Questões de Concurso
Sobre interpretação de texto | reading comprehension em inglês
Foram encontradas 9.631 questões
Ano: 2021
Banca:
AMEOSC
Órgão:
Prefeitura de Iporã do Oeste - SC
Prova:
AMEOSC - 2021 - Prefeitura de Iporã do Oeste - SC - Professor de Inglês |
Q2016755
Inglês
Texto associado
TEXTO 01
O texto seguinte servirá de base para responder à questão.
Seven secrets to savvy packing before you head
off on your holidays
(1º§) 1.Tuck and roll clothes
ITEMS like sarongs and dresses are vulnerable to
creasing, but rolling them up and tucking them in
tightly is the way to beat wrinkling. Or follow tidying
guru Marie Kondo's advice and pack all of your
clothes upright, rather than in a pile, so that you can
see all of the outfits in your case.
(2º§) 2. Keep hats in shape
WHAT'S a holiday without a hat? If you need to put
yours in a suitcase, make sure it's one of the first
things you pack, and stuff it! A swimsuit works well as
the cossie will keep its shape no matter what you
pack it in. Then place small items such as underwear
around it.
(3º§) 3. Stuff sandals to keep shape
YOU don't want your sandals to be bent out of shape
while en route, so stuff them with a small item such as
a pair of socks. That way they will also take up less
room in your suitcase. You can also slot the ends of
your sandals together to help preserve their shape
even more.
(4º§) 4. The rule off three fold
THE rule of three is an effective way to keep smaller
items such as T-shirts folded nice and tightly. Think of
your T-shirt split into three equal parts down the
middle. Fold each side into the centre, fold in half and
then again until your item is small and compact.
(5º§) 5. Tie belts around shorts
IF you have a pair of shorts or trousers that have a
tie, use it to your advantage. Remove it from the belt
loops and once your item is rolled, wrap the tie
around as many times as needed before tucking ends
in. It will stop clothing unrolling and has the extra
benefit of keeping the tie crease-free.
(6º§) 6. Fold up bag and add trinkets
FOLD your bag in half before placing it flat at the
bottom of the suitcase. Then add your larger, rolleditems on top of the bag. It will stay as flat as possible
and so avoid becoming misshapen. Add smaller items
such as jewellery inside your rolled clothes to keep
them safe.
(7º§) 7. Sunglasses protection
IF your sunglasses don't come with a protective case,
then they need to be protected from being damaged
during the journey, it's horribly easy to scratch the
lenses. A soft sarong, which is all one fabric, is
perfect for this. Pop your sunnies in, roll to the end,
and pack it up.
https://www.thesun.co.uk/travel/15855247/seven-secrets-to-savvy-packing/
According to the text, the secret to packing clothes is:
Ano: 2021
Banca:
AMEOSC
Órgão:
Prefeitura de Iporã do Oeste - SC
Prova:
AMEOSC - 2021 - Prefeitura de Iporã do Oeste - SC - Professor de Inglês |
Q2016751
Inglês
Texto associado
TEXTO 01
O texto seguinte servirá de base para responder à questão.
Seven secrets to savvy packing before you head
off on your holidays
(1º§) 1.Tuck and roll clothes
ITEMS like sarongs and dresses are vulnerable to
creasing, but rolling them up and tucking them in
tightly is the way to beat wrinkling. Or follow tidying
guru Marie Kondo's advice and pack all of your
clothes upright, rather than in a pile, so that you can
see all of the outfits in your case.
(2º§) 2. Keep hats in shape
WHAT'S a holiday without a hat? If you need to put
yours in a suitcase, make sure it's one of the first
things you pack, and stuff it! A swimsuit works well as
the cossie will keep its shape no matter what you
pack it in. Then place small items such as underwear
around it.
(3º§) 3. Stuff sandals to keep shape
YOU don't want your sandals to be bent out of shape
while en route, so stuff them with a small item such as
a pair of socks. That way they will also take up less
room in your suitcase. You can also slot the ends of
your sandals together to help preserve their shape
even more.
(4º§) 4. The rule off three fold
THE rule of three is an effective way to keep smaller
items such as T-shirts folded nice and tightly. Think of
your T-shirt split into three equal parts down the
middle. Fold each side into the centre, fold in half and
then again until your item is small and compact.
(5º§) 5. Tie belts around shorts
IF you have a pair of shorts or trousers that have a
tie, use it to your advantage. Remove it from the belt
loops and once your item is rolled, wrap the tie
around as many times as needed before tucking ends
in. It will stop clothing unrolling and has the extra
benefit of keeping the tie crease-free.
(6º§) 6. Fold up bag and add trinkets
FOLD your bag in half before placing it flat at the
bottom of the suitcase. Then add your larger, rolleditems on top of the bag. It will stay as flat as possible
and so avoid becoming misshapen. Add smaller items
such as jewellery inside your rolled clothes to keep
them safe.
(7º§) 7. Sunglasses protection
IF your sunglasses don't come with a protective case,
then they need to be protected from being damaged
during the journey, it's horribly easy to scratch the
lenses. A soft sarong, which is all one fabric, is
perfect for this. Pop your sunnies in, roll to the end,
and pack it up.
https://www.thesun.co.uk/travel/15855247/seven-secrets-to-savvy-packing/
According to the text, one of the first things you pack
is (are):
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016707
Inglês
Texto associado
Activities for raising awareness of diversity
Our first goal as language teachers is always to encourage our
learners to make use of their developing language. Giving them a
genuine communicative purpose and making it personal to them
are two good ways of achieving this. For students beginning their
journey to greater self-awareness, teachers could devise an
inventory of learning skills for them to rate themselves on. This
could include items such as ‘I keep my notes in order’, ‘I always
make a note of homework and the date it should be done’ or
whatever is appropriate to their level. Students could rate
themselves privately, but then discuss with other students which
ones they find most challenging, exchanging tips about how they
could improve these aspects of learning. From these discussions,
it will probably become clear that some students have already
got good study strategies in place, even if some of them seem a
little unusual. Revisiting the checklist later in the course helps
learners to reflect on how they have improved and what they still
need to work on. […]
Making use of materials that include a diverse range of
characters is another great way of initiating discussion and raising
awareness of the issues. There may be no explicit mention made
in the text of this diversity, thereby sending the implicit message
that this is just how the world is. Students may see characters
that they can relate to more easily, and feel more included
generally. Other materials, such as the ‘Adventures on Inkling
Island’ comic strips, explicitly showcase the daily challenges and
talents of neurodiverse people, demonstrating that being
different can be a strength in some situations.
A powerful way of enabling people to understand how it
might feel to be in the minority on a daily basis, whether in terms
of physical abilities or cognitive function, is to set up experiential
activities which challenge the participants to perform unusual
tasks in conditions that make their usual way of working
impossible. As well as being a fun way of introducing the topic for
further discussion, these activities are usually very memorable
and drive home the message that – in the vast majority of cases –
lack of success in academic tasks is not due to laziness or
stupidity.
Adapted from: https://www.teachingenglish.org.uk/article/raising-awarenessdiversity-language-classroom
The expression “drive home the message” (3nd paragraph) means
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016706
Inglês
Texto associado
Activities for raising awareness of diversity
Our first goal as language teachers is always to encourage our
learners to make use of their developing language. Giving them a
genuine communicative purpose and making it personal to them
are two good ways of achieving this. For students beginning their
journey to greater self-awareness, teachers could devise an
inventory of learning skills for them to rate themselves on. This
could include items such as ‘I keep my notes in order’, ‘I always
make a note of homework and the date it should be done’ or
whatever is appropriate to their level. Students could rate
themselves privately, but then discuss with other students which
ones they find most challenging, exchanging tips about how they
could improve these aspects of learning. From these discussions,
it will probably become clear that some students have already
got good study strategies in place, even if some of them seem a
little unusual. Revisiting the checklist later in the course helps
learners to reflect on how they have improved and what they still
need to work on. […]
Making use of materials that include a diverse range of
characters is another great way of initiating discussion and raising
awareness of the issues. There may be no explicit mention made
in the text of this diversity, thereby sending the implicit message
that this is just how the world is. Students may see characters
that they can relate to more easily, and feel more included
generally. Other materials, such as the ‘Adventures on Inkling
Island’ comic strips, explicitly showcase the daily challenges and
talents of neurodiverse people, demonstrating that being
different can be a strength in some situations.
A powerful way of enabling people to understand how it
might feel to be in the minority on a daily basis, whether in terms
of physical abilities or cognitive function, is to set up experiential
activities which challenge the participants to perform unusual
tasks in conditions that make their usual way of working
impossible. As well as being a fun way of introducing the topic for
further discussion, these activities are usually very memorable
and drive home the message that – in the vast majority of cases –
lack of success in academic tasks is not due to laziness or
stupidity.
Adapted from: https://www.teachingenglish.org.uk/article/raising-awarenessdiversity-language-classroom
The word “little” in the sentence “even if some of them seem a
little unusual.” (1st paragraph) is used in the same way as in
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016704
Inglês
Texto associado
Fonte: Instagram #cambridgeenglishteaching
“Like” in the fourth item is used to indicate an
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016703
Inglês
Texto associado
Fonte: Instagram #cambridgeenglishteaching
The word “bubbles” can also be used when describing the
effects of
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016702
Inglês
Texto associado
Fonte: Instagram #cambridgeenglishteaching
In viewing this Instagram photo, the teacher will realize that
items 2 and 3 involve mostly
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016701
Inglês
Texto associado
The text below refers to question that follow it.
https://br.pinterest.com/pin/211669251227515501/
In this comic strip, the adverb “somehow” is used to
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016700
Inglês
Texto associado
The text below refers to question that follow it.
https://br.pinterest.com/pin/211669251227515501/
In the first panel, the question implies is whether or not both pets
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016699
Inglês
Texto associado
Critical Literacy
Critical literacies are not new among scholars and researchers
in literacy education. However, due to different theoretical bases,
there is no unique definition of “critical literacy”. In their
broadest sense, critical literacies refer to the ability to read texts
going beyond their superficial meaning. That is, it implies
approaching texts in a reflective way to understand working
ideologies such as power, inequality, and injustice. In the realm of
critical literacy, text is understood as a “vehicle through which
individuals communicate with one another using the codes and
conventions of society” (Robinson & Robinson, 2003, p. 3). Texts,
in this sense, can be either songs, novels, poems, conversations,
pictures, movies, and so on. […]
Hence, the critical literacies approach is generally contrasted
with functional literacy. The former views literacy as a social
practice, while the latter views literacy as the mastery of linguistic
skills. In addition, Manning (1999) developed a framework to
distinguish critical literacies from functional literacy by
establishing the difference between their respective ideology
purpose, literacy curriculum, and instruction. On the one hand,
the main objective of functional literacy is to produce skilled
workers for the marketplace. Consequently, the curriculum is
restrictive and the instruction is individualistic and competitive.
On the other hand, for critical literacies, texts are not neutral but
marked by power messages, dominating interests, and hidden
agendas. In order to deconstruct these texts and unveil their
ideological messages and power relationships, the curriculum is
to employ materials from the everyday world as text and analytic
tools.
Critical scholars have overtly supported the idea that there is
not a single procedure for incorporating critical literacies into the
classroom, given that the particularities of the context where the
foreign language is taught differ from one another. Thus, an
approach to critical literacies “needs to be continually redefined
in practice” (Comber, 2001, p. 274).
Adapted from: Jiménez, M.C. G. and Gutiérrez, C.P. “Engaging English as a Foreign
Language Students in Critical Literacy Practices: The Case of a Teacher at a Private
University” available at http://www.scielo.org.co/scielo.php?script=
sci_arttext&pid=S1657-07902019000100091&lng=en&nrm=iso
The phrase “On the one hand” (2nd paragraph) indicates that the
text will offer a(n)
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016696
Inglês
Texto associado
Critical Literacy
Critical literacies are not new among scholars and researchers
in literacy education. However, due to different theoretical bases,
there is no unique definition of “critical literacy”. In their
broadest sense, critical literacies refer to the ability to read texts
going beyond their superficial meaning. That is, it implies
approaching texts in a reflective way to understand working
ideologies such as power, inequality, and injustice. In the realm of
critical literacy, text is understood as a “vehicle through which
individuals communicate with one another using the codes and
conventions of society” (Robinson & Robinson, 2003, p. 3). Texts,
in this sense, can be either songs, novels, poems, conversations,
pictures, movies, and so on. […]
Hence, the critical literacies approach is generally contrasted
with functional literacy. The former views literacy as a social
practice, while the latter views literacy as the mastery of linguistic
skills. In addition, Manning (1999) developed a framework to
distinguish critical literacies from functional literacy by
establishing the difference between their respective ideology
purpose, literacy curriculum, and instruction. On the one hand,
the main objective of functional literacy is to produce skilled
workers for the marketplace. Consequently, the curriculum is
restrictive and the instruction is individualistic and competitive.
On the other hand, for critical literacies, texts are not neutral but
marked by power messages, dominating interests, and hidden
agendas. In order to deconstruct these texts and unveil their
ideological messages and power relationships, the curriculum is
to employ materials from the everyday world as text and analytic
tools.
Critical scholars have overtly supported the idea that there is
not a single procedure for incorporating critical literacies into the
classroom, given that the particularities of the context where the
foreign language is taught differ from one another. Thus, an
approach to critical literacies “needs to be continually redefined
in practice” (Comber, 2001, p. 274).
Adapted from: Jiménez, M.C. G. and Gutiérrez, C.P. “Engaging English as a Foreign
Language Students in Critical Literacy Practices: The Case of a Teacher at a Private
University” available at http://www.scielo.org.co/scielo.php?script=
sci_arttext&pid=S1657-07902019000100091&lng=en&nrm=iso
In the second paragraph, when the authors argue that “Critical
scholars have overtly supported the idea”, they mean that the
idea has been
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016695
Inglês
Texto associado
Critical Literacy
Critical literacies are not new among scholars and researchers
in literacy education. However, due to different theoretical bases,
there is no unique definition of “critical literacy”. In their
broadest sense, critical literacies refer to the ability to read texts
going beyond their superficial meaning. That is, it implies
approaching texts in a reflective way to understand working
ideologies such as power, inequality, and injustice. In the realm of
critical literacy, text is understood as a “vehicle through which
individuals communicate with one another using the codes and
conventions of society” (Robinson & Robinson, 2003, p. 3). Texts,
in this sense, can be either songs, novels, poems, conversations,
pictures, movies, and so on. […]
Hence, the critical literacies approach is generally contrasted
with functional literacy. The former views literacy as a social
practice, while the latter views literacy as the mastery of linguistic
skills. In addition, Manning (1999) developed a framework to
distinguish critical literacies from functional literacy by
establishing the difference between their respective ideology
purpose, literacy curriculum, and instruction. On the one hand,
the main objective of functional literacy is to produce skilled
workers for the marketplace. Consequently, the curriculum is
restrictive and the instruction is individualistic and competitive.
On the other hand, for critical literacies, texts are not neutral but
marked by power messages, dominating interests, and hidden
agendas. In order to deconstruct these texts and unveil their
ideological messages and power relationships, the curriculum is
to employ materials from the everyday world as text and analytic
tools.
Critical scholars have overtly supported the idea that there is
not a single procedure for incorporating critical literacies into the
classroom, given that the particularities of the context where the
foreign language is taught differ from one another. Thus, an
approach to critical literacies “needs to be continually redefined
in practice” (Comber, 2001, p. 274).
Adapted from: Jiménez, M.C. G. and Gutiérrez, C.P. “Engaging English as a Foreign
Language Students in Critical Literacy Practices: The Case of a Teacher at a Private
University” available at http://www.scielo.org.co/scielo.php?script=
sci_arttext&pid=S1657-07902019000100091&lng=en&nrm=iso
The phrase “the latter” in “the latter views literacy as the mastery
of linguistic skills” (2nd paragraph) refers to
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016694
Inglês
Texto associado
Critical Literacy
Critical literacies are not new among scholars and researchers
in literacy education. However, due to different theoretical bases,
there is no unique definition of “critical literacy”. In their
broadest sense, critical literacies refer to the ability to read texts
going beyond their superficial meaning. That is, it implies
approaching texts in a reflective way to understand working
ideologies such as power, inequality, and injustice. In the realm of
critical literacy, text is understood as a “vehicle through which
individuals communicate with one another using the codes and
conventions of society” (Robinson & Robinson, 2003, p. 3). Texts,
in this sense, can be either songs, novels, poems, conversations,
pictures, movies, and so on. […]
Hence, the critical literacies approach is generally contrasted
with functional literacy. The former views literacy as a social
practice, while the latter views literacy as the mastery of linguistic
skills. In addition, Manning (1999) developed a framework to
distinguish critical literacies from functional literacy by
establishing the difference between their respective ideology
purpose, literacy curriculum, and instruction. On the one hand,
the main objective of functional literacy is to produce skilled
workers for the marketplace. Consequently, the curriculum is
restrictive and the instruction is individualistic and competitive.
On the other hand, for critical literacies, texts are not neutral but
marked by power messages, dominating interests, and hidden
agendas. In order to deconstruct these texts and unveil their
ideological messages and power relationships, the curriculum is
to employ materials from the everyday world as text and analytic
tools.
Critical scholars have overtly supported the idea that there is
not a single procedure for incorporating critical literacies into the
classroom, given that the particularities of the context where the
foreign language is taught differ from one another. Thus, an
approach to critical literacies “needs to be continually redefined
in practice” (Comber, 2001, p. 274).
Adapted from: Jiménez, M.C. G. and Gutiérrez, C.P. “Engaging English as a Foreign
Language Students in Critical Literacy Practices: The Case of a Teacher at a Private
University” available at http://www.scielo.org.co/scielo.php?script=
sci_arttext&pid=S1657-07902019000100091&lng=en&nrm=iso
The phrase “That is” in “That is, it implies approaching texts in a
reflective way” (1st paragraph) can be replaced without change of
meaning by
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016693
Inglês
Texto associado
Critical Literacy
Critical literacies are not new among scholars and researchers
in literacy education. However, due to different theoretical bases,
there is no unique definition of “critical literacy”. In their
broadest sense, critical literacies refer to the ability to read texts
going beyond their superficial meaning. That is, it implies
approaching texts in a reflective way to understand working
ideologies such as power, inequality, and injustice. In the realm of
critical literacy, text is understood as a “vehicle through which
individuals communicate with one another using the codes and
conventions of society” (Robinson & Robinson, 2003, p. 3). Texts,
in this sense, can be either songs, novels, poems, conversations,
pictures, movies, and so on. […]
Hence, the critical literacies approach is generally contrasted
with functional literacy. The former views literacy as a social
practice, while the latter views literacy as the mastery of linguistic
skills. In addition, Manning (1999) developed a framework to
distinguish critical literacies from functional literacy by
establishing the difference between their respective ideology
purpose, literacy curriculum, and instruction. On the one hand,
the main objective of functional literacy is to produce skilled
workers for the marketplace. Consequently, the curriculum is
restrictive and the instruction is individualistic and competitive.
On the other hand, for critical literacies, texts are not neutral but
marked by power messages, dominating interests, and hidden
agendas. In order to deconstruct these texts and unveil their
ideological messages and power relationships, the curriculum is
to employ materials from the everyday world as text and analytic
tools.
Critical scholars have overtly supported the idea that there is
not a single procedure for incorporating critical literacies into the
classroom, given that the particularities of the context where the
foreign language is taught differ from one another. Thus, an
approach to critical literacies “needs to be continually redefined
in practice” (Comber, 2001, p. 274).
Adapted from: Jiménez, M.C. G. and Gutiérrez, C.P. “Engaging English as a Foreign
Language Students in Critical Literacy Practices: The Case of a Teacher at a Private
University” available at http://www.scielo.org.co/scielo.php?script=
sci_arttext&pid=S1657-07902019000100091&lng=en&nrm=iso
The text suggests that if teachers opt for critical literacy activities,
they should
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016692
Inglês
Texto associado
Critical Literacy
Critical literacies are not new among scholars and researchers
in literacy education. However, due to different theoretical bases,
there is no unique definition of “critical literacy”. In their
broadest sense, critical literacies refer to the ability to read texts
going beyond their superficial meaning. That is, it implies
approaching texts in a reflective way to understand working
ideologies such as power, inequality, and injustice. In the realm of
critical literacy, text is understood as a “vehicle through which
individuals communicate with one another using the codes and
conventions of society” (Robinson & Robinson, 2003, p. 3). Texts,
in this sense, can be either songs, novels, poems, conversations,
pictures, movies, and so on. […]
Hence, the critical literacies approach is generally contrasted
with functional literacy. The former views literacy as a social
practice, while the latter views literacy as the mastery of linguistic
skills. In addition, Manning (1999) developed a framework to
distinguish critical literacies from functional literacy by
establishing the difference between their respective ideology
purpose, literacy curriculum, and instruction. On the one hand,
the main objective of functional literacy is to produce skilled
workers for the marketplace. Consequently, the curriculum is
restrictive and the instruction is individualistic and competitive.
On the other hand, for critical literacies, texts are not neutral but
marked by power messages, dominating interests, and hidden
agendas. In order to deconstruct these texts and unveil their
ideological messages and power relationships, the curriculum is
to employ materials from the everyday world as text and analytic
tools.
Critical scholars have overtly supported the idea that there is
not a single procedure for incorporating critical literacies into the
classroom, given that the particularities of the context where the
foreign language is taught differ from one another. Thus, an
approach to critical literacies “needs to be continually redefined
in practice” (Comber, 2001, p. 274).
Adapted from: Jiménez, M.C. G. and Gutiérrez, C.P. “Engaging English as a Foreign
Language Students in Critical Literacy Practices: The Case of a Teacher at a Private
University” available at http://www.scielo.org.co/scielo.php?script=
sci_arttext&pid=S1657-07902019000100091&lng=en&nrm=iso
According to the authors, critical literacy encourages students to
Ano: 2022
Banca:
FGV
Órgão:
SEAD-AP
Prova:
FGV - 2022 - SEAD-AP - Professor de Educação Básica - Língua Inglesa |
Q2016691
Inglês
Texto associado
Critical Literacy
Critical literacies are not new among scholars and researchers
in literacy education. However, due to different theoretical bases,
there is no unique definition of “critical literacy”. In their
broadest sense, critical literacies refer to the ability to read texts
going beyond their superficial meaning. That is, it implies
approaching texts in a reflective way to understand working
ideologies such as power, inequality, and injustice. In the realm of
critical literacy, text is understood as a “vehicle through which
individuals communicate with one another using the codes and
conventions of society” (Robinson & Robinson, 2003, p. 3). Texts,
in this sense, can be either songs, novels, poems, conversations,
pictures, movies, and so on. […]
Hence, the critical literacies approach is generally contrasted
with functional literacy. The former views literacy as a social
practice, while the latter views literacy as the mastery of linguistic
skills. In addition, Manning (1999) developed a framework to
distinguish critical literacies from functional literacy by
establishing the difference between their respective ideology
purpose, literacy curriculum, and instruction. On the one hand,
the main objective of functional literacy is to produce skilled
workers for the marketplace. Consequently, the curriculum is
restrictive and the instruction is individualistic and competitive.
On the other hand, for critical literacies, texts are not neutral but
marked by power messages, dominating interests, and hidden
agendas. In order to deconstruct these texts and unveil their
ideological messages and power relationships, the curriculum is
to employ materials from the everyday world as text and analytic
tools.
Critical scholars have overtly supported the idea that there is
not a single procedure for incorporating critical literacies into the
classroom, given that the particularities of the context where the
foreign language is taught differ from one another. Thus, an
approach to critical literacies “needs to be continually redefined
in practice” (Comber, 2001, p. 274).
Adapted from: Jiménez, M.C. G. and Gutiérrez, C.P. “Engaging English as a Foreign
Language Students in Critical Literacy Practices: The Case of a Teacher at a Private
University” available at http://www.scielo.org.co/scielo.php?script=
sci_arttext&pid=S1657-07902019000100091&lng=en&nrm=iso
Based on the text, mark the statements below as true (T) or
false (F):
( ) The concept of critical literacy lacks precise definition.
( ) Functional and critical literacies have similar aims.
( ) Classroom practices based on critical literacy vary.
The statements are, respectively:
( ) The concept of critical literacy lacks precise definition.
( ) Functional and critical literacies have similar aims.
( ) Classroom practices based on critical literacy vary.
The statements are, respectively:
Ano: 2022
Banca:
FEPESE
Órgão:
Prefeitura de Balneário Camboriú - SC
Prova:
FEPESE - 2022 - Prefeitura de Balneário Camboriú - SC - Professor de Língua Inglesa - Edital nº 005 |
Q2013440
Inglês
Texto associado
Balloons
Have you ever wondered what keeps a hot air balloon
flying? The same principle that keeps food frozen in
the open chest freezers at the grocery store allows
hot air balloons to fly. It’s a very basic principle: Hot air
rises and cold air falls. So while the super-cooled air
in the grocery store freezer settles down around the
food, the hot air in a hot air balloon pushes up, keeping the balloon floating above the ground. In order to
understand more about how this principle works in
hot air balloons, it helps to know more about hot air
balloons themselves.
A hot air balloon has three major parts: the basket, the
burner, and the envelope. The basket is where passengers ride. The basket is usually made of wicker. This
ensures that it will be comfortable and add little extra
weight. The burner is positioned above the passenger’s heads and produces a huge flame to heat the air
inside the envelope. The envelope is the colorful fabric
balloon that holds the hot air. When the air inside the
envelope is heated, the balloon rises.
The pilot can control the up-and-down movements of
the hot air balloon by regulating the heat in the envelope. To ascend, the pilot heats the air in the envelope.
When the pilot is ready to land, the air in the balloon is
allowed to cool and the balloon becomes heavier than
air. This makes the balloon descend.
Before the balloon is launched, the pilot knows which
way the wind is blowing. This means that she has a
general idea........................... which way the balloon will
go. But, sometimes the pilot can actually control the
direction that the balloon flies while.......................................... flight.
This is because the air above the ground is sectioned .........................................layers in which the direction of the wind
may be different. So even though the pilot can’t steer
the balloon, she can fly or higher or lower into a different layer ......................................air. Some days the difference
between the direction of the wind between layers is
negligible. But other days the difference is so strong
that it can actually push the balloon in a completely
different direction!
Choose the correct alternative according to the
text.
Ano: 2022
Banca:
FEPESE
Órgão:
Prefeitura de Balneário Camboriú - SC
Prova:
FEPESE - 2022 - Prefeitura de Balneário Camboriú - SC - Professor de Língua Inglesa - Edital nº 005 |
Q2013439
Inglês
Texto associado
Balloons
Have you ever wondered what keeps a hot air balloon
flying? The same principle that keeps food frozen in
the open chest freezers at the grocery store allows
hot air balloons to fly. It’s a very basic principle: Hot air
rises and cold air falls. So while the super-cooled air
in the grocery store freezer settles down around the
food, the hot air in a hot air balloon pushes up, keeping the balloon floating above the ground. In order to
understand more about how this principle works in
hot air balloons, it helps to know more about hot air
balloons themselves.
A hot air balloon has three major parts: the basket, the
burner, and the envelope. The basket is where passengers ride. The basket is usually made of wicker. This
ensures that it will be comfortable and add little extra
weight. The burner is positioned above the passenger’s heads and produces a huge flame to heat the air
inside the envelope. The envelope is the colorful fabric
balloon that holds the hot air. When the air inside the
envelope is heated, the balloon rises.
The pilot can control the up-and-down movements of
the hot air balloon by regulating the heat in the envelope. To ascend, the pilot heats the air in the envelope.
When the pilot is ready to land, the air in the balloon is
allowed to cool and the balloon becomes heavier than
air. This makes the balloon descend.
Before the balloon is launched, the pilot knows which
way the wind is blowing. This means that she has a
general idea........................... which way the balloon will
go. But, sometimes the pilot can actually control the
direction that the balloon flies while.......................................... flight.
This is because the air above the ground is sectioned .........................................layers in which the direction of the wind
may be different. So even though the pilot can’t steer
the balloon, she can fly or higher or lower into a different layer ......................................air. Some days the difference
between the direction of the wind between layers is
negligible. But other days the difference is so strong
that it can actually push the balloon in a completely
different direction!
Analyze the sentences below about balloons.
1. Hot air keeps balloons up and flying.
2. Cold air keeps food cooked.
3. The burner produces a huge flash.
4. Usually made of wicker, the envelope is comfortable and warm. .
Choose the alternative which presents the correct sentences.
1. Hot air keeps balloons up and flying.
2. Cold air keeps food cooked.
3. The burner produces a huge flash.
4. Usually made of wicker, the envelope is comfortable and warm. .
Choose the alternative which presents the correct sentences.
Ano: 2022
Banca:
FEPESE
Órgão:
Prefeitura de Balneário Camboriú - SC
Prova:
FEPESE - 2022 - Prefeitura de Balneário Camboriú - SC - Professor de Língua Inglesa - Edital nº 005 |
Q2013438
Inglês
Texto associado
Balloons
Have you ever wondered what keeps a hot air balloon
flying? The same principle that keeps food frozen in
the open chest freezers at the grocery store allows
hot air balloons to fly. It’s a very basic principle: Hot air
rises and cold air falls. So while the super-cooled air
in the grocery store freezer settles down around the
food, the hot air in a hot air balloon pushes up, keeping the balloon floating above the ground. In order to
understand more about how this principle works in
hot air balloons, it helps to know more about hot air
balloons themselves.
A hot air balloon has three major parts: the basket, the
burner, and the envelope. The basket is where passengers ride. The basket is usually made of wicker. This
ensures that it will be comfortable and add little extra
weight. The burner is positioned above the passenger’s heads and produces a huge flame to heat the air
inside the envelope. The envelope is the colorful fabric
balloon that holds the hot air. When the air inside the
envelope is heated, the balloon rises.
The pilot can control the up-and-down movements of
the hot air balloon by regulating the heat in the envelope. To ascend, the pilot heats the air in the envelope.
When the pilot is ready to land, the air in the balloon is
allowed to cool and the balloon becomes heavier than
air. This makes the balloon descend.
Before the balloon is launched, the pilot knows which
way the wind is blowing. This means that she has a
general idea........................... which way the balloon will
go. But, sometimes the pilot can actually control the
direction that the balloon flies while.......................................... flight.
This is because the air above the ground is sectioned .........................................layers in which the direction of the wind
may be different. So even though the pilot can’t steer
the balloon, she can fly or higher or lower into a different layer ......................................air. Some days the difference
between the direction of the wind between layers is
negligible. But other days the difference is so strong
that it can actually push the balloon in a completely
different direction!
Based on its use in paragraph 4 of the text, it can
be understood that negligible belongs to which of
the following word families?
Ano: 2022
Banca:
FEPESE
Órgão:
Prefeitura de Balneário Camboriú - SC
Prova:
FEPESE - 2022 - Prefeitura de Balneário Camboriú - SC - Professor de Língua Inglesa - Edital nº 005 |
Q2013437
Inglês
Texto associado
Balloons
Have you ever wondered what keeps a hot air balloon
flying? The same principle that keeps food frozen in
the open chest freezers at the grocery store allows
hot air balloons to fly. It’s a very basic principle: Hot air
rises and cold air falls. So while the super-cooled air
in the grocery store freezer settles down around the
food, the hot air in a hot air balloon pushes up, keeping the balloon floating above the ground. In order to
understand more about how this principle works in
hot air balloons, it helps to know more about hot air
balloons themselves.
A hot air balloon has three major parts: the basket, the
burner, and the envelope. The basket is where passengers ride. The basket is usually made of wicker. This
ensures that it will be comfortable and add little extra
weight. The burner is positioned above the passenger’s heads and produces a huge flame to heat the air
inside the envelope. The envelope is the colorful fabric
balloon that holds the hot air. When the air inside the
envelope is heated, the balloon rises.
The pilot can control the up-and-down movements of
the hot air balloon by regulating the heat in the envelope. To ascend, the pilot heats the air in the envelope.
When the pilot is ready to land, the air in the balloon is
allowed to cool and the balloon becomes heavier than
air. This makes the balloon descend.
Before the balloon is launched, the pilot knows which
way the wind is blowing. This means that she has a
general idea........................... which way the balloon will
go. But, sometimes the pilot can actually control the
direction that the balloon flies while.......................................... flight.
This is because the air above the ground is sectioned .........................................layers in which the direction of the wind
may be different. So even though the pilot can’t steer
the balloon, she can fly or higher or lower into a different layer ......................................air. Some days the difference
between the direction of the wind between layers is
negligible. But other days the difference is so strong
that it can actually push the balloon in a completely
different direction!
Using the text as a guide, identify the alternatives
below as ( T ) true or ( F ) false.
( ) Air goes up and out the top of a chimney when you light a fire.
( ) Cool air collects about the ceiling when you open a refrigerator.
( ) Smoke from a candle rises after you blow out the flame.
( ) Cold air coming from an air conditioning vent settles about the floor.
Choose the alternative which presents the correct sequence, from top to bottom.
( ) Air goes up and out the top of a chimney when you light a fire.
( ) Cool air collects about the ceiling when you open a refrigerator.
( ) Smoke from a candle rises after you blow out the flame.
( ) Cold air coming from an air conditioning vent settles about the floor.
Choose the alternative which presents the correct sequence, from top to bottom.
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