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Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797680
Física
No esquema, os blocos A, B e C têm massas iguais a 5 kg, 3 kg
e 2kg, respectivamente.
Desprezando-se todos os atritos e a resistência do ar, considerando-se todos os fios e polias ideais e adotando-se g = 10 m/s² , sen θ = 0,5 e cos θ = 0,9, obtém-se a intensidade da força de tração no fio que liga o bloco B ao bloco C igual a
Desprezando-se todos os atritos e a resistência do ar, considerando-se todos os fios e polias ideais e adotando-se g = 10 m/s² , sen θ = 0,5 e cos θ = 0,9, obtém-se a intensidade da força de tração no fio que liga o bloco B ao bloco C igual a
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797679
Física
É quase um bungee jump, mas ligeiramente menos radical. A 60 metros do chão, o “Queda Livre”, em Brotas, dá frio
na barriga só de olhar, mas a queda livre, na verdade, é bem
menor: 25 metros.
(https://viagem.estadão.com.br, 01.05.18. Adaptado.)
(aventurando.com.br)
Considerando que a resistência do ar seja desprezível, que a aceleração da gravidade do local seja igual a 10 m/s2 e que, nessa atração, o salto se dê a partir do repouso, o tempo total em que uma pessoa experimenta a sensação de queda livre antes de começar a ser freada pela corda elástica é de
(https://viagem.estadão.com.br, 01.05.18. Adaptado.)
(aventurando.com.br)
Considerando que a resistência do ar seja desprezível, que a aceleração da gravidade do local seja igual a 10 m/s2 e que, nessa atração, o salto se dê a partir do repouso, o tempo total em que uma pessoa experimenta a sensação de queda livre antes de começar a ser freada pela corda elástica é de
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797678
Física
O ciclista profissional Evandro Portela atingiu a maior
velocidade já obtida com uma bicicleta convencional,
batendo o recorde mundial de velocidade, com uma marca
de 202 km/h. O que chama atenção na bike é o tamanho da
coroa, de 105 dentes.
(“A 202 km/h, brasileiro registra recorde mundial de velocidade em bicicleta”. vadebike.org, 28.11.2017. Adaptado.)
Considere que a coroa de 105 dentes, no centro da bicicleta, possui um perímetro externo P = 1 m, que o raio da catraca utilizada é 10 vezes menor do que o da coroa e 15 vezes menor que o raio da roda traseira, conforme o esquema a seguir:
No momento em que o ciclista está à velocidade de 201,6 km/h, a frequência de giro da coroa é de, aproximadamente,
(“A 202 km/h, brasileiro registra recorde mundial de velocidade em bicicleta”. vadebike.org, 28.11.2017. Adaptado.)
Considere que a coroa de 105 dentes, no centro da bicicleta, possui um perímetro externo P = 1 m, que o raio da catraca utilizada é 10 vezes menor do que o da coroa e 15 vezes menor que o raio da roda traseira, conforme o esquema a seguir:
No momento em que o ciclista está à velocidade de 201,6 km/h, a frequência de giro da coroa é de, aproximadamente,
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797677
Física
A primeira imagem de um buraco negro foi revelada pela
Fundação Nacional de Ciências. A foto disponibilizada mostra
um buraco negro no centro da enorme galáxia Messier 87, localizada no aglomerado vizinho de Virgem, a 5 milhões de anos-
-luz da Terra.
(“Foto de um buraco negro é revelada pela primeira vez na história”. https://revistagalileu.globo.com, 10.04.2019. Adaptado.)
Considerando que um ano-luz é a distância percorrida pela luz em um ano, no vácuo, com velocidade de 3 × 108 m/s e que um ano possui aproximadamente 3,15 × 107 s, a distância entre esse buraco negro e a Terra é próxima de
(“Foto de um buraco negro é revelada pela primeira vez na história”. https://revistagalileu.globo.com, 10.04.2019. Adaptado.)
Considerando que um ano-luz é a distância percorrida pela luz em um ano, no vácuo, com velocidade de 3 × 108 m/s e que um ano possui aproximadamente 3,15 × 107 s, a distância entre esse buraco negro e a Terra é próxima de
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797676
Inglês
Texto associado
Leia a tirinha para responder à questão.
(Stephan Pastis. “Pearls Before Swine”. www.gocomics.com, 22.04.2019.)
In the last panel, “miserable” means the same as
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797675
Inglês
Texto associado
Leia a tirinha para responder à questão.
(Stephan Pastis. “Pearls Before Swine”. www.gocomics.com, 22.04.2019.)
No diálogo entre as personagens Pig (porco) e Goat (cabrito), Pig
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797674
Inglês
Texto associado
Leia o texto para responder à questão.
The fantastic appeal of fantasy
The fantasy genre starts where science ends
Few things can brighten up a dark morning in a Scottish
seaside resort during an Atlantic storm. Yet while sheltering in
a bookshop from the rain, I had a moment of sunny revelation.
Stacked almost as high as my 11-year-old self were copies of
The Lord of the Rings, with a cover illustration that promised
mystery and magic. That chance discovery started a lifelong
love of the fantasy genre1
, both as reader and writer.
The fantasy genre has had more and more success, but
today we’re in the middle of an unprecedented fantasy boom.
Sales continue to rise and it is now the biggest genre in
publishing. The more rational the world gets, with super-science
all around us, the more we demand the irrational in our fiction.
Fantasy is not simply a case of swords2
and sorcery3
.
Yes, there is that by the shelf. But the genre is as broad as the
imagination. The genre starts where science ends.
“In these modern times, where most of us sit at computers,
fantasy books offer a chance to break out of mundane
moments,” says Mark Newton, an editor with the genre.
“People like to explore themes that go beyond the limited
palette that literary fiction claims to offer.”
A search for the origins of fantasy will usually have
academics muttering about Beowulf or Homer’s The Iliad, but
they come from a time when all stories were fantasy: gods and
monsters and supernatural artefacts with humanity caught in
the middle. The first modern fantasy writer is usually considered
to be William Morris, in the late 19th Century. But it was the
early 20th Century where fantasy really started to gain status.
Fantasy fiction has always been about visionary ideas.
You can get artful words in plenty of literary fiction, but being
able to see beyond the boundaries4
of the world around us —
now that’s a special skill.
I don’t write fantasy fiction simply to provide a trapdoor5
from the real world. For me, the genre is about the reality. But
instead of coming up against it, fantasy maps the unconscious
aspirations of our modern society through allegory in story-
-forms as old as humanity. It’s about turning off the mobile
phone and the computer and remembering who we are in the
deepest parts of ourselves.
(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)
1genre: gênero. Categoria distintiva de composição literária, como romance,
poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
No trecho “But instead of coming up against it, fantasy maps
the unconscious aspirations of our modern society” (7° parágrafo), a expressão sublinhada tem sentido equivalente, em
português, a
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797673
Inglês
Texto associado
Leia o texto para responder à questão.
The fantastic appeal of fantasy
The fantasy genre starts where science ends
Few things can brighten up a dark morning in a Scottish
seaside resort during an Atlantic storm. Yet while sheltering in
a bookshop from the rain, I had a moment of sunny revelation.
Stacked almost as high as my 11-year-old self were copies of
The Lord of the Rings, with a cover illustration that promised
mystery and magic. That chance discovery started a lifelong
love of the fantasy genre1
, both as reader and writer.
The fantasy genre has had more and more success, but
today we’re in the middle of an unprecedented fantasy boom.
Sales continue to rise and it is now the biggest genre in
publishing. The more rational the world gets, with super-science
all around us, the more we demand the irrational in our fiction.
Fantasy is not simply a case of swords2
and sorcery3
.
Yes, there is that by the shelf. But the genre is as broad as the
imagination. The genre starts where science ends.
“In these modern times, where most of us sit at computers,
fantasy books offer a chance to break out of mundane
moments,” says Mark Newton, an editor with the genre.
“People like to explore themes that go beyond the limited
palette that literary fiction claims to offer.”
A search for the origins of fantasy will usually have
academics muttering about Beowulf or Homer’s The Iliad, but
they come from a time when all stories were fantasy: gods and
monsters and supernatural artefacts with humanity caught in
the middle. The first modern fantasy writer is usually considered
to be William Morris, in the late 19th Century. But it was the
early 20th Century where fantasy really started to gain status.
Fantasy fiction has always been about visionary ideas.
You can get artful words in plenty of literary fiction, but being
able to see beyond the boundaries4
of the world around us —
now that’s a special skill.
I don’t write fantasy fiction simply to provide a trapdoor5
from the real world. For me, the genre is about the reality. But
instead of coming up against it, fantasy maps the unconscious
aspirations of our modern society through allegory in story-
-forms as old as humanity. It’s about turning off the mobile
phone and the computer and remembering who we are in the
deepest parts of ourselves.
(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)
1genre: gênero. Categoria distintiva de composição literária, como romance,
poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
In the excerpt “that’s a special skill” (6th paragraph), the
underlined word can be replaced, without changing the
meaning of the sentence, by
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797672
Inglês
Texto associado
Leia o texto para responder à questão.
The fantastic appeal of fantasy
The fantasy genre starts where science ends
Few things can brighten up a dark morning in a Scottish
seaside resort during an Atlantic storm. Yet while sheltering in
a bookshop from the rain, I had a moment of sunny revelation.
Stacked almost as high as my 11-year-old self were copies of
The Lord of the Rings, with a cover illustration that promised
mystery and magic. That chance discovery started a lifelong
love of the fantasy genre1
, both as reader and writer.
The fantasy genre has had more and more success, but
today we’re in the middle of an unprecedented fantasy boom.
Sales continue to rise and it is now the biggest genre in
publishing. The more rational the world gets, with super-science
all around us, the more we demand the irrational in our fiction.
Fantasy is not simply a case of swords2
and sorcery3
.
Yes, there is that by the shelf. But the genre is as broad as the
imagination. The genre starts where science ends.
“In these modern times, where most of us sit at computers,
fantasy books offer a chance to break out of mundane
moments,” says Mark Newton, an editor with the genre.
“People like to explore themes that go beyond the limited
palette that literary fiction claims to offer.”
A search for the origins of fantasy will usually have
academics muttering about Beowulf or Homer’s The Iliad, but
they come from a time when all stories were fantasy: gods and
monsters and supernatural artefacts with humanity caught in
the middle. The first modern fantasy writer is usually considered
to be William Morris, in the late 19th Century. But it was the
early 20th Century where fantasy really started to gain status.
Fantasy fiction has always been about visionary ideas.
You can get artful words in plenty of literary fiction, but being
able to see beyond the boundaries4
of the world around us —
now that’s a special skill.
I don’t write fantasy fiction simply to provide a trapdoor5
from the real world. For me, the genre is about the reality. But
instead of coming up against it, fantasy maps the unconscious
aspirations of our modern society through allegory in story-
-forms as old as humanity. It’s about turning off the mobile
phone and the computer and remembering who we are in the
deepest parts of ourselves.
(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)
1genre: gênero. Categoria distintiva de composição literária, como romance,
poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
No trecho “they come from a time when all stories were
fantasy” (5°
parágrafo), o termo sublinhado refere-se a
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797671
Inglês
Texto associado
Leia o texto para responder à questão.
The fantastic appeal of fantasy
The fantasy genre starts where science ends
Few things can brighten up a dark morning in a Scottish
seaside resort during an Atlantic storm. Yet while sheltering in
a bookshop from the rain, I had a moment of sunny revelation.
Stacked almost as high as my 11-year-old self were copies of
The Lord of the Rings, with a cover illustration that promised
mystery and magic. That chance discovery started a lifelong
love of the fantasy genre1
, both as reader and writer.
The fantasy genre has had more and more success, but
today we’re in the middle of an unprecedented fantasy boom.
Sales continue to rise and it is now the biggest genre in
publishing. The more rational the world gets, with super-science
all around us, the more we demand the irrational in our fiction.
Fantasy is not simply a case of swords2
and sorcery3
.
Yes, there is that by the shelf. But the genre is as broad as the
imagination. The genre starts where science ends.
“In these modern times, where most of us sit at computers,
fantasy books offer a chance to break out of mundane
moments,” says Mark Newton, an editor with the genre.
“People like to explore themes that go beyond the limited
palette that literary fiction claims to offer.”
A search for the origins of fantasy will usually have
academics muttering about Beowulf or Homer’s The Iliad, but
they come from a time when all stories were fantasy: gods and
monsters and supernatural artefacts with humanity caught in
the middle. The first modern fantasy writer is usually considered
to be William Morris, in the late 19th Century. But it was the
early 20th Century where fantasy really started to gain status.
Fantasy fiction has always been about visionary ideas.
You can get artful words in plenty of literary fiction, but being
able to see beyond the boundaries4
of the world around us —
now that’s a special skill.
I don’t write fantasy fiction simply to provide a trapdoor5
from the real world. For me, the genre is about the reality. But
instead of coming up against it, fantasy maps the unconscious
aspirations of our modern society through allegory in story-
-forms as old as humanity. It’s about turning off the mobile
phone and the computer and remembering who we are in the
deepest parts of ourselves.
(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)
1genre: gênero. Categoria distintiva de composição literária, como romance,
poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
O sentido do trecho sublinhado em “fantasy books offer a
chance to break out of mundane moments” (4°
parágrafo)
está mantido, em português, do seguinte modo:
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797670
Inglês
Texto associado
Leia o texto para responder à questão.
The fantastic appeal of fantasy
The fantasy genre starts where science ends
Few things can brighten up a dark morning in a Scottish
seaside resort during an Atlantic storm. Yet while sheltering in
a bookshop from the rain, I had a moment of sunny revelation.
Stacked almost as high as my 11-year-old self were copies of
The Lord of the Rings, with a cover illustration that promised
mystery and magic. That chance discovery started a lifelong
love of the fantasy genre1
, both as reader and writer.
The fantasy genre has had more and more success, but
today we’re in the middle of an unprecedented fantasy boom.
Sales continue to rise and it is now the biggest genre in
publishing. The more rational the world gets, with super-science
all around us, the more we demand the irrational in our fiction.
Fantasy is not simply a case of swords2
and sorcery3
.
Yes, there is that by the shelf. But the genre is as broad as the
imagination. The genre starts where science ends.
“In these modern times, where most of us sit at computers,
fantasy books offer a chance to break out of mundane
moments,” says Mark Newton, an editor with the genre.
“People like to explore themes that go beyond the limited
palette that literary fiction claims to offer.”
A search for the origins of fantasy will usually have
academics muttering about Beowulf or Homer’s The Iliad, but
they come from a time when all stories were fantasy: gods and
monsters and supernatural artefacts with humanity caught in
the middle. The first modern fantasy writer is usually considered
to be William Morris, in the late 19th Century. But it was the
early 20th Century where fantasy really started to gain status.
Fantasy fiction has always been about visionary ideas.
You can get artful words in plenty of literary fiction, but being
able to see beyond the boundaries4
of the world around us —
now that’s a special skill.
I don’t write fantasy fiction simply to provide a trapdoor5
from the real world. For me, the genre is about the reality. But
instead of coming up against it, fantasy maps the unconscious
aspirations of our modern society through allegory in story-
-forms as old as humanity. It’s about turning off the mobile
phone and the computer and remembering who we are in the
deepest parts of ourselves.
(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)
1genre: gênero. Categoria distintiva de composição literária, como romance,
poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
O trecho sublinhado em “the genre is as broad as the
imagination” (3°
parágrafo) expressa uma
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797669
Inglês
Texto associado
Leia o texto para responder à questão.
The fantastic appeal of fantasy
The fantasy genre starts where science ends
Few things can brighten up a dark morning in a Scottish
seaside resort during an Atlantic storm. Yet while sheltering in
a bookshop from the rain, I had a moment of sunny revelation.
Stacked almost as high as my 11-year-old self were copies of
The Lord of the Rings, with a cover illustration that promised
mystery and magic. That chance discovery started a lifelong
love of the fantasy genre1
, both as reader and writer.
The fantasy genre has had more and more success, but
today we’re in the middle of an unprecedented fantasy boom.
Sales continue to rise and it is now the biggest genre in
publishing. The more rational the world gets, with super-science
all around us, the more we demand the irrational in our fiction.
Fantasy is not simply a case of swords2
and sorcery3
.
Yes, there is that by the shelf. But the genre is as broad as the
imagination. The genre starts where science ends.
“In these modern times, where most of us sit at computers,
fantasy books offer a chance to break out of mundane
moments,” says Mark Newton, an editor with the genre.
“People like to explore themes that go beyond the limited
palette that literary fiction claims to offer.”
A search for the origins of fantasy will usually have
academics muttering about Beowulf or Homer’s The Iliad, but
they come from a time when all stories were fantasy: gods and
monsters and supernatural artefacts with humanity caught in
the middle. The first modern fantasy writer is usually considered
to be William Morris, in the late 19th Century. But it was the
early 20th Century where fantasy really started to gain status.
Fantasy fiction has always been about visionary ideas.
You can get artful words in plenty of literary fiction, but being
able to see beyond the boundaries4
of the world around us —
now that’s a special skill.
I don’t write fantasy fiction simply to provide a trapdoor5
from the real world. For me, the genre is about the reality. But
instead of coming up against it, fantasy maps the unconscious
aspirations of our modern society through allegory in story-
-forms as old as humanity. It’s about turning off the mobile
phone and the computer and remembering who we are in the
deepest parts of ourselves.
(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)
1genre: gênero. Categoria distintiva de composição literária, como romance,
poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
According to the author, the “unprecedented fantasy boom”
(2nd paragraph) is related to the fact that
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797668
Inglês
Texto associado
Leia o texto para responder à questão.
The fantastic appeal of fantasy
The fantasy genre starts where science ends
Few things can brighten up a dark morning in a Scottish
seaside resort during an Atlantic storm. Yet while sheltering in
a bookshop from the rain, I had a moment of sunny revelation.
Stacked almost as high as my 11-year-old self were copies of
The Lord of the Rings, with a cover illustration that promised
mystery and magic. That chance discovery started a lifelong
love of the fantasy genre1
, both as reader and writer.
The fantasy genre has had more and more success, but
today we’re in the middle of an unprecedented fantasy boom.
Sales continue to rise and it is now the biggest genre in
publishing. The more rational the world gets, with super-science
all around us, the more we demand the irrational in our fiction.
Fantasy is not simply a case of swords2
and sorcery3
.
Yes, there is that by the shelf. But the genre is as broad as the
imagination. The genre starts where science ends.
“In these modern times, where most of us sit at computers,
fantasy books offer a chance to break out of mundane
moments,” says Mark Newton, an editor with the genre.
“People like to explore themes that go beyond the limited
palette that literary fiction claims to offer.”
A search for the origins of fantasy will usually have
academics muttering about Beowulf or Homer’s The Iliad, but
they come from a time when all stories were fantasy: gods and
monsters and supernatural artefacts with humanity caught in
the middle. The first modern fantasy writer is usually considered
to be William Morris, in the late 19th Century. But it was the
early 20th Century where fantasy really started to gain status.
Fantasy fiction has always been about visionary ideas.
You can get artful words in plenty of literary fiction, but being
able to see beyond the boundaries4
of the world around us —
now that’s a special skill.
I don’t write fantasy fiction simply to provide a trapdoor5
from the real world. For me, the genre is about the reality. But
instead of coming up against it, fantasy maps the unconscious
aspirations of our modern society through allegory in story-
-forms as old as humanity. It’s about turning off the mobile
phone and the computer and remembering who we are in the
deepest parts of ourselves.
(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)
1genre: gênero. Categoria distintiva de composição literária, como romance,
poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
No trecho “Yet while sheltering in a bookshop from the rain”
(1°
parágrafo), o termo sublinhado indica ideia de
Ano: 2019
Banca:
VUNESP
Órgão:
SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
Q1797667
Inglês
Texto associado
Leia o texto para responder à questão.
The fantastic appeal of fantasy
The fantasy genre starts where science ends
Few things can brighten up a dark morning in a Scottish
seaside resort during an Atlantic storm. Yet while sheltering in
a bookshop from the rain, I had a moment of sunny revelation.
Stacked almost as high as my 11-year-old self were copies of
The Lord of the Rings, with a cover illustration that promised
mystery and magic. That chance discovery started a lifelong
love of the fantasy genre1
, both as reader and writer.
The fantasy genre has had more and more success, but
today we’re in the middle of an unprecedented fantasy boom.
Sales continue to rise and it is now the biggest genre in
publishing. The more rational the world gets, with super-science
all around us, the more we demand the irrational in our fiction.
Fantasy is not simply a case of swords2
and sorcery3
.
Yes, there is that by the shelf. But the genre is as broad as the
imagination. The genre starts where science ends.
“In these modern times, where most of us sit at computers,
fantasy books offer a chance to break out of mundane
moments,” says Mark Newton, an editor with the genre.
“People like to explore themes that go beyond the limited
palette that literary fiction claims to offer.”
A search for the origins of fantasy will usually have
academics muttering about Beowulf or Homer’s The Iliad, but
they come from a time when all stories were fantasy: gods and
monsters and supernatural artefacts with humanity caught in
the middle. The first modern fantasy writer is usually considered
to be William Morris, in the late 19th Century. But it was the
early 20th Century where fantasy really started to gain status.
Fantasy fiction has always been about visionary ideas.
You can get artful words in plenty of literary fiction, but being
able to see beyond the boundaries4
of the world around us —
now that’s a special skill.
I don’t write fantasy fiction simply to provide a trapdoor5
from the real world. For me, the genre is about the reality. But
instead of coming up against it, fantasy maps the unconscious
aspirations of our modern society through allegory in story-
-forms as old as humanity. It’s about turning off the mobile
phone and the computer and remembering who we are in the
deepest parts of ourselves.
(Mark Chadbourn. www.telegraph.co.uk, 12.04.2008. Adaptado.)
1genre: gênero. Categoria distintiva de composição literária, como romance,
poesia etc.
2sword: espada.
3sorcery: feitiçaria.
4boundary: fronteira.
5trapdoor: alçapão
According to the first paragraph, the author reveals that he
first got interested in the literary fantasy genre
Ano: 2019
Banca:
VUNESP
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SÃO CAMILO
Prova:
VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
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Conhecimentos Gerais
O surto de crescimento, que começou em 1968, lembra
o do Plano de Metas de JK, que durou de 1957 a 1962, mas
com uma importante diferença: no boom dos anos 50, a inflação subiu de 23,89% em 1957 para 55,04% em 1962, ao
passo que no surto da década seguinte a inflação caiu de
23,63% em 1968 para 14,66% em 1973. Este fato fez com que se começasse a falar de “milagre
econômico brasileiro”.
(Paul Singer. “O processo econômico”. In: Daniel Aarão Reis (coord.). Modernização, ditadura e democracia: 1964-2010, vol. 5, 2014. Adaptado.)
Um dos motivos para essa contenção inflacionária durante o “milagre” foi
(Paul Singer. “O processo econômico”. In: Daniel Aarão Reis (coord.). Modernização, ditadura e democracia: 1964-2010, vol. 5, 2014. Adaptado.)
Um dos motivos para essa contenção inflacionária durante o “milagre” foi
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VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
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História
Texto associado
Leia o excerto para responder à questão.
A Guerra Civil norte-americana (1861-1865) merece a
atenção do estudante brasileiro por diversos motivos. Primeiro,
foi uma guerra que marcou profundamente a evolução histórica dos Estados Unidos da América. [...] Em segundo lugar,
esta guerra lembra vários aspectos da história do Brasil quando questões semelhantes surgiram.
(Peter L. Eisenberg. Guerra civil americana, 1984.)
Essa guerra marcou profundamente a história dos Estados
Unidos porque
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VUNESP - 2019 - SÃO CAMILO - Processo Seletivo - 1º Semestre de 2020- Medicina Prova II |
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História
Texto associado
Leia o excerto para responder à questão.
A Guerra Civil norte-americana (1861-1865) merece a
atenção do estudante brasileiro por diversos motivos. Primeiro,
foi uma guerra que marcou profundamente a evolução histórica dos Estados Unidos da América. [...] Em segundo lugar,
esta guerra lembra vários aspectos da história do Brasil quando questões semelhantes surgiram.
(Peter L. Eisenberg. Guerra civil americana, 1984.)
Uma dessas “questões semelhantes” refere-se
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Discípulos de Hipócrates, defensores do ar puro, os
médicos do século XIX acreditam nas virtudes do “ar livre”,
nos danos do “ar mefítico”, viciado pelas grandes densidades populacionais. Atribuem à promiscuidade das multidões
urbanas, aos amontoamentos dos cortiços (palavra dominante nos anos 1880) a propagação de doenças difundidas por
contato, por “contágio”: epidemias, e logo a tuberculose.
(Michelle Perrot. Os excluídos da história: operários, mulheres e prisioneiros, 2017.)
Na Europa, essa “promiscuidade” e os “amontoamentos” decorreram
(Michelle Perrot. Os excluídos da história: operários, mulheres e prisioneiros, 2017.)
Na Europa, essa “promiscuidade” e os “amontoamentos” decorreram
Ano: 2019
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História
A conciliação dos anos 1850 mostrou ser uma estratégia
eficiente de estabilização da monarquia e constituiu-se numa
experiência clássica da vida política brasileira: os setores
hegemônicos das elites equilibraram suas divergências
internas e mantiveram o controle do Estado — sem conceder
nenhuma grande mudança na ordem social e institucional.
(Francisco M. P. Teixeira. História concisa do Brasil, 1993. Adaptado.)
Os “setores hegemônicos das elites” mencionados pelo historiador eram
(Francisco M. P. Teixeira. História concisa do Brasil, 1993. Adaptado.)
Os “setores hegemônicos das elites” mencionados pelo historiador eram
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O processo de independência do Brasil é, comumente,
datado a partir de 1808, com a chegada da família real portuguesa ao Brasil. A verdade dessa proposição reside, em
especial, na montagem pelo príncipe, e depois rei, João VI,
de um aparelho governamental no Brasil. Ao mesmo tempo,
são substituídos os institutos de caráter colonial.
(Hamilton de Mattos Monteiro. “Da independência à vitória da ordem”. In: Maria Yedda Linhares. História geral do Brasil, 2016.)
As afirmações do excerto podem ser exemplificadas pela
(Hamilton de Mattos Monteiro. “Da independência à vitória da ordem”. In: Maria Yedda Linhares. História geral do Brasil, 2016.)
As afirmações do excerto podem ser exemplificadas pela
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