Questões de Vestibular de Inglês - Interpretação de texto | Reading comprehension

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Q1373127
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2010 Banca: UEFS Órgão: UEFS Prova: UEFS - 2010 - UEFS - Vestibular - Língua Portuguesa e Literatura Brasileira - Inglês |
Q1373127 Inglês

Fill in the parentheses with T (True) or F (False).

Scientists say that many more people died in the earthquake in Haiti than in the one in Chile because:

( ) Chile’s strong rules about building improve its population safety.
( ) Although Haiti’s building structures are solid, its population lacks education.
( ) As earthquakes are very common in Chile, its population follows the correct procedure when they occur.
( ) People in Haiti hardly had any time to get out of dangerous situations during the quake.

According to the text, the correct sequence, from top to bottom, is
Alternativas
Q1372581
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2014 Banca: CÁSPER LÍBERO Órgão: CÁSPER LÍBERO Prova: CÁSPER LÍBERO - 2014 - CÁSPER LÍBERO - Vestibular |
Q1372581 Inglês
A brief survey of the short story part 47: Machado de Assis
Still neglected by English readers, the Brazilian writer is one of the very greatest of the early modern era

The Brazilian Joaquim Maria Machado de Assis is, to English-language readers, perhaps the most obscure of world literature’s great short-story writers. Producing work between 1869 and 1908, Machado wrote nine novels and more than 200 hundred stories, more than 60 of the latter appearing after 1880. This date marks the point at which Machado metamorphosed from a writer of romantic trifles into a master of psychological realism, seemingly overnight. The Brazilian poet and critic Augusto Meyer compared the shift to the one between Herman Melville’s earlier works and Moby-Dick.
The evolutionary leap is unquestionable, although the precise reasons for it are unclear. Indeed, many uncertainties surround the biography of Machado, who was an intensely private person. Perhaps it’s no surprise that such a man should create a body of work that prizes the puzzle above the certainty. Meyer called ambiguity Machado’s most prominent theme and the translators Jake Schmitt and Lorie Ishimatsu agree, seeing it as being “in part the result of his subjective, relativistic world view, in which truth and reality, which are never absolutes, can only be approximated; no character relationships are stable, no issues are clear-cut, and the nature of everything is tenuous.” Machado writes with pleasurable clarity – he worked as a journalist for a time – but the straightforwardness of his stories is a camouflage for less obvious, more troubling cargo.
(...)
Machado’s most recent English translator, John Gledson, says the difficulty of translating him is capturing the right balance of distance, understanding and sympathy. Trapdoors to the unexpected open constantly in his work, from the sadism of “The Hidden Cause”, or the bleak violence of “Father versus Mother”, to the subtle play of what Michael Wood terms his “quiet, complicated humour”. Reading him prompts thoughts of so many different writers that he can only be unique. Poe’s chilling shadow falls across “The Hidden Cause” and “The Fortune-Teller”. “The Alienist” glitters with Swiftian satire. Machado’s shrewd, even devious work with the point of view of his narrators positions him alongside Henry James. Numerous stories anticipate the moral ambiguity of Chekhov’s mature work, in particular “A Singular Occurrence”. Machado’s literary mapping of Rio reaches back to the St Petersburg of Gogol and Dostoevsky, and anticipates the Dublin of Joyce. Finally, some of his more obviously strange works (nearly all of it is strange to some degree, which is part of its brilliance) evoke Borges and Kafka. Given all this, it’s little wonder that writer and critic Kevin Jackson would feel confident enough to claim that Machado “invented literary modernity, sui generis”.
(...)
At its most pessimistic, as at the conclusion of “Dona Paula”, all pleasure lies in a past that proves impossible to meaningfully access.
This conception of a hollow, unreal present tied to a genuine but obliterated past finds a binary in Machado’s interest in the duality of the self, and the exploration of characters whose outer and inner personae differ radically. In “The Diplomat” this idea is expressed through the description of a man’s unexpressed passion for a friend’s daughter. In “A Famous Man” a hugely successful composer of polkas is wracked by his inability to compose ‘serious’ music. But it is in an earlier treatment of this theme, 1882’s “The Mirror”, that Machado captures the phenomenon most memorably. Alone in a desolate plantation house, Jacobina, a sub-lieutenant in the National Guard, finds his reflection growing dimmer and less distinct. The only way to bring it back into focus, and thus cling to reality, is to spend a period several hours each day standing before the mirror in his uniform. Jacobina steps out of this strange, haunting story to take his place alongside Chekhov’s Dmitri Gurov and Joyce’s Gabriel Conroy, men whose fatally divided selves leave them trapped in a limbo between their public and private personae. Just as the characters belong together, so do their creators; writing about Machado in 2002 Michael Wood complained, “Everyone who reads him thinks he is a master, but who reads him, and who has heard of him?” Not nearly so many as he deserves.
Quotations from the stories are translated by John Gledson, Jack Schmitt and Lorie Ishimatsu.
Source:POWER, Chris,The Guardian, Books Blog, Posted by Chris Power on Friday 1 March 2013 15.28 GMT http://www.theguardian.com/books/booksblog/2013/mar/01/survey-short-story-machado (Adapted) Access November, 2014

An attribute of Machado’s work seen on the post is:
Alternativas
Q1372580
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2014 Banca: CÁSPER LÍBERO Órgão: CÁSPER LÍBERO Prova: CÁSPER LÍBERO - 2014 - CÁSPER LÍBERO - Vestibular |
Q1372580 Inglês
A brief survey of the short story part 47: Machado de Assis
Still neglected by English readers, the Brazilian writer is one of the very greatest of the early modern era

The Brazilian Joaquim Maria Machado de Assis is, to English-language readers, perhaps the most obscure of world literature’s great short-story writers. Producing work between 1869 and 1908, Machado wrote nine novels and more than 200 hundred stories, more than 60 of the latter appearing after 1880. This date marks the point at which Machado metamorphosed from a writer of romantic trifles into a master of psychological realism, seemingly overnight. The Brazilian poet and critic Augusto Meyer compared the shift to the one between Herman Melville’s earlier works and Moby-Dick.
The evolutionary leap is unquestionable, although the precise reasons for it are unclear. Indeed, many uncertainties surround the biography of Machado, who was an intensely private person. Perhaps it’s no surprise that such a man should create a body of work that prizes the puzzle above the certainty. Meyer called ambiguity Machado’s most prominent theme and the translators Jake Schmitt and Lorie Ishimatsu agree, seeing it as being “in part the result of his subjective, relativistic world view, in which truth and reality, which are never absolutes, can only be approximated; no character relationships are stable, no issues are clear-cut, and the nature of everything is tenuous.” Machado writes with pleasurable clarity – he worked as a journalist for a time – but the straightforwardness of his stories is a camouflage for less obvious, more troubling cargo.
(...)
Machado’s most recent English translator, John Gledson, says the difficulty of translating him is capturing the right balance of distance, understanding and sympathy. Trapdoors to the unexpected open constantly in his work, from the sadism of “The Hidden Cause”, or the bleak violence of “Father versus Mother”, to the subtle play of what Michael Wood terms his “quiet, complicated humour”. Reading him prompts thoughts of so many different writers that he can only be unique. Poe’s chilling shadow falls across “The Hidden Cause” and “The Fortune-Teller”. “The Alienist” glitters with Swiftian satire. Machado’s shrewd, even devious work with the point of view of his narrators positions him alongside Henry James. Numerous stories anticipate the moral ambiguity of Chekhov’s mature work, in particular “A Singular Occurrence”. Machado’s literary mapping of Rio reaches back to the St Petersburg of Gogol and Dostoevsky, and anticipates the Dublin of Joyce. Finally, some of his more obviously strange works (nearly all of it is strange to some degree, which is part of its brilliance) evoke Borges and Kafka. Given all this, it’s little wonder that writer and critic Kevin Jackson would feel confident enough to claim that Machado “invented literary modernity, sui generis”.
(...)
At its most pessimistic, as at the conclusion of “Dona Paula”, all pleasure lies in a past that proves impossible to meaningfully access.
This conception of a hollow, unreal present tied to a genuine but obliterated past finds a binary in Machado’s interest in the duality of the self, and the exploration of characters whose outer and inner personae differ radically. In “The Diplomat” this idea is expressed through the description of a man’s unexpressed passion for a friend’s daughter. In “A Famous Man” a hugely successful composer of polkas is wracked by his inability to compose ‘serious’ music. But it is in an earlier treatment of this theme, 1882’s “The Mirror”, that Machado captures the phenomenon most memorably. Alone in a desolate plantation house, Jacobina, a sub-lieutenant in the National Guard, finds his reflection growing dimmer and less distinct. The only way to bring it back into focus, and thus cling to reality, is to spend a period several hours each day standing before the mirror in his uniform. Jacobina steps out of this strange, haunting story to take his place alongside Chekhov’s Dmitri Gurov and Joyce’s Gabriel Conroy, men whose fatally divided selves leave them trapped in a limbo between their public and private personae. Just as the characters belong together, so do their creators; writing about Machado in 2002 Michael Wood complained, “Everyone who reads him thinks he is a master, but who reads him, and who has heard of him?” Not nearly so many as he deserves.
Quotations from the stories are translated by John Gledson, Jack Schmitt and Lorie Ishimatsu.
Source:POWER, Chris,The Guardian, Books Blog, Posted by Chris Power on Friday 1 March 2013 15.28 GMT http://www.theguardian.com/books/booksblog/2013/mar/01/survey-short-story-machado (Adapted) Access November, 2014

The references to other writers on the text were, for Chris Power,
Alternativas
Q1372579
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2014 Banca: CÁSPER LÍBERO Órgão: CÁSPER LÍBERO Prova: CÁSPER LÍBERO - 2014 - CÁSPER LÍBERO - Vestibular |
Q1372579 Inglês
A brief survey of the short story part 47: Machado de Assis
Still neglected by English readers, the Brazilian writer is one of the very greatest of the early modern era

The Brazilian Joaquim Maria Machado de Assis is, to English-language readers, perhaps the most obscure of world literature’s great short-story writers. Producing work between 1869 and 1908, Machado wrote nine novels and more than 200 hundred stories, more than 60 of the latter appearing after 1880. This date marks the point at which Machado metamorphosed from a writer of romantic trifles into a master of psychological realism, seemingly overnight. The Brazilian poet and critic Augusto Meyer compared the shift to the one between Herman Melville’s earlier works and Moby-Dick.
The evolutionary leap is unquestionable, although the precise reasons for it are unclear. Indeed, many uncertainties surround the biography of Machado, who was an intensely private person. Perhaps it’s no surprise that such a man should create a body of work that prizes the puzzle above the certainty. Meyer called ambiguity Machado’s most prominent theme and the translators Jake Schmitt and Lorie Ishimatsu agree, seeing it as being “in part the result of his subjective, relativistic world view, in which truth and reality, which are never absolutes, can only be approximated; no character relationships are stable, no issues are clear-cut, and the nature of everything is tenuous.” Machado writes with pleasurable clarity – he worked as a journalist for a time – but the straightforwardness of his stories is a camouflage for less obvious, more troubling cargo.
(...)
Machado’s most recent English translator, John Gledson, says the difficulty of translating him is capturing the right balance of distance, understanding and sympathy. Trapdoors to the unexpected open constantly in his work, from the sadism of “The Hidden Cause”, or the bleak violence of “Father versus Mother”, to the subtle play of what Michael Wood terms his “quiet, complicated humour”. Reading him prompts thoughts of so many different writers that he can only be unique. Poe’s chilling shadow falls across “The Hidden Cause” and “The Fortune-Teller”. “The Alienist” glitters with Swiftian satire. Machado’s shrewd, even devious work with the point of view of his narrators positions him alongside Henry James. Numerous stories anticipate the moral ambiguity of Chekhov’s mature work, in particular “A Singular Occurrence”. Machado’s literary mapping of Rio reaches back to the St Petersburg of Gogol and Dostoevsky, and anticipates the Dublin of Joyce. Finally, some of his more obviously strange works (nearly all of it is strange to some degree, which is part of its brilliance) evoke Borges and Kafka. Given all this, it’s little wonder that writer and critic Kevin Jackson would feel confident enough to claim that Machado “invented literary modernity, sui generis”.
(...)
At its most pessimistic, as at the conclusion of “Dona Paula”, all pleasure lies in a past that proves impossible to meaningfully access.
This conception of a hollow, unreal present tied to a genuine but obliterated past finds a binary in Machado’s interest in the duality of the self, and the exploration of characters whose outer and inner personae differ radically. In “The Diplomat” this idea is expressed through the description of a man’s unexpressed passion for a friend’s daughter. In “A Famous Man” a hugely successful composer of polkas is wracked by his inability to compose ‘serious’ music. But it is in an earlier treatment of this theme, 1882’s “The Mirror”, that Machado captures the phenomenon most memorably. Alone in a desolate plantation house, Jacobina, a sub-lieutenant in the National Guard, finds his reflection growing dimmer and less distinct. The only way to bring it back into focus, and thus cling to reality, is to spend a period several hours each day standing before the mirror in his uniform. Jacobina steps out of this strange, haunting story to take his place alongside Chekhov’s Dmitri Gurov and Joyce’s Gabriel Conroy, men whose fatally divided selves leave them trapped in a limbo between their public and private personae. Just as the characters belong together, so do their creators; writing about Machado in 2002 Michael Wood complained, “Everyone who reads him thinks he is a master, but who reads him, and who has heard of him?” Not nearly so many as he deserves.
Quotations from the stories are translated by John Gledson, Jack Schmitt and Lorie Ishimatsu.
Source:POWER, Chris,The Guardian, Books Blog, Posted by Chris Power on Friday 1 March 2013 15.28 GMT http://www.theguardian.com/books/booksblog/2013/mar/01/survey-short-story-machado (Adapted) Access November, 2014

On the post, the phenomenon described as to have been captured most memorably by Machado
Alternativas
Q1372578
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2014 Banca: CÁSPER LÍBERO Órgão: CÁSPER LÍBERO Prova: CÁSPER LÍBERO - 2014 - CÁSPER LÍBERO - Vestibular |
Q1372578 Inglês
A brief survey of the short story part 47: Machado de Assis
Still neglected by English readers, the Brazilian writer is one of the very greatest of the early modern era

The Brazilian Joaquim Maria Machado de Assis is, to English-language readers, perhaps the most obscure of world literature’s great short-story writers. Producing work between 1869 and 1908, Machado wrote nine novels and more than 200 hundred stories, more than 60 of the latter appearing after 1880. This date marks the point at which Machado metamorphosed from a writer of romantic trifles into a master of psychological realism, seemingly overnight. The Brazilian poet and critic Augusto Meyer compared the shift to the one between Herman Melville’s earlier works and Moby-Dick.
The evolutionary leap is unquestionable, although the precise reasons for it are unclear. Indeed, many uncertainties surround the biography of Machado, who was an intensely private person. Perhaps it’s no surprise that such a man should create a body of work that prizes the puzzle above the certainty. Meyer called ambiguity Machado’s most prominent theme and the translators Jake Schmitt and Lorie Ishimatsu agree, seeing it as being “in part the result of his subjective, relativistic world view, in which truth and reality, which are never absolutes, can only be approximated; no character relationships are stable, no issues are clear-cut, and the nature of everything is tenuous.” Machado writes with pleasurable clarity – he worked as a journalist for a time – but the straightforwardness of his stories is a camouflage for less obvious, more troubling cargo.
(...)
Machado’s most recent English translator, John Gledson, says the difficulty of translating him is capturing the right balance of distance, understanding and sympathy. Trapdoors to the unexpected open constantly in his work, from the sadism of “The Hidden Cause”, or the bleak violence of “Father versus Mother”, to the subtle play of what Michael Wood terms his “quiet, complicated humour”. Reading him prompts thoughts of so many different writers that he can only be unique. Poe’s chilling shadow falls across “The Hidden Cause” and “The Fortune-Teller”. “The Alienist” glitters with Swiftian satire. Machado’s shrewd, even devious work with the point of view of his narrators positions him alongside Henry James. Numerous stories anticipate the moral ambiguity of Chekhov’s mature work, in particular “A Singular Occurrence”. Machado’s literary mapping of Rio reaches back to the St Petersburg of Gogol and Dostoevsky, and anticipates the Dublin of Joyce. Finally, some of his more obviously strange works (nearly all of it is strange to some degree, which is part of its brilliance) evoke Borges and Kafka. Given all this, it’s little wonder that writer and critic Kevin Jackson would feel confident enough to claim that Machado “invented literary modernity, sui generis”.
(...)
At its most pessimistic, as at the conclusion of “Dona Paula”, all pleasure lies in a past that proves impossible to meaningfully access.
This conception of a hollow, unreal present tied to a genuine but obliterated past finds a binary in Machado’s interest in the duality of the self, and the exploration of characters whose outer and inner personae differ radically. In “The Diplomat” this idea is expressed through the description of a man’s unexpressed passion for a friend’s daughter. In “A Famous Man” a hugely successful composer of polkas is wracked by his inability to compose ‘serious’ music. But it is in an earlier treatment of this theme, 1882’s “The Mirror”, that Machado captures the phenomenon most memorably. Alone in a desolate plantation house, Jacobina, a sub-lieutenant in the National Guard, finds his reflection growing dimmer and less distinct. The only way to bring it back into focus, and thus cling to reality, is to spend a period several hours each day standing before the mirror in his uniform. Jacobina steps out of this strange, haunting story to take his place alongside Chekhov’s Dmitri Gurov and Joyce’s Gabriel Conroy, men whose fatally divided selves leave them trapped in a limbo between their public and private personae. Just as the characters belong together, so do their creators; writing about Machado in 2002 Michael Wood complained, “Everyone who reads him thinks he is a master, but who reads him, and who has heard of him?” Not nearly so many as he deserves.
Quotations from the stories are translated by John Gledson, Jack Schmitt and Lorie Ishimatsu.
Source:POWER, Chris,The Guardian, Books Blog, Posted by Chris Power on Friday 1 March 2013 15.28 GMT http://www.theguardian.com/books/booksblog/2013/mar/01/survey-short-story-machado (Adapted) Access November, 2014

Augusto Meyer, Jake Schmitt and Lorie Ishimatsu
Alternativas
Q1372577
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2014 Banca: CÁSPER LÍBERO Órgão: CÁSPER LÍBERO Prova: CÁSPER LÍBERO - 2014 - CÁSPER LÍBERO - Vestibular |
Q1372577 Inglês
A brief survey of the short story part 47: Machado de Assis
Still neglected by English readers, the Brazilian writer is one of the very greatest of the early modern era

The Brazilian Joaquim Maria Machado de Assis is, to English-language readers, perhaps the most obscure of world literature’s great short-story writers. Producing work between 1869 and 1908, Machado wrote nine novels and more than 200 hundred stories, more than 60 of the latter appearing after 1880. This date marks the point at which Machado metamorphosed from a writer of romantic trifles into a master of psychological realism, seemingly overnight. The Brazilian poet and critic Augusto Meyer compared the shift to the one between Herman Melville’s earlier works and Moby-Dick.
The evolutionary leap is unquestionable, although the precise reasons for it are unclear. Indeed, many uncertainties surround the biography of Machado, who was an intensely private person. Perhaps it’s no surprise that such a man should create a body of work that prizes the puzzle above the certainty. Meyer called ambiguity Machado’s most prominent theme and the translators Jake Schmitt and Lorie Ishimatsu agree, seeing it as being “in part the result of his subjective, relativistic world view, in which truth and reality, which are never absolutes, can only be approximated; no character relationships are stable, no issues are clear-cut, and the nature of everything is tenuous.” Machado writes with pleasurable clarity – he worked as a journalist for a time – but the straightforwardness of his stories is a camouflage for less obvious, more troubling cargo.
(...)
Machado’s most recent English translator, John Gledson, says the difficulty of translating him is capturing the right balance of distance, understanding and sympathy. Trapdoors to the unexpected open constantly in his work, from the sadism of “The Hidden Cause”, or the bleak violence of “Father versus Mother”, to the subtle play of what Michael Wood terms his “quiet, complicated humour”. Reading him prompts thoughts of so many different writers that he can only be unique. Poe’s chilling shadow falls across “The Hidden Cause” and “The Fortune-Teller”. “The Alienist” glitters with Swiftian satire. Machado’s shrewd, even devious work with the point of view of his narrators positions him alongside Henry James. Numerous stories anticipate the moral ambiguity of Chekhov’s mature work, in particular “A Singular Occurrence”. Machado’s literary mapping of Rio reaches back to the St Petersburg of Gogol and Dostoevsky, and anticipates the Dublin of Joyce. Finally, some of his more obviously strange works (nearly all of it is strange to some degree, which is part of its brilliance) evoke Borges and Kafka. Given all this, it’s little wonder that writer and critic Kevin Jackson would feel confident enough to claim that Machado “invented literary modernity, sui generis”.
(...)
At its most pessimistic, as at the conclusion of “Dona Paula”, all pleasure lies in a past that proves impossible to meaningfully access.
This conception of a hollow, unreal present tied to a genuine but obliterated past finds a binary in Machado’s interest in the duality of the self, and the exploration of characters whose outer and inner personae differ radically. In “The Diplomat” this idea is expressed through the description of a man’s unexpressed passion for a friend’s daughter. In “A Famous Man” a hugely successful composer of polkas is wracked by his inability to compose ‘serious’ music. But it is in an earlier treatment of this theme, 1882’s “The Mirror”, that Machado captures the phenomenon most memorably. Alone in a desolate plantation house, Jacobina, a sub-lieutenant in the National Guard, finds his reflection growing dimmer and less distinct. The only way to bring it back into focus, and thus cling to reality, is to spend a period several hours each day standing before the mirror in his uniform. Jacobina steps out of this strange, haunting story to take his place alongside Chekhov’s Dmitri Gurov and Joyce’s Gabriel Conroy, men whose fatally divided selves leave them trapped in a limbo between their public and private personae. Just as the characters belong together, so do their creators; writing about Machado in 2002 Michael Wood complained, “Everyone who reads him thinks he is a master, but who reads him, and who has heard of him?” Not nearly so many as he deserves.
Quotations from the stories are translated by John Gledson, Jack Schmitt and Lorie Ishimatsu.
Source:POWER, Chris,The Guardian, Books Blog, Posted by Chris Power on Friday 1 March 2013 15.28 GMT http://www.theguardian.com/books/booksblog/2013/mar/01/survey-short-story-machado (Adapted) Access November, 2014

The noun ‘shift’ on the first paragraph was used by
Alternativas
Q1372531
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2016 Banca: CÁSPER LÍBERO Órgão: CÁSPER LÍBERO Prova: CÁSPER LÍBERO - 2016 - CÁSPER LÍBERO - Vestibular |
Q1372531 Inglês

First read the review below and then answer question.


REVIEW: ‘MULTITUDINOUS HEART,’ NEWLY TRANSLATED POETRY BY CARLOS DRUMMOND DE ANDRADE


Books of The Times

By Dwight Garner JULY 2, 2015




    Carlos Drummond de Andrade (1902-1987) is widely considered the greatest poet in the history of Brazil, a country where poets are taken seriously. One of his poems, “Canção Amiga” (“Friendly Song”), was once printed on the 50 cruzados bill.

    Mr. Drummond’s bald, equine, bespectacled visage appears on T-shirts and book bags in Brazil. Since 2002 there has been a statue of him on the Copacabana in Rio de Janeiro, his adopted hometown. This statue faces away from, not toward, the ocean. This was a witty decision (he was an inward poet) that annoys the unintelligentsia, who want him spun around.

    Now we have “Multitudinous Heart,” an expanded, reshuffled and welcome selection of Mr. Drummond’s verse. In new translations by Richard Zenith, we meet a sophisticated and cerebral poet who, true to this book’s title, speaks in many registers. He is by turns melancholy and ironic, sentimental and self-deprecating, remote and boyish.

    His wealthy father owned ranches in the mountainous state of Minas Gerais, and the poet was the fifth of six children to reach adulthood. He was used to hubbub. Large family meals are recalled, and there is a constant sense of a raucous daily grind: “Weddings, mortgages,/the cousins with TB,/ the crazy aunt.”

    Yet the poems more often contain a measured sense of solitude. Mr. Drummond studied to become a pharmacist but worked most of his life as a civil servant in the Ministry of Education.

    He was said to be anything but gregarious; he was never a “smiling public man,” in Yeats’s locution. He was animated on the inside. One of his favorite words was “twisted.” He thought we humans were mostly impertinent and odd.

    He felt wizened before his time. In a 1945 poem, he speaks of “the old man in me./He began to harass me in childhood.” In a 1951 poem, “The Table,” he writes:


A bunch of louts in our fifties,

balding, used up, burned out,

yet in our chests we preserve

intact that boyish candor,

that scampering into the woods,

that craving for things forbidden.


    Mr. Drummond is worth encountering on the page. You probably need this volume and the earlier one, alas, to glimpse him in full. In a satirical 1945 poem titled “In Search of Poetry,” he offered this advice for the apprentice poet:


    Don’t dramatize, don’t invoke,

don’t inquire. Don’t waste time lying.

Don’t get cross.

Your ivory yacht, your diamond shoe,

your mazurkas and superstitions, your family skeletons

all vanish in the curve of time, they’re worthless.


    Ha. The good news about “Multitudinous Heart” is that it proves Mr. Drummond didn’t believe a word of that hooey.


Source: http://www.nytimes.com/2015/07/03/books/review-multitudinous-heart-newly-translated- -poetry-by-carlos-drummond-de-andrade.html Access October 15, 2016. Adapted.

The book “Multitudinous Heart’, according to the review, :
Alternativas
Q1372530
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2016 Banca: CÁSPER LÍBERO Órgão: CÁSPER LÍBERO Prova: CÁSPER LÍBERO - 2016 - CÁSPER LÍBERO - Vestibular |
Q1372530 Inglês

First read the review below and then answer question.


REVIEW: ‘MULTITUDINOUS HEART,’ NEWLY TRANSLATED POETRY BY CARLOS DRUMMOND DE ANDRADE


Books of The Times

By Dwight Garner JULY 2, 2015




    Carlos Drummond de Andrade (1902-1987) is widely considered the greatest poet in the history of Brazil, a country where poets are taken seriously. One of his poems, “Canção Amiga” (“Friendly Song”), was once printed on the 50 cruzados bill.

    Mr. Drummond’s bald, equine, bespectacled visage appears on T-shirts and book bags in Brazil. Since 2002 there has been a statue of him on the Copacabana in Rio de Janeiro, his adopted hometown. This statue faces away from, not toward, the ocean. This was a witty decision (he was an inward poet) that annoys the unintelligentsia, who want him spun around.

    Now we have “Multitudinous Heart,” an expanded, reshuffled and welcome selection of Mr. Drummond’s verse. In new translations by Richard Zenith, we meet a sophisticated and cerebral poet who, true to this book’s title, speaks in many registers. He is by turns melancholy and ironic, sentimental and self-deprecating, remote and boyish.

    His wealthy father owned ranches in the mountainous state of Minas Gerais, and the poet was the fifth of six children to reach adulthood. He was used to hubbub. Large family meals are recalled, and there is a constant sense of a raucous daily grind: “Weddings, mortgages,/the cousins with TB,/ the crazy aunt.”

    Yet the poems more often contain a measured sense of solitude. Mr. Drummond studied to become a pharmacist but worked most of his life as a civil servant in the Ministry of Education.

    He was said to be anything but gregarious; he was never a “smiling public man,” in Yeats’s locution. He was animated on the inside. One of his favorite words was “twisted.” He thought we humans were mostly impertinent and odd.

    He felt wizened before his time. In a 1945 poem, he speaks of “the old man in me./He began to harass me in childhood.” In a 1951 poem, “The Table,” he writes:


A bunch of louts in our fifties,

balding, used up, burned out,

yet in our chests we preserve

intact that boyish candor,

that scampering into the woods,

that craving for things forbidden.


    Mr. Drummond is worth encountering on the page. You probably need this volume and the earlier one, alas, to glimpse him in full. In a satirical 1945 poem titled “In Search of Poetry,” he offered this advice for the apprentice poet:


    Don’t dramatize, don’t invoke,

don’t inquire. Don’t waste time lying.

Don’t get cross.

Your ivory yacht, your diamond shoe,

your mazurkas and superstitions, your family skeletons

all vanish in the curve of time, they’re worthless.


    Ha. The good news about “Multitudinous Heart” is that it proves Mr. Drummond didn’t believe a word of that hooey.


Source: http://www.nytimes.com/2015/07/03/books/review-multitudinous-heart-newly-translated- -poetry-by-carlos-drummond-de-andrade.html Access October 15, 2016. Adapted.

It is correct to say that Mr. Garner describes Mr. Drummond as:
Alternativas
Q1372529
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2016 Banca: CÁSPER LÍBERO Órgão: CÁSPER LÍBERO Prova: CÁSPER LÍBERO - 2016 - CÁSPER LÍBERO - Vestibular |
Q1372529 Inglês

Read the following interview to answer question.


ISSIE LAPOWSKY SCIENCE 05.24.16 6:50 AM


10 YEARS AFTER AN INCONVENIENT TRUTH,

AL GORE MAY ACTUALLY BE WINNING



    AL GORE SNEEZES a hefty achoo. “Excuse me,” the former vice president says, dabbing a tissue at his nose before offering up an explanation. “Spring.”

    Outside Gore’s New York City office, spring has certainly sprung—early too. This March was the hottest one ever, beating the prior record set in March 2015. The same goes for February and January of this year, and, oh, the eight consecutive months before. Gore knows these statistics by heart. The fact that you might know them too is likely because of him. These kinds of numbers— and the scary story they tell about the future of Earth—have been Gore’s chief motivation since he failed to win the presidency in 2000. Gore emerged from that weird, disputed election armed with what is now possibly the most famous slide¬show in human history. He has traveled the world delivering that deck to hundreds of people at a time, showing in irrefutable detail just how mind-bogglingly badly we have treated our planet and what we might be able to do about it.

    Ten years ago, the slide¬show became An Inconvenient Truth, the documentary that spread those ideas to millions. Gore says he still tinkers with the slide¬show every day, because, well, the numbers keep changing. Not always for the better. Yet this year Gore and his fellow activists have a rare reason to celebrate. In April, 175 world leaders gathered at the United Nations to sign the Paris Agreement, a global pact that aims to keep global temperatures from rising more than 2 degrees Celsius above preindustrial levels. Now, a decade after his movie sounded the alarm about climate change and 16 years after he ran for president, it looks like Al Gore might finally be … winning?


    WIRED: Why did you want to make An Inconvenient Truth?

    GORE: I have to admit to you that initially I did not want to do a documentary.


    What? Why not?

   It’s a dumb reason. I didn’t think a slide¬show could translate into a movie. (…) Participant Media and Davis Guggenheim had to convince me it was a good idea, and I’m so glad they found ways to reveal to me the depths of my ignorance about moviemaking. It’s a message that has to be heard. Sorry to risk sounding grandiose, but the future of human civilization is at stake.


    The Paris Agreement must feel like a big point of progress.

    It really does. Sometimes in sports you can sense a palpable shift in the momentum of the contest. A team will be behind on the scoreboard, but the shift in momentum is so obvious and dramatic that you just have the feeling they’re going to win. That’s where we are in solving the climate crisis. We’re still behind on the scoreboard, but the momentum has shifted. We are winning.

    When renewable electricity becomes cheaper than electricity that comes from burning coal or gas, then that changes everything. The marketplace makes it the default option, and you get what you saw in the world in 2015—90 percent of the new electricity generated in the world last year was from renewables. That is an astonishing change. The Paris Agreement exceeded the upper range of my expectations. Does it go far enough? No, of course not. Can it be improved? Yes, it’s designed to be constantly improved, and that’s what I’m focused on now.


    You’ve been at this a long time. Was it lonely fighting for this stuff in government in the 1980s and 1990s?

    It was certainly a different time and a different environment. But I don’t ever remember feeling lonely, because I was always focused on reaching more and more people. Building a global grassroots movement is really the only way to solve this, because so many political systems have been captured by legacy industries. And that influence over policymaking has to be counterbalanced by a grassroots awareness.


    It’s sometimes tough for people to get climate change because they’re not seeing its effects every day—or at least they don’t realize they are. What have you seen that has stuck with you?

    In March, I went to Tacloban in the Philippines and talked with survivors there who endured the ravages of Super Typhoon Haiyan. When you see how their lives were utterly transformed and feel the painful losses they suffered, it certainly will stick with you. I conducted a training in Miami last fall during one of the highest high tides and saw fish from the ocean swimming in the streets in Miami Beach and Fort Lauderdale on a sunny day.


    You talk a lot about “winning” the fight against climate change. How do you define a win?

   Winning means avoiding catastrophic consequences that could utterly disrupt the future of human civilization. It means bending the curves downward so that the global warming pollution stops accumulating in the atmosphere and begins to reduce in volume. It means creating tens of millions of new jobs to retrofit buildings, to transform energy systems and install advanced batteries, to transform agriculture and forestry, and to make the solutions to the climate crisis the central organizing principle of our civilization.

Source: https://www.wired.com/2016/05/wired-al-gore-climate-change/ Access October 16, 2016. Adapted.

Building a global grassroots movement was:
Alternativas
Q1372528
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2016 Banca: CÁSPER LÍBERO Órgão: CÁSPER LÍBERO Prova: CÁSPER LÍBERO - 2016 - CÁSPER LÍBERO - Vestibular |
Q1372528 Inglês

Read the following interview to answer question.


ISSIE LAPOWSKY SCIENCE 05.24.16 6:50 AM


10 YEARS AFTER AN INCONVENIENT TRUTH,

AL GORE MAY ACTUALLY BE WINNING



    AL GORE SNEEZES a hefty achoo. “Excuse me,” the former vice president says, dabbing a tissue at his nose before offering up an explanation. “Spring.”

    Outside Gore’s New York City office, spring has certainly sprung—early too. This March was the hottest one ever, beating the prior record set in March 2015. The same goes for February and January of this year, and, oh, the eight consecutive months before. Gore knows these statistics by heart. The fact that you might know them too is likely because of him. These kinds of numbers— and the scary story they tell about the future of Earth—have been Gore’s chief motivation since he failed to win the presidency in 2000. Gore emerged from that weird, disputed election armed with what is now possibly the most famous slide¬show in human history. He has traveled the world delivering that deck to hundreds of people at a time, showing in irrefutable detail just how mind-bogglingly badly we have treated our planet and what we might be able to do about it.

    Ten years ago, the slide¬show became An Inconvenient Truth, the documentary that spread those ideas to millions. Gore says he still tinkers with the slide¬show every day, because, well, the numbers keep changing. Not always for the better. Yet this year Gore and his fellow activists have a rare reason to celebrate. In April, 175 world leaders gathered at the United Nations to sign the Paris Agreement, a global pact that aims to keep global temperatures from rising more than 2 degrees Celsius above preindustrial levels. Now, a decade after his movie sounded the alarm about climate change and 16 years after he ran for president, it looks like Al Gore might finally be … winning?


    WIRED: Why did you want to make An Inconvenient Truth?

    GORE: I have to admit to you that initially I did not want to do a documentary.


    What? Why not?

   It’s a dumb reason. I didn’t think a slide¬show could translate into a movie. (…) Participant Media and Davis Guggenheim had to convince me it was a good idea, and I’m so glad they found ways to reveal to me the depths of my ignorance about moviemaking. It’s a message that has to be heard. Sorry to risk sounding grandiose, but the future of human civilization is at stake.


    The Paris Agreement must feel like a big point of progress.

    It really does. Sometimes in sports you can sense a palpable shift in the momentum of the contest. A team will be behind on the scoreboard, but the shift in momentum is so obvious and dramatic that you just have the feeling they’re going to win. That’s where we are in solving the climate crisis. We’re still behind on the scoreboard, but the momentum has shifted. We are winning.

    When renewable electricity becomes cheaper than electricity that comes from burning coal or gas, then that changes everything. The marketplace makes it the default option, and you get what you saw in the world in 2015—90 percent of the new electricity generated in the world last year was from renewables. That is an astonishing change. The Paris Agreement exceeded the upper range of my expectations. Does it go far enough? No, of course not. Can it be improved? Yes, it’s designed to be constantly improved, and that’s what I’m focused on now.


    You’ve been at this a long time. Was it lonely fighting for this stuff in government in the 1980s and 1990s?

    It was certainly a different time and a different environment. But I don’t ever remember feeling lonely, because I was always focused on reaching more and more people. Building a global grassroots movement is really the only way to solve this, because so many political systems have been captured by legacy industries. And that influence over policymaking has to be counterbalanced by a grassroots awareness.


    It’s sometimes tough for people to get climate change because they’re not seeing its effects every day—or at least they don’t realize they are. What have you seen that has stuck with you?

    In March, I went to Tacloban in the Philippines and talked with survivors there who endured the ravages of Super Typhoon Haiyan. When you see how their lives were utterly transformed and feel the painful losses they suffered, it certainly will stick with you. I conducted a training in Miami last fall during one of the highest high tides and saw fish from the ocean swimming in the streets in Miami Beach and Fort Lauderdale on a sunny day.


    You talk a lot about “winning” the fight against climate change. How do you define a win?

   Winning means avoiding catastrophic consequences that could utterly disrupt the future of human civilization. It means bending the curves downward so that the global warming pollution stops accumulating in the atmosphere and begins to reduce in volume. It means creating tens of millions of new jobs to retrofit buildings, to transform energy systems and install advanced batteries, to transform agriculture and forestry, and to make the solutions to the climate crisis the central organizing principle of our civilization.

Source: https://www.wired.com/2016/05/wired-al-gore-climate-change/ Access October 16, 2016. Adapted.

‘I did not want to make a documentary’, said Al Gore, referring to:
Alternativas
Q1372527
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2016 Banca: CÁSPER LÍBERO Órgão: CÁSPER LÍBERO Prova: CÁSPER LÍBERO - 2016 - CÁSPER LÍBERO - Vestibular |
Q1372527 Inglês

Read the following interview to answer question.


ISSIE LAPOWSKY SCIENCE 05.24.16 6:50 AM


10 YEARS AFTER AN INCONVENIENT TRUTH,

AL GORE MAY ACTUALLY BE WINNING



    AL GORE SNEEZES a hefty achoo. “Excuse me,” the former vice president says, dabbing a tissue at his nose before offering up an explanation. “Spring.”

    Outside Gore’s New York City office, spring has certainly sprung—early too. This March was the hottest one ever, beating the prior record set in March 2015. The same goes for February and January of this year, and, oh, the eight consecutive months before. Gore knows these statistics by heart. The fact that you might know them too is likely because of him. These kinds of numbers— and the scary story they tell about the future of Earth—have been Gore’s chief motivation since he failed to win the presidency in 2000. Gore emerged from that weird, disputed election armed with what is now possibly the most famous slide¬show in human history. He has traveled the world delivering that deck to hundreds of people at a time, showing in irrefutable detail just how mind-bogglingly badly we have treated our planet and what we might be able to do about it.

    Ten years ago, the slide¬show became An Inconvenient Truth, the documentary that spread those ideas to millions. Gore says he still tinkers with the slide¬show every day, because, well, the numbers keep changing. Not always for the better. Yet this year Gore and his fellow activists have a rare reason to celebrate. In April, 175 world leaders gathered at the United Nations to sign the Paris Agreement, a global pact that aims to keep global temperatures from rising more than 2 degrees Celsius above preindustrial levels. Now, a decade after his movie sounded the alarm about climate change and 16 years after he ran for president, it looks like Al Gore might finally be … winning?


    WIRED: Why did you want to make An Inconvenient Truth?

    GORE: I have to admit to you that initially I did not want to do a documentary.


    What? Why not?

   It’s a dumb reason. I didn’t think a slide¬show could translate into a movie. (…) Participant Media and Davis Guggenheim had to convince me it was a good idea, and I’m so glad they found ways to reveal to me the depths of my ignorance about moviemaking. It’s a message that has to be heard. Sorry to risk sounding grandiose, but the future of human civilization is at stake.


    The Paris Agreement must feel like a big point of progress.

    It really does. Sometimes in sports you can sense a palpable shift in the momentum of the contest. A team will be behind on the scoreboard, but the shift in momentum is so obvious and dramatic that you just have the feeling they’re going to win. That’s where we are in solving the climate crisis. We’re still behind on the scoreboard, but the momentum has shifted. We are winning.

    When renewable electricity becomes cheaper than electricity that comes from burning coal or gas, then that changes everything. The marketplace makes it the default option, and you get what you saw in the world in 2015—90 percent of the new electricity generated in the world last year was from renewables. That is an astonishing change. The Paris Agreement exceeded the upper range of my expectations. Does it go far enough? No, of course not. Can it be improved? Yes, it’s designed to be constantly improved, and that’s what I’m focused on now.


    You’ve been at this a long time. Was it lonely fighting for this stuff in government in the 1980s and 1990s?

    It was certainly a different time and a different environment. But I don’t ever remember feeling lonely, because I was always focused on reaching more and more people. Building a global grassroots movement is really the only way to solve this, because so many political systems have been captured by legacy industries. And that influence over policymaking has to be counterbalanced by a grassroots awareness.


    It’s sometimes tough for people to get climate change because they’re not seeing its effects every day—or at least they don’t realize they are. What have you seen that has stuck with you?

    In March, I went to Tacloban in the Philippines and talked with survivors there who endured the ravages of Super Typhoon Haiyan. When you see how their lives were utterly transformed and feel the painful losses they suffered, it certainly will stick with you. I conducted a training in Miami last fall during one of the highest high tides and saw fish from the ocean swimming in the streets in Miami Beach and Fort Lauderdale on a sunny day.


    You talk a lot about “winning” the fight against climate change. How do you define a win?

   Winning means avoiding catastrophic consequences that could utterly disrupt the future of human civilization. It means bending the curves downward so that the global warming pollution stops accumulating in the atmosphere and begins to reduce in volume. It means creating tens of millions of new jobs to retrofit buildings, to transform energy systems and install advanced batteries, to transform agriculture and forestry, and to make the solutions to the climate crisis the central organizing principle of our civilization.

Source: https://www.wired.com/2016/05/wired-al-gore-climate-change/ Access October 16, 2016. Adapted.

What is ‘Al Gore may actually be winning’ in the title?
Alternativas
Q1371963
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2018 Banca: FAG Órgão: FAG Prova: FAG - 2018 - FAG - Vestibular - Primeiro Semestre |
Q1371963 Inglês
Text 1

Bilingual Education for the 21st Century

Bilingual education in the 21st century must face the complexity brought about by the freer movement of people, services, and goods that characterizes our more globalized and technological world. In the second half of the 20th century, bilingual education grew around the world as a way to educate children who didn't speak the state's language or, in some cases, to recapture the heritage language of a group. This in itself was an innovation over the use of bilingual education only to educate the children of the elite.
In the 21st century, however, the complex and dynamic links created by technology and globalized markets, coupled with the importance of English and other “big” languages, challenge our old conceptions of bilingual education. UNESCO in 1953 declared that it was axiomatic that the child's native language be used to teach children to read, but basic literacy, even in one's own language, is insufficient to be a world citizen in the 21st century.
It has been predicted that by 2050, English will be accompanied by Chinese, Arabic, Spanish and Urdu, as the world's big languages, ordered not only with English at the top as it has been up to now, but with an increasing role for the other four “big” languages. Countries throughout the world are providing options to their children to be schooled in two or more languages. The European Union, for example, has recently adopted a policy of “Mother Tongue + 2” encouraging schools throughout the EU to develop children's trilingual proficiency. For those purposes, a model of teaching is being promoted that encourages the use of the languages other than the child's mother tongue in subject instruction. Ofelia Garcia is Professor of Bilingual Education at Teachers College, Columbia University.
Disponível em:< http://www.educationupdate.com/archives/2004/december/html/Spot-BilingualEducationForThe21stCentury.htm>. 
De acordo com a autora, a recomendação feita pelo documento oficial citado no texto 1 deve ser revista, pois
Alternativas
Q1371962
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2018 Banca: FAG Órgão: FAG Prova: FAG - 2018 - FAG - Vestibular - Primeiro Semestre |
Q1371962 Inglês
Text 1

Bilingual Education for the 21st Century

Bilingual education in the 21st century must face the complexity brought about by the freer movement of people, services, and goods that characterizes our more globalized and technological world. In the second half of the 20th century, bilingual education grew around the world as a way to educate children who didn't speak the state's language or, in some cases, to recapture the heritage language of a group. This in itself was an innovation over the use of bilingual education only to educate the children of the elite.
In the 21st century, however, the complex and dynamic links created by technology and globalized markets, coupled with the importance of English and other “big” languages, challenge our old conceptions of bilingual education. UNESCO in 1953 declared that it was axiomatic that the child's native language be used to teach children to read, but basic literacy, even in one's own language, is insufficient to be a world citizen in the 21st century.
It has been predicted that by 2050, English will be accompanied by Chinese, Arabic, Spanish and Urdu, as the world's big languages, ordered not only with English at the top as it has been up to now, but with an increasing role for the other four “big” languages. Countries throughout the world are providing options to their children to be schooled in two or more languages. The European Union, for example, has recently adopted a policy of “Mother Tongue + 2” encouraging schools throughout the EU to develop children's trilingual proficiency. For those purposes, a model of teaching is being promoted that encourages the use of the languages other than the child's mother tongue in subject instruction. Ofelia Garcia is Professor of Bilingual Education at Teachers College, Columbia University.
Disponível em:< http://www.educationupdate.com/archives/2004/december/html/Spot-BilingualEducationForThe21stCentury.htm>. 
Segundo o texto 1, a educação bilíngue no século 21 encontra diferentes desafios em relação à do século 20, entre eles
Alternativas
Q1371961
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2018 Banca: FAG Órgão: FAG Prova: FAG - 2018 - FAG - Vestibular - Primeiro Semestre |
Q1371961 Inglês
Text 1

Bilingual Education for the 21st Century

Bilingual education in the 21st century must face the complexity brought about by the freer movement of people, services, and goods that characterizes our more globalized and technological world. In the second half of the 20th century, bilingual education grew around the world as a way to educate children who didn't speak the state's language or, in some cases, to recapture the heritage language of a group. This in itself was an innovation over the use of bilingual education only to educate the children of the elite.
In the 21st century, however, the complex and dynamic links created by technology and globalized markets, coupled with the importance of English and other “big” languages, challenge our old conceptions of bilingual education. UNESCO in 1953 declared that it was axiomatic that the child's native language be used to teach children to read, but basic literacy, even in one's own language, is insufficient to be a world citizen in the 21st century.
It has been predicted that by 2050, English will be accompanied by Chinese, Arabic, Spanish and Urdu, as the world's big languages, ordered not only with English at the top as it has been up to now, but with an increasing role for the other four “big” languages. Countries throughout the world are providing options to their children to be schooled in two or more languages. The European Union, for example, has recently adopted a policy of “Mother Tongue + 2” encouraging schools throughout the EU to develop children's trilingual proficiency. For those purposes, a model of teaching is being promoted that encourages the use of the languages other than the child's mother tongue in subject instruction. Ofelia Garcia is Professor of Bilingual Education at Teachers College, Columbia University.
Disponível em:< http://www.educationupdate.com/archives/2004/december/html/Spot-BilingualEducationForThe21stCentury.htm>. 
Em relação ao papel da língua inglesa no futuro, o texto 1 prevê que até a metade do século 21 ela:
Alternativas
Q1371503
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2009 Banca: UEAP Órgão: UEAP Prova: UEAP - 2009 - UEAP - Vestibular - PROVA OBJETIVA – 1a Fase |
Q1371503 Inglês
Earth on its way to the ICU


    There’s no way to deny it anymore. It has been proven through a report from the UN (United Nations) that, yes, it was man who made the Earth sick. And even if now the world, diagnosed, decides to reduce the damage that our presence here causes (which is not very likely) and decides to promote an extreme change in the economical structures, the Earth, still at that, will have its fever raised in 1.1◦C this century. Is that bad? But it is still bearable. Now if nothing is done, the world must prepare for a new class of refugees: the climatic. A heating of up to 6◦C would be forecasted. To have an idea, the Earth was only 5◦C colder in the Ice Age, which put an end to the Dinosaur Age. If the “dinos” couldn’t handle the shock, who’d think the humans would. Humans?

    It is most probable, according to the Intergovernmental Panel on Climate Changes, that the Earth will be warmed 3◦C, which will cause phenomena such as thawing, hurricanes, droughts and tempests. The sea level, according to the report, may rise between 18 and 59 centimeters, making cities below sea level disappear.

     In Brazil, the greatest impact would be on the Northeast, which could become a semi-desert. The Amazon would suffer due to lack of rain, affecting the entire rainforest, losing biodiversity. On the other hand, the intensity of the rain would impact the South-east. To the UN, The world must do the impossible to stagnate the intensity of the fever, so that the temperature increase does not exceed 2◦C. The warning has been given.


Autora: Sonia Racy
Artigo extraído da Revista, TAM magazine, Ano 4, Número 37, Março 2007. 
Qual o único fenômeno climático que não deve ocorrer em nosso planeta, de acordo com o relatório da Organização das Nações Unidas?
Alternativas
Q1371502
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2009 Banca: UEAP Órgão: UEAP Prova: UEAP - 2009 - UEAP - Vestibular - PROVA OBJETIVA – 1a Fase |
Q1371502 Inglês
Earth on its way to the ICU


    There’s no way to deny it anymore. It has been proven through a report from the UN (United Nations) that, yes, it was man who made the Earth sick. And even if now the world, diagnosed, decides to reduce the damage that our presence here causes (which is not very likely) and decides to promote an extreme change in the economical structures, the Earth, still at that, will have its fever raised in 1.1◦C this century. Is that bad? But it is still bearable. Now if nothing is done, the world must prepare for a new class of refugees: the climatic. A heating of up to 6◦C would be forecasted. To have an idea, the Earth was only 5◦C colder in the Ice Age, which put an end to the Dinosaur Age. If the “dinos” couldn’t handle the shock, who’d think the humans would. Humans?

    It is most probable, according to the Intergovernmental Panel on Climate Changes, that the Earth will be warmed 3◦C, which will cause phenomena such as thawing, hurricanes, droughts and tempests. The sea level, according to the report, may rise between 18 and 59 centimeters, making cities below sea level disappear.

     In Brazil, the greatest impact would be on the Northeast, which could become a semi-desert. The Amazon would suffer due to lack of rain, affecting the entire rainforest, losing biodiversity. On the other hand, the intensity of the rain would impact the South-east. To the UN, The world must do the impossible to stagnate the intensity of the fever, so that the temperature increase does not exceed 2◦C. The warning has been given.


Autora: Sonia Racy
Artigo extraído da Revista, TAM magazine, Ano 4, Número 37, Março 2007. 
Assinale a única alternativa abaixo que não foi mencionada no artigo.
Alternativas
Q1371501
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2009 Banca: UEAP Órgão: UEAP Prova: UEAP - 2009 - UEAP - Vestibular - PROVA OBJETIVA – 1a Fase |
Q1371501 Inglês
Earth on its way to the ICU


    There’s no way to deny it anymore. It has been proven through a report from the UN (United Nations) that, yes, it was man who made the Earth sick. And even if now the world, diagnosed, decides to reduce the damage that our presence here causes (which is not very likely) and decides to promote an extreme change in the economical structures, the Earth, still at that, will have its fever raised in 1.1◦C this century. Is that bad? But it is still bearable. Now if nothing is done, the world must prepare for a new class of refugees: the climatic. A heating of up to 6◦C would be forecasted. To have an idea, the Earth was only 5◦C colder in the Ice Age, which put an end to the Dinosaur Age. If the “dinos” couldn’t handle the shock, who’d think the humans would. Humans?

    It is most probable, according to the Intergovernmental Panel on Climate Changes, that the Earth will be warmed 3◦C, which will cause phenomena such as thawing, hurricanes, droughts and tempests. The sea level, according to the report, may rise between 18 and 59 centimeters, making cities below sea level disappear.

     In Brazil, the greatest impact would be on the Northeast, which could become a semi-desert. The Amazon would suffer due to lack of rain, affecting the entire rainforest, losing biodiversity. On the other hand, the intensity of the rain would impact the South-east. To the UN, The world must do the impossible to stagnate the intensity of the fever, so that the temperature increase does not exceed 2◦C. The warning has been given.


Autora: Sonia Racy
Artigo extraído da Revista, TAM magazine, Ano 4, Número 37, Março 2007. 
Ainda tendo o artigo como referência, pode-se afirmar que:
Alternativas
Q1371500
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2009 Banca: UEAP Órgão: UEAP Prova: UEAP - 2009 - UEAP - Vestibular - PROVA OBJETIVA – 1a Fase |
Q1371500 Inglês
Earth on its way to the ICU


    There’s no way to deny it anymore. It has been proven through a report from the UN (United Nations) that, yes, it was man who made the Earth sick. And even if now the world, diagnosed, decides to reduce the damage that our presence here causes (which is not very likely) and decides to promote an extreme change in the economical structures, the Earth, still at that, will have its fever raised in 1.1◦C this century. Is that bad? But it is still bearable. Now if nothing is done, the world must prepare for a new class of refugees: the climatic. A heating of up to 6◦C would be forecasted. To have an idea, the Earth was only 5◦C colder in the Ice Age, which put an end to the Dinosaur Age. If the “dinos” couldn’t handle the shock, who’d think the humans would. Humans?

    It is most probable, according to the Intergovernmental Panel on Climate Changes, that the Earth will be warmed 3◦C, which will cause phenomena such as thawing, hurricanes, droughts and tempests. The sea level, according to the report, may rise between 18 and 59 centimeters, making cities below sea level disappear.

     In Brazil, the greatest impact would be on the Northeast, which could become a semi-desert. The Amazon would suffer due to lack of rain, affecting the entire rainforest, losing biodiversity. On the other hand, the intensity of the rain would impact the South-east. To the UN, The world must do the impossible to stagnate the intensity of the fever, so that the temperature increase does not exceed 2◦C. The warning has been given.


Autora: Sonia Racy
Artigo extraído da Revista, TAM magazine, Ano 4, Número 37, Março 2007. 
Após a leitura do título do artigo “Earth on its way to the ICU”, o leitor deve concluir que a sigla “ICU” significa:
Alternativas
Q1371219
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2018 Banca: FAG Órgão: FAG Prova: FAG - 2018 - FAG - Vestibular - Primeiro Semestre - Medicina |
Q1371219 Inglês
Text 2
Bilingual Education for the 21st Century

Bilingual education in the 21st century must face the complexity brought about by the freer movement of people, services, and goods that characterizes our more globalized and technological world. In the second half of the 20th century, bilingual education grew around the world as a way to educate children who didn't speak the state's language or, in some cases, to recapture the heritage language of a group. This in itself was an innovation over the use of bilingual education only to educate the children of the elite.
In the 21st century, however, the complex and dynamic links created by technology and globalized markets, coupled with the importance of English and other “big” languages, challenge our old conceptions of bilingual education. UNESCO in 1953 declared that it was axiomatic that the child's native language be used to teach children to read, but basic literacy, even in one's own language, is insufficient to be a world citizen in the 21st century.
It has been predicted that by 2050, English will be accompanied by Chinese, Arabic, Spanish and Urdu, as the world's big languages, ordered not only with English at the top as it has been up to now, but with an increasing role for the other four “big” languages. Countries throughout the world are providing options to their children to be schooled in two or more languages. The European Union, for example, has recently adopted a policy of “Mother Tongue + 2” encouraging schools throughout the EU to develop children's trilingual proficiency. For those purposes, a model of teaching is being promoted that encourages the use of the languages other than the child's mother tongue in subject instruction. Ofelia Garcia is Professor of Bilingual Education at Teachers College, Columbia University.
Disponível em:< http://www.educationupdate.com/archives/2004/december/html/Spot-BilingualEducationForThe 21stCentury.htm>. 
Em relação ao papel da língua inglesa no futuro, o texto 2 prevê que até a metade do século 21 ela:
Alternativas
Q1371218
Inglês Interpretação de texto | Reading comprehension ,
Ano: 2018 Banca: FAG Órgão: FAG Prova: FAG - 2018 - FAG - Vestibular - Primeiro Semestre - Medicina |
Q1371218 Inglês
Text 1


Brazilian courts tussle over unproven cancer treatment


Patients demand access to compound despite lack of clinical testing. A court in the Brazilian state of São Paulo has cut off distribution of a compound that is hailed by some as a miracle cancer cure — even though it has never been formally tested in humans. On 11 November, to the relief of many cancer researchers, a state court overturned earlier court orders that had obliged the nation’s largest university to provide the compound to hundreds of people with terminal cancer.
The compound, phosphoethanolamine, has been shown to kill tumor cells only in lab dishes and in mice (A. K. Ferreira et al. Anticancer Res. 32, 95–104; 2012). Drugs that seem promising in lab and animal studies have a notoriously high failure rate in human trials. Despite this, some chemists at the University of São Paulo’s campus in São Carlos have manufactured the compound for years and distributed it to people with cancer. A few of those patients have claimed remarkable recoveries, perpetuating the compound’s reputation as a miracle cure.
The Brazilian constitution guarantees universal access to health care, and it is common in Brazil for patients to turn to the courts to access drugs that the state healthcare system does not dispense because of their cost. But phosphoethanolamine presents a different situation because it is not really a ‘drug’ at all. It is not approved by Brazil’s National Health Surveillance Agency.
Those who argue that people who are terminally ill have a right to try experimental medicines saw a decision in favor of a patient in October 2015 as a significant victory. But to the university administration, drug regulators and cancer researchers, it showed blatant disregard for the basic scientific principle that a drug should be demonstrated to be safe and effective before being given to patients outside of a clinical trial.
Source: Nature 527, 420–421 (adapted). http://www.nature.com/news/brazilian-courts-tussleover-unproven-cancer- treatment-1.18864. 
According to the text 1, turning to the courts in Brazil to access drugs that the state healthcare system does not dispense is:
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Respostas
961: D
962: A
963: A
964: C
965: D
966: E
967: C
968: A
969: B
970: D
971: B
972: B
973: A
974: A
975: C
976: A
977: D
978: B
979: A
980: E
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