Questões de Vestibular de Inglês - Interpretação de texto | Reading comprehension

Foram encontradas 4.863 questões

Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712825 Inglês

What about the artists?

The Guardian - Wed 14 Oct 2020


The government is deaf to the plight of freelance musicians and othercreatives


      On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

     The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

     The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
     The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
     New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
     Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

The "3 million people in the country qualified for help under the self-employed support scheme” (2nd paragraph) includes the following group of people:
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Ano: 2020 Banca: CEPERJ Órgão: CEDERJ Prova: CEPERJ - 2020 - CEDERJ - Vestibular - Inglês |
Q1712824 Inglês

What about the artists?

The Guardian - Wed 14 Oct 2020


The government is deaf to the plight of freelance musicians and othercreatives


      On Monday, a number of British arts organisations finally heard whether they had received grants from the £1.57bn bailout fund announced in July by the chancellor, Rishi Sunak. Not a moment too soon, institutions such as Wigmore Hall in London, Bristol Old Vic and the City of Birmingham Symphony Orchestra have been given a cash bufferthatshould keep them alive until March.

     The welcome announcement has been marred, though, by the failure of the government to address the question of freelancers and self-employed people in the arts. In an interview with ITV last week, Mr. Sunak was asked what he thought professional musicians ought to do, given that they can’t earn enough to live. He answered that up to 3 million people in the country qualified for help under the self-employed support scheme. Pressed on whether musicians oughttofind differentwork, he mentioned retraining schemes that are "providing new and fresh opportunity”. People must adapt, he said. He added that it was untrue that there was no work for musicians. Music lessons, in his own household at least, were still going on.

     The interviewer’s question was specifically about musicians - a third of whom have been ineligible for the selfemployed support scheme. So even if, as he later asserted, Mr Sunak was talking about the workforce as a whole rather than cultural workers in particular when he spoke of the need to retrain, he certainly gave a strong impression of indifference to and ignorance of musicians’ plight. This was reinforced on Monday when a government-backed advertisement went viral, launching hundreds of derisive parodies. Aiming to recruit workers into cybersecurity roles, it showed a dancer doing up her ballet shoes. It read: "Fatima’s next job could be in cyber (she just doesn’t know it yet)”. 
     The culture secretary, Oliver Dowden, was forced to condemn the advertisement as "crass” as his day of good news descended into farce and contumely. The government seems unable to grasp that putting money into the arts infrastructure is only part of the solution; creatives themselves need to be helped to survive economically too. Though some institutions are putting work on stage - and will be helped to do so in the months to come by the rescue package - these events will necessarily be small-scale, representing a drop in the ocean compared with the industry working at full tilt.
     New digital business models are being explored, but they are in their infancy and are not going to pay next month’s rent. Moreover, performance dates in the diary - that is, employment opportunities for freelancers - amount to perilous bets against the future course of the virus. As infections soar, organisations are bound, quite rightly, to be cautious, particularly in the face of the catastrophic failure of the government’s test-and-trace scheme.
     Meanwhile, musicians and others are certainly "adapting” - often to unskilled, low-paid work, though there is not much of that to go around. The government’s continued implication that musicians and other creative workers - many of whom have trained since childhood for some of the most demanding, competitive and highly skilled work in the economy - are somehow not "viable” is both insulting and ignorant. Underlying Mr Sunak’s remarks was the tired old Tory notion that creative jobs are not "real jobs”, and are undertaken by some fantastical species who are not, in fact, real people. Perhaps the chancellor should ask his family’s music teacher what it’s really like for artists right now - and actually listen to the answer.

Source: The Guardian, available at https://www.theguardian. com/commentisfree/2020/oct/14/the-guardian-view-on-saving-thearts-what-about-the-artists, accessed on October21st, 2020.

The opinion editorial above advances the following position:
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Q1709790 Inglês

‘The Complete Stories,’ by Clarice Lispector

Imagem associada para resolução da questão

By Terrence Rafferty

July 27, 2015


There’s a whiff of madness in the fiction of Clarice Lispector. The “Complete Stories” of the Brazilian writer, edited by Benjamin Moser and sensitively translated by Katrina Dodson, is a dangerous book to read quickly or casually because it’s so consistently delirious. Sentence by sentence, page by page, Lispector is exhilaratingly, arrestingly strange, but her perceptions come so fast, veer so wildly between the mundane and the metaphysical, that after a while you don’t know where you are, either in the book or in the world. So it’s best to approach her with some caution. For the ordinary reader — that is to say, for most of us — immersion in the teeming mind of Clarice Lispector can be an exhausting, even a deranging, experience, not to be undertaken lightly. (Pack food, water, a first aid kit and plenty of sunblock.)


Her stories are full of strange words, in strange combinations, and her “Complete Stories” is a remarkable book, proof that she was — in the company of Jorge Luis Borges, Juan Rulfo and her 19th-century countryman Machado de Assis — one of the true originals of Latin American literature.


THE COMPLETE STORIES

By Clarice Lispector

Edited by Benjamin Moser

Translated by Katrina Dodson

645 pp. New Directions. $28.95.


(Adaptado de https://www.nytimes.com/2015/08/02/books/review/the-completestories-by-clarice-lispector.html. Acessado em 21/07/20.)


No texto acima, o livro de Clarice Lispector recebe uma crítica

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Q1709789 Inglês
“There Will Come Soft Rains” (Sara Teasdale)
There will come soft rains and the smell of the ground, And swallows circling with their shimmering sound; And frogs in the pools singing at night, And wild plum trees in tremulous white; Robins will wear their feathery fire, Whistling their whims on a low fence-wire; And not one will know of the war, not one Will care at last when it is done. Not one would mind, neither bird nor tree, If mankind perished utterly; And Spring herself, when she woke at dawn Would scarcely know that we were gone.
(Disponível em https://poets.org/poem/there-will-come-soft-rains. Acessado em 24/08/2020.)
O poema destaca
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Q1709788 Inglês
O cartaz reproduzido a seguir faz parte de uma campanha da Organização Pan-Americana da Saúde.
Imagem associada para resolução da questão
(Disponível em https://www.paho.org/en/topics/violence-against-women. Acessado em 24/08/2020.)
Qual das medidas abaixo é recomendada no cartaz?
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Q1709787 Inglês
OUR WORD OF THE YEAR FOR 2019 IS THEY
Imagem associada para resolução da questão

English lacks a gender-neutral singular pronoun to correspond with singular pronouns like everyone or someone, and as a consequence they has been used for this purpose for over 600 years. Recently though, they has also been used to refer to a person whose gender identity is nonbinary, a sense that is increasingly common in published text, social media, and in daily personal interactions between English speakers. There's no doubt that its use is established in the English language, which is why it was added to the Merriam-Webster dictionary in September of 2019. Nonbinary they was also prominent in the news in 2019. Congresswoman Pramila Jayapal (WA) revealed in April that her child is gender-nonconforming and uses they. And the American Psychological Association’s blog officially recommended that singular they be preferred in professional writing over “he or she” when the reference is to a person whose gender is unknown or to a person who prefers they.
(Adaptado de https://www.merriam-webster.com/words-at-play/word-of-the-year/ they. Acessado em 29/04/2020.)
De acordo com o texto, o fato de uma palavra simples, como o pronome “they”, ter sido escolhida como a palavra do ano de 2019 se justifica pela necessidade de
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Q1709786 Inglês

Catherine Fletcher, Tue 4 Feb 2020

The decision by a UK University to close history, modern languages and politics degrees in favour of more “careerfocused” courses has been widely criticised. The problem lies in reducing university education to what sells to employers. A society – and a world – urgently needs people who have the education to think about big issues, which aren’t only scientific or technological: they’re also about the ways that people have made, and continue to make, decisions. The humanities matter. And it matters that students from all backgrounds have the opportunity to join in these world-changing discussions.


Roger Brown, Mon 10 Feb 2020

Catherine Fletcher is completely correct to warn about the damage that current policies are doing to the humanities. But her warning comes much too late. As I and other scholars have shown, the problem started with a government green paper which declared that the fundamental purpose of higher education was to serve the economy. Until we recover the idea that higher education is as much about the public good as anything else, we will never be able to sustain the humanities as an essential component of a balanced curriculum. Unfortunately, there is very little sign that this has been grasped by any of our current policymakers.


(Adaptado de www.theguardian.com/education/2020/feb/10/humanities-are-notthe-right-courses-to-cut. Acessado em 22/05/2019.)


Os textos acima concordam quanto à identificação de um problema nos cursos universitários no Reino Unido, mas divergem quanto

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Q1709785 Inglês
A curious item was found among Beethoven’s effects, locked away in a drawer, at the time of his death: three letters, written but apparently never sent (they may have been sent but returned to him), to the “Immortal Beloved.” The content, which varies from high-flown poetic sentiments to banal complaints about his health and discomfort, makes it clear that this is no literary exercise but was intended for a real person. The month and day of the week are given, but not the year. The periods 1801–02, 1806–07, and 1811–12 have been proposed, but the last is the most probable. The most cogent arguments regarding the identity of the person addressed, those by Maynard Solomon, point to Antonie Brentano, a native Viennese, who was the wife of a Frankfurt merchant and sister-in-law to Beethoven familiar Bettina Brentano.
(Adaptado de https://www.britannica.com/biography/Ludwig-van-Beethoven. Acessado em 29/07/20.)
A partir do conteúdo do texto, pode-se afirmar que
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Q1709784 Inglês
Os tweets abaixo remetem ao contexto do trabalho domiciliar durante o período de isolamento social.
Imagem associada para resolução da questão
(Disponível em https://twitter.com/ajdewerd/status/1237495536036581379. Acessado em 30/07/2020.)
A resposta de Andrea ao tweet de Julieanne
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Q1709783 Inglês
A situação abaixo ocorreu em uma entrevista com a atriz Scarlett Johansson e o ator Robert Downey Junior, que atuaram juntos em um filme.
Imagem associada para resolução da questão
(Disponível em https://www.cracked.com/blog/14-epic-comebacks-stars-gave-tostupid-interview-questions/. Acessado em 25/06/20.)
Em sua resposta, a atriz
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Ano: 2020 Banca: SELECON Órgão: CEDERJ Prova: SELECON - 2020 - CEDERJ - Vestibular - Opção Inglês |
Q1705835 Inglês
Social Distancing, Without the Police

Letting members of the community enforce social distancing is the better way.

   Of the 125 people arrested over offenses that law enforcement officials described as related to the coronavirus pandemic, 113 were black or Hispanic. Of the 374 summonses from March 16 to May 5, a vast majority — 300 — were given to black and Hispanic New Yorkers.
   Videos of some of the arrests are hard to watch. In one posted to Facebook last week, a group of some six police officers are seen tackling a black woman in a subway station as heryoung child looks on. “She's got a baby with her!” a bystander shouts. Police officials told The Daily News the woman had refused to comply when officers directed her to put the mask she was wearing over her nose and mouth.
   Contrast that with photographs across social media showing crowds of sun-seekers packed into parks in wealthy, whiter areas of the city, lounging undisturbed as police officers hand out masks.
   So it is obvious that the city needs a different approach to enforcing public health measures during the pandemic. Mayor Bill de Blasio seems to understand this, and he has promised to hire 2,300 people to serve as social distancing “ambassadors.”
   Hopefully, the mayor will think bigger.
  One promising idea , promoted by City Councilman Brad Lander and others, is to build quickly a kind of “public health corps" to enforce social-distancing measures.
  In this approach, specially trained civilians could fan out across the neighborhoods and parks, helping with pedestrian traffic control and politely encouraging New Yorkers entering parks to protect one another by wearing masks and keeping their distance. Police Department school safety agents, who are not armed, could help. Such a program could also provide muchneeded employment for young people, especially with New York's summer jobs program, which serves people 14 to 24, threatened by budget cuts.
   Another method to help social-distancing efforts may be the community-based groups that have been effective in reducing gun violence in some of the city's toughest neighborhoods.
   The Police Department would play only a minimal role in this approach, stepping in to help with crowd control, for example, something it does extremely well.
   Without a significant course correction, the department's role in the pandemic may look more and more like stop-and-frisk, the policing tactic that led to the harassment of hundreds of thousands of innocent people, most of them black and Hispanic, while rarely touching white New Yorkers. Mr. de Blasio has scoffed at the comparison, though it's not clear why.
   Aggressive police enforcement of socialdistancing measures is nearly certain to harm the health and dignity of the city's black and Hispanic residents. 
   It could also diminish respect for the Police Department. Which is why it makes sense that the city's largest police union has said that its members want little to do with social-distancing enforcement. “The N.Y.P.D. needs to get cops out of the socialdistancing-enforcement business altogether,” Patrick Lynch, president of the Police Benevolent Association, said in a statement on May 4. On this issue, Mr. Lynch gets it.
   New York is facing a public health crisis, not a spike in crime. Black and Hispanic New Yorkers are already suffering disproportionately from the coronavirus. They don't need more policing. They need more help. 

Available at https://www.nytimes.com/2020/05/18/opinion/nypdcoronavirus-arrests-nyc.html. Accessed May 18,2020. 
One of the main objectives of the text is to discuss:
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Ano: 2020 Banca: SELECON Órgão: CEDERJ Prova: SELECON - 2020 - CEDERJ - Vestibular - Opção Inglês |
Q1705833 Inglês
Social Distancing, Without the Police

Letting members of the community enforce social distancing is the better way.

   Of the 125 people arrested over offenses that law enforcement officials described as related to the coronavirus pandemic, 113 were black or Hispanic. Of the 374 summonses from March 16 to May 5, a vast majority — 300 — were given to black and Hispanic New Yorkers.
   Videos of some of the arrests are hard to watch. In one posted to Facebook last week, a group of some six police officers are seen tackling a black woman in a subway station as heryoung child looks on. “She's got a baby with her!” a bystander shouts. Police officials told The Daily News the woman had refused to comply when officers directed her to put the mask she was wearing over her nose and mouth.
   Contrast that with photographs across social media showing crowds of sun-seekers packed into parks in wealthy, whiter areas of the city, lounging undisturbed as police officers hand out masks.
   So it is obvious that the city needs a different approach to enforcing public health measures during the pandemic. Mayor Bill de Blasio seems to understand this, and he has promised to hire 2,300 people to serve as social distancing “ambassadors.”
   Hopefully, the mayor will think bigger.
  One promising idea , promoted by City Councilman Brad Lander and others, is to build quickly a kind of “public health corps" to enforce social-distancing measures.
  In this approach, specially trained civilians could fan out across the neighborhoods and parks, helping with pedestrian traffic control and politely encouraging New Yorkers entering parks to protect one another by wearing masks and keeping their distance. Police Department school safety agents, who are not armed, could help. Such a program could also provide muchneeded employment for young people, especially with New York's summer jobs program, which serves people 14 to 24, threatened by budget cuts.
   Another method to help social-distancing efforts may be the community-based groups that have been effective in reducing gun violence in some of the city's toughest neighborhoods.
   The Police Department would play only a minimal role in this approach, stepping in to help with crowd control, for example, something it does extremely well.
   Without a significant course correction, the department's role in the pandemic may look more and more like stop-and-frisk, the policing tactic that led to the harassment of hundreds of thousands of innocent people, most of them black and Hispanic, while rarely touching white New Yorkers. Mr. de Blasio has scoffed at the comparison, though it's not clear why.
   Aggressive police enforcement of socialdistancing measures is nearly certain to harm the health and dignity of the city's black and Hispanic residents. 
   It could also diminish respect for the Police Department. Which is why it makes sense that the city's largest police union has said that its members want little to do with social-distancing enforcement. “The N.Y.P.D. needs to get cops out of the socialdistancing-enforcement business altogether,” Patrick Lynch, president of the Police Benevolent Association, said in a statement on May 4. On this issue, Mr. Lynch gets it.
   New York is facing a public health crisis, not a spike in crime. Black and Hispanic New Yorkers are already suffering disproportionately from the coronavirus. They don't need more policing. They need more help. 

Available at https://www.nytimes.com/2020/05/18/opinion/nypdcoronavirus-arrests-nyc.html. Accessed May 18,2020. 
The sum of “113” (paragraph 1) refers to:
Alternativas
Ano: 2020 Banca: SELECON Órgão: CEDERJ Prova: SELECON - 2020 - CEDERJ - Vestibular - Opção Inglês |
Q1705832 Inglês
Social Distancing, Without the Police

Letting members of the community enforce social distancing is the better way.

   Of the 125 people arrested over offenses that law enforcement officials described as related to the coronavirus pandemic, 113 were black or Hispanic. Of the 374 summonses from March 16 to May 5, a vast majority — 300 — were given to black and Hispanic New Yorkers.
   Videos of some of the arrests are hard to watch. In one posted to Facebook last week, a group of some six police officers are seen tackling a black woman in a subway station as heryoung child looks on. “She's got a baby with her!” a bystander shouts. Police officials told The Daily News the woman had refused to comply when officers directed her to put the mask she was wearing over her nose and mouth.
   Contrast that with photographs across social media showing crowds of sun-seekers packed into parks in wealthy, whiter areas of the city, lounging undisturbed as police officers hand out masks.
   So it is obvious that the city needs a different approach to enforcing public health measures during the pandemic. Mayor Bill de Blasio seems to understand this, and he has promised to hire 2,300 people to serve as social distancing “ambassadors.”
   Hopefully, the mayor will think bigger.
  One promising idea , promoted by City Councilman Brad Lander and others, is to build quickly a kind of “public health corps" to enforce social-distancing measures.
  In this approach, specially trained civilians could fan out across the neighborhoods and parks, helping with pedestrian traffic control and politely encouraging New Yorkers entering parks to protect one another by wearing masks and keeping their distance. Police Department school safety agents, who are not armed, could help. Such a program could also provide muchneeded employment for young people, especially with New York's summer jobs program, which serves people 14 to 24, threatened by budget cuts.
   Another method to help social-distancing efforts may be the community-based groups that have been effective in reducing gun violence in some of the city's toughest neighborhoods.
   The Police Department would play only a minimal role in this approach, stepping in to help with crowd control, for example, something it does extremely well.
   Without a significant course correction, the department's role in the pandemic may look more and more like stop-and-frisk, the policing tactic that led to the harassment of hundreds of thousands of innocent people, most of them black and Hispanic, while rarely touching white New Yorkers. Mr. de Blasio has scoffed at the comparison, though it's not clear why.
   Aggressive police enforcement of socialdistancing measures is nearly certain to harm the health and dignity of the city's black and Hispanic residents. 
   It could also diminish respect for the Police Department. Which is why it makes sense that the city's largest police union has said that its members want little to do with social-distancing enforcement. “The N.Y.P.D. needs to get cops out of the socialdistancing-enforcement business altogether,” Patrick Lynch, president of the Police Benevolent Association, said in a statement on May 4. On this issue, Mr. Lynch gets it.
   New York is facing a public health crisis, not a spike in crime. Black and Hispanic New Yorkers are already suffering disproportionately from the coronavirus. They don't need more policing. They need more help. 

Available at https://www.nytimes.com/2020/05/18/opinion/nypdcoronavirus-arrests-nyc.html. Accessed May 18,2020. 
According to the text it is true that:
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Q1697179 Inglês

Robot priests can bless you, advise you, and even perform your funeral 


By Sigal Samuel Updated Jan 13, 2020, 11:25am EST


A new priest named Mindar is holding forth at Kodaiji, a 400-year-old Buddhist temple in Kyoto, Japan. Like other clergy members, this priest can deliver sermons and move around to interface with worshippers. Mindar is a robot, designed to look like Kannon, the Buddhist deity of mercy, and cost $1 million.


As more religious communities begin to incorporate robotics — in some cases, AI-powered — questions arise about how technology could change our religious experiences. Traditionally, those experiences are valuable in part because they leave room for the spontaneous and surprising, the emotional and even the mystical. That could be lost if we mechanize them.  


Another risk has to do with how an AI priest would handle ethical queries. Robots whose algorithms learn from previous data may nudge us toward decisions based on what people have done in the past, incrementally homogenizing answers and narrowing the scope of our spiritual imagination. One could argue, however, that risk also exists with human clergy, since the clergy is bounded too — there’s already a built-in nudging or limiting factor.


AI systems can be particularly problematic in that they often function as black boxes. We typically don’t know what sorts of biases are coded into them or what sorts of human nuance and context they’re failing to understand. A human priest who knows your broader context as a whole person may gather this and give you the right recommendation. 


Human clergy members serve as the anchor for a community, bringing people together. They provide human contact, which is in danger of becoming a luxury good as we create robots to more cheaply do the work of people. Robots, notwithstanding, might be able to transcend some social divides, such as race and gender, to enhance community in a way that’s more liberating. 


Ultimately, in religion as in other domains, robots and humans are perhaps best understood not as competitors but as collaborators. Each offers something the other lacks. 


(S. Samuel, Robot priests can bless you, advise you, and even perform your funeral. Vox, 9/9/2019. Disponível em https://www.vox.com/ future-perfect/2019/9/9/20851753/ai-religionrobot-priest-mindar-budd hism-christianity. Acessado em 05/08/2020.)

Qual das afirmações abaixo sintetiza corretamente a discussão sobre os riscos do uso de robôs na função de clérigos, tal como exposta no texto?
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Q1697178 Inglês



Injured ape 


Nisha Gaind (Bureau chief, Europe). This X-ray shows a baby Sumatran orangutan (Pongo abelii) with a fractured arm. Conservation workers rescued the animal, named Brenda, from a village on the Indonesian island where she had reportedly been kept illegally as a pet. As editors, we see lots of photographs of conservation, but this image struck me for many reasons: the ‘humanness’ of Brenda’s shape, her innocence and the dedication of the conservation centre, which flew in a surgeon to operate on the animal.


(N. Gaind e E. Callaway. The best science images of the year: 2019 in pictures. Nature, v. 576, n. 7787, p. 354–359, 16/12/2019.)

Sobre o texto “The best science images of the year: 2019 in pictures”, considerando a imagem radiográfica que ele traz, é correto dizer:



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Q1697177 Inglês


(Adaptado de The Burnout Society 1st edition - Customer reviews. Disponível em https://www.amazon.com/Burnout-Society-Byung-ChulHan. Acessado em 05/08/2020.)
Sobre as resenhas acima, publicadas por leitores do livro The Burnout Society, de Byung-Chul Han, é correto afirmar que:
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Q1697176 Inglês

TEXTO 1




(Gemma Danks. Science jokes for kids - with explanations and fun facts. Disponível em https://www.palebluemarbles.com/science-jokesfor-kids/. Acessado em 5/8/2020.)


TEXTO 2



Gemma Danks. Science jokes for kids - with explanations and fun facts. Disponível em https://www.palebluemarbles.com/science-jokesfor-kids/. Acessado em 5/8/2020.)


Os textos 1 e 2 são piadas criadas para despertar o interesse de crianças em ciência e divulgadas na Internet para pais e professores. Qual das afirmações abaixo explica o efeito humorístico obtido em cada texto?
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Ano: 2020 Banca: IMT - SP Órgão: IMT - SP Prova: IMT - SP - 2020 - IMT - SP - 2ª Aplicação - 01/12/2020 |
Q1692772 Inglês
Since its founding, UNESCO has sought to collaborate with NGOs, which are fundamental civil society partners for the implementation of the Organization’s activities and programs. Over the years, UNESCO has built up a valuable network of cooperation with NGOs having an expertise in education, science, social and human sciences, culture, communication and information. Currently, UNESCO is enjoying official partnerships with 390 NGOs and 33 foundations and similar institutions. Adapted from https://en.unesco.org/partnerships/non-governmental-organizations
Which are the fields of competence mentioned in the text that UNESCO looks for in NonGovernmental Organizations?
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Ano: 2020 Banca: IMT - SP Órgão: IMT - SP Prova: IMT - SP - 2020 - IMT - SP - 2ª Aplicação - 01/12/2020 |
Q1692771 Inglês
The bar chart shows the number of men and women studying engineering at Australian universities from 1992 and 2012 at 10-year intervals.
Which alternative shows the best summary of the graph?
Imagem associada para resolução da questão
Adapted from https://preply.com/en/blog/2018/08/17/charts-graphs-and-diagrams-in-the-presentation/
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Ano: 2020 Banca: IMT - SP Órgão: IMT - SP Prova: IMT - SP - 2020 - IMT - SP - 2ª Aplicação - 01/12/2020 |
Q1692770 Inglês
Marvel Studios' Avengers: Endgame
The fourth installment in the Avengers saga is the culmination of 22 interconnected Marvel films and the climax of an epic journey. The world's greatest heroes will finally understand just how fragile our reality is – and the sacrifices that must be made to uphold it – in a story of friendship, teamwork and setting aside differences to overcome an impossible obstacle. Imagem associada para resolução da questão
https://play.google.com/store/movies/details/Marvel_Studios_Avengers
What is necessary for the heroes to do in order to win in the end of the saga?
Alternativas
Respostas
341: C
342: A
343: A
344: A
345: C
346: B
347: B
348: D
349: D
350: C
351: D
352: B
353: C
354: D
355: C
356: C
357: B
358: E
359: C
360: A