cx.report/2020/06/02/equity/. Acessado em 22/07/2020.)
Sabemos que esses conceitos são complexos. Diante disso, o designer Tony Ruth os representou graficamente, como ilustram as figuras a seguir. Assinale a alternativa que mais se aproxima do conceito destacado no trecho anterior.
(Adaptado de https://social-change.co.uk/blog/2019-03-29-equality-and-equity; https://cx.report/2020/06/02/equity/. Acessado em 22/07/2020.)
Sabemos que esses conceitos são complexos. Diante disso, o designer Tony Ruth os representou graficamente, como ilustram as figuras a seguir. Assinale a alternativa que mais se aproxima do conceito destacado no trecho anterior.
Ano: 2021
Banca:
COMVEST - UNICAMP
Órgão:
UNICAMP
Prova:
COMVEST - UNICAMP - 2021 - UNICAMP - Vestibular - Primeira Fase - Provas E e G - Exatas e Tecnológicas - Humanas e Artes |
Q1713581
Inglês
Reproduz-se abaixo uma carta do poeta inglês John Keats
a sua amada Fanny Brawne.
Sweetest Fanny,
When you passed my window home yesterday, I was filled with as much admiration as if I had then seen you for the first time. You uttered a half complaint once that I only loved your Beauty. Have I nothing else then to love in you but that? Do not I see your heart? Nothing has been able to turn your thoughts a moment from me. Even if you did not love me I could not help an entire devotion to you: how much more deeply then must I feel for you knowing you love me. My Mind has been the most discontented and restless one that ever was put into a body too small for it. I never felt my Mind repose upon anything with complete and undistracted enjoyment – upon no person but you. When you are in the room my thoughts never fly out of window: you always concentrate my whole senses. Your affectionate, J. Keats (Adaptado de http://www.john-keats.com/briefe/. Acessado em 25/08/20.)
O autor da carta
Sweetest Fanny,
When you passed my window home yesterday, I was filled with as much admiration as if I had then seen you for the first time. You uttered a half complaint once that I only loved your Beauty. Have I nothing else then to love in you but that? Do not I see your heart? Nothing has been able to turn your thoughts a moment from me. Even if you did not love me I could not help an entire devotion to you: how much more deeply then must I feel for you knowing you love me. My Mind has been the most discontented and restless one that ever was put into a body too small for it. I never felt my Mind repose upon anything with complete and undistracted enjoyment – upon no person but you. When you are in the room my thoughts never fly out of window: you always concentrate my whole senses. Your affectionate, J. Keats (Adaptado de http://www.john-keats.com/briefe/. Acessado em 25/08/20.)
O autor da carta
Ano: 2021
Banca:
COMVEST - UNICAMP
Órgão:
UNICAMP
Prova:
COMVEST - UNICAMP - 2021 - UNICAMP - Vestibular - Primeira Fase - Provas E e G - Exatas e Tecnológicas - Humanas e Artes |
Q1713580
Inglês
(Disponível em https://www.who.int/reproductive health/publications/covid-19-vaw-infographics/en/. Acessado em 01/08/2020.)
O cartaz anterior, divulgado pela Organização Mundial da Saúde no contexto da atual pandemia, destaca o papel dos governos em
Ano: 2021
Banca:
COMVEST - UNICAMP
Órgão:
UNICAMP
Prova:
COMVEST - UNICAMP - 2021 - UNICAMP - Vestibular - Primeira Fase - Provas E e G - Exatas e Tecnológicas - Humanas e Artes |
Q1713579
Inglês
All aboard the flat earth cruise – just don’t tell them
about nautical navigation
A group of people who believe the Earth is flat have announced their “boldest adventure yet”: a Flat Earth cruise scheduled for 2020. Flat earthers will enjoy swimming pools and perhaps even an artificial surf wave. There’s just one problem for those celebrating the flatness of the Earth. The navigational systems cruise ships, and other vessels, use rely on the fact that the Earth is not flat. “Nautical charts are designed with that in mind: that the Earth is round. GPS relies on 24 main satellites which orbit the Earth to provide positional and navigational information. The reason why 24 satellites were used is because of the curvature of the Earth,” said Henk Keijer, a former cruise ship captain who sailed all over the globe during a 23-year career. “At least three satellites are required to determine a position. But someone located on the other side of the Earth would also like to know their position, so they also require a certain number of satellites. Had the Earth been flat, a total of three satellites would have been enough to provide this information to everyone on Earth. But it is not enough, because the Earth is round.”
(Adaptado de https://www.theguardian.com/science/2019/jan/09/flat-earth-cruisenautical-navigation. Acessado em 20/08/2020.)
A respeito do fato noticiado, o autor do texto ressalta
A group of people who believe the Earth is flat have announced their “boldest adventure yet”: a Flat Earth cruise scheduled for 2020. Flat earthers will enjoy swimming pools and perhaps even an artificial surf wave. There’s just one problem for those celebrating the flatness of the Earth. The navigational systems cruise ships, and other vessels, use rely on the fact that the Earth is not flat. “Nautical charts are designed with that in mind: that the Earth is round. GPS relies on 24 main satellites which orbit the Earth to provide positional and navigational information. The reason why 24 satellites were used is because of the curvature of the Earth,” said Henk Keijer, a former cruise ship captain who sailed all over the globe during a 23-year career. “At least three satellites are required to determine a position. But someone located on the other side of the Earth would also like to know their position, so they also require a certain number of satellites. Had the Earth been flat, a total of three satellites would have been enough to provide this information to everyone on Earth. But it is not enough, because the Earth is round.”
(Adaptado de https://www.theguardian.com/science/2019/jan/09/flat-earth-cruisenautical-navigation. Acessado em 20/08/2020.)
A respeito do fato noticiado, o autor do texto ressalta
Ano: 2021
Banca:
COMVEST - UNICAMP
Órgão:
UNICAMP
Prova:
COMVEST - UNICAMP - 2021 - UNICAMP - Vestibular - Primeira Fase - Provas E e G - Exatas e Tecnológicas - Humanas e Artes |
Q1713578
Inglês
Apresenta-se, a seguir, um artigo de opinião, seguido da
resposta de uma leitora.
IS BURNOUT REAL?
Last week, the World Health Organization upgraded burnout from a “state” of exhaustion to “a syndrome” resulting from “chronic workplace stress” in its International Disease Classification. That is such a broad definition that it could well apply to most people at some point in their working lives. When a disorder is reportedly so widespread, it makes me wonder whether we are at risk of medicalizing everyday distress. If almost everyone suffers from burnout, then no one does, and the concept loses all credibility. By Richard A. Friedman
I'm sure the author's generation also experienced workplace stress. However, his generation also experienced real economic stability and socioeconomic gains. There was a light at the end of the tunnel. Currently, we are working tirelessly towards what ends? There doesn't seem to be a light at the end of the tunnel. The burnout is psychological and existential as much as it is physical. Anna B. – New York, June 4, 2019 (Adaptado de https://www.nytimes.com/2019/06/03/opinion/burnout-stress.html. Acessado em 16/09/2020.)
Em seu comentário, a leitora Anna B. discorda do autor do texto quanto à
IS BURNOUT REAL?
Last week, the World Health Organization upgraded burnout from a “state” of exhaustion to “a syndrome” resulting from “chronic workplace stress” in its International Disease Classification. That is such a broad definition that it could well apply to most people at some point in their working lives. When a disorder is reportedly so widespread, it makes me wonder whether we are at risk of medicalizing everyday distress. If almost everyone suffers from burnout, then no one does, and the concept loses all credibility. By Richard A. Friedman
I'm sure the author's generation also experienced workplace stress. However, his generation also experienced real economic stability and socioeconomic gains. There was a light at the end of the tunnel. Currently, we are working tirelessly towards what ends? There doesn't seem to be a light at the end of the tunnel. The burnout is psychological and existential as much as it is physical. Anna B. – New York, June 4, 2019 (Adaptado de https://www.nytimes.com/2019/06/03/opinion/burnout-stress.html. Acessado em 16/09/2020.)
Em seu comentário, a leitora Anna B. discorda do autor do texto quanto à
Ano: 2021
Banca:
COMVEST - UNICAMP
Órgão:
UNICAMP
Prova:
COMVEST - UNICAMP - 2021 - UNICAMP - Vestibular - Primeira Fase - Provas E e G - Exatas e Tecnológicas - Humanas e Artes |
Q1713577
Inglês
Em uma entrevista, a escritora nigeriana Ayobami Adebayo
refletiu sobre os personagens principais (Yejide e Akin) e o
contexto sociopolítico de seu romance Stay With Me.
While writing, I also started thinking about the middle class in Nigeria. When Yejide visits her mother-in-law, there’s a very low fence in front of their house. It’s barely a fence. When Yejide and Akin build their own house in the early nineties, they erect a fence that’s higher than the house. You can’t see inside. That was something I observed about architecture in Nigeria—that at some point, probably in the eighties and nineties, when things became quite turbulent and there was all of this insecurity, one of the ways the people who could afford to insulate themselves against what was going on did was to build higher fences, to use money as a shield in a sense. I wanted that political turbulence to play in the background. (Adaptado de https://www.theparisreview.org/blog/2017/08/08/great-expectations -interview-ayobami-adebayo/. Acessado em 21/07/2020.)
Segundo a autora, as casas e as cercas na Nigéria representam
While writing, I also started thinking about the middle class in Nigeria. When Yejide visits her mother-in-law, there’s a very low fence in front of their house. It’s barely a fence. When Yejide and Akin build their own house in the early nineties, they erect a fence that’s higher than the house. You can’t see inside. That was something I observed about architecture in Nigeria—that at some point, probably in the eighties and nineties, when things became quite turbulent and there was all of this insecurity, one of the ways the people who could afford to insulate themselves against what was going on did was to build higher fences, to use money as a shield in a sense. I wanted that political turbulence to play in the background. (Adaptado de https://www.theparisreview.org/blog/2017/08/08/great-expectations -interview-ayobami-adebayo/. Acessado em 21/07/2020.)
Segundo a autora, as casas e as cercas na Nigéria representam
Ano: 2021
Banca:
COMVEST - UNICAMP
Órgão:
UNICAMP
Prova:
COMVEST - UNICAMP - 2021 - UNICAMP - Vestibular - Primeira Fase - Provas E e G - Exatas e Tecnológicas - Humanas e Artes |
Q1713576
Inglês
A página Greengo Dictionary apresenta, em inglês,
interpretações bem-humoradas de expressões do
português do Brasil.
(Disponível em https://www.instagram.com/greengodictionary. Acessado em
26/05/2020.)
Pode-se dizer que a expressão “little lecture”
(Disponível em https://www.instagram.com/greengodictionary. Acessado em
26/05/2020.)Pode-se dizer que a expressão “little lecture”
Ano: 2021
Banca:
COMVEST - UNICAMP
Órgão:
UNICAMP
Prova:
COMVEST - UNICAMP - 2021 - UNICAMP - Vestibular - Primeira Fase - Provas E e G - Exatas e Tecnológicas - Humanas e Artes |
Q1713575
Inglês
(Disponível em https://toonhole.com/comic/what-would-you-like-for-christmas.
Acessado em 30/07/2020.) Ao reformular a sua pergunta, o Papai Noel
Q1712827
Inglês
Texto associado
What about the artists?
The Guardian - Wed 14 Oct 2020
The government is deaf to the plight of freelance musicians and othercreatives
On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.
The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.
The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”.
The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.
Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.
Considering the expression of happenings in the past,
verbs vary following time precision or imprecision. The
example extracted from the editorial that reflects unspecified time is:
Q1712826
Inglês
Texto associado
What about the artists?
The Guardian - Wed 14 Oct 2020
The government is deaf to the plight of freelance musicians and othercreatives
On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.
The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.
The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”.
The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.
Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.
The second and first paragraphs are linked by a notion
of contrast, which is explicitly conveyed by the linking word
"though” (2nd paragraph). The contrast refers to the difference in treatment between::
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